• Romance on the River

    by Sherree Valentine-Daines

    MEDIUM: Oil on board DIMENSIONS: (unframed) 19.7 x 25.6 inches (50 x 65 cm) (framed) 26.8 x 32.7 inches (68 x 83 cm) SIGNATURE: Signed ‘SEVD’ (lower right)   MAKE AN ENQUIRY

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    • The Silver Connoisseur, 1943

      by John Littlejohns

      MEDIUM: Oil on canvas DIMENSIONS: (unframed) 24.4 x 29.5 inches (62 x 75 cm) SIGNATURE: Signed 'Littlejohns' and dated (lower right)   MAKE AN ENQUIRY

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      • A Fountain in Rome

        by Edward Brian Seago

        MEDIUM: Watercolour DIMENSIONS: (unframed) 10.6 x 15 inches (27 x 39 cm) (framed) 19 x 22.5 inches (48.3 x 57.1 cm) This watercolour work by the artist Edward Seago focuses on a Roman fountain, with water spraying from the arms of a stone figure reclining. Behind there are the hints of colour and stonework characteristic of the historic architecture of Rome, as well as Mediterranean poplar trees. MAKE AN ENQUIRY

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        • Twine

          by Michael Thacker

          DIMENSIONS: 21.3 x 21.7 x 8.1 inches (54 x 55 x 20.5 cm) MEDIUM: Ruivina marble and golf leaf   MAKE AN ENQUIRY

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          • La Pointe de Manhattan, New York

            by Yves Brayer

            DIMENSIONS: (unframed) 15.3 x 20.5 inches (38.9 x 52.1 cm) SIGNATURE: Signed (lower left) MEDIUM: Watercolour   MAKE AN ENQUIRY

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            • Jubilation

              by Jeffrey Kroll

              In Jubilation, Jeffrey Kroll demonstrates his supreme brushwork skill; layering shades of pink, green and yellow with hues of orange and purple to develop the tonalities he seeks to fulfil this abstract rendering. MEDIUM: Oil on canvas DIMENSIONS: (unframed) 44.5 x 51.0 ins/ 113.0 x 129.5 cm SIGNATURE: Signed and titled (verso) MAKE AN ENQUIRY

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              • The Old Barn, 1896

                by Sir George Clausen

                DIMENSIONS: (unframed) 42.3 x 34 inches (107.5 x 86.4 cm) (framed) 51 x 42 inches (129.5 x 106.7 cm) SIGNATURE: Signed 'G Clausen' and dated (lower right); signed and dated 'G. CLAUSEN.1897' (lower left) MEDIUM: Oil on canvas   MAKE AN ENQUIRY

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                • El Circulo de Pietra, 1971

                  by Alexander Calder

                  DIMENSIONS: (unframed) 22.0 x 17.5 ins/ 55.9 x 44.5 cm SIGNATURE: Signed ‘Calder’ (lower right) and numbered ‘IX/XXV’ (lower left) MEDIUM: Lithograph on paper   MAKE AN ENQUIRY

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                  • Lady Worsley, Wife of Sir Robert Worsley

                    by Sir Godfrey Kneller

                    DIMENSIONS: (unframed) 49 x 40 inches (124.5 x 101.6 cm) SIGNATURE: Titled (lower left) MEDIUM: Oil on canvas   MAKE AN ENQUIRY

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                    • Hotagen, Sweden 1928

                      by Gottfrid Kallstenius

                      DIMENSIONS: (unframed) 35.3 x 46 in. / 89.7 x 116.8 cm SIGNATURE: Signed and dated (lower right) MEDIUM: Oil on canvas This wonderful sunset painting is a charming and evocative rendition of an idyllic summer evening on a Swedish lake. It would make a lovely addition to any collection of Impressionist, Swedish Romantic or Landscape paintings.  Kallstenius is now represented at the National Museum in Stockholm, at the art museums in Gothenburg and Malmö and in a number of museum collections in Europe, South and North America. MAKE AN ENQUIRY

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                      • Quicksilver

                        by Cathy Lewis

                        DIMENSIONS: (unframed) 86.0 x 30.5 cm/33.9 x 12 ins SIGNATURE: Signed CL 1/6 MEDIUM: Cast marble A cast marble sculpture depicting the humour of childhood in its finest with incredible detail. Quicksilver's wings are definitely flying in the wind. MAKE AN ENQUIRY

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                        • Right of Garden, Landscape

                          by Hans Iten

                          DIMENSIONS: (unframed) 21 x 26.5 inches (53.3 x 67.3 cm) SIGNATURE: Signed (lower left) MEDIUM: Oil on canvas This charming painting depicts a curated garden in summer, and is by Hans Iten, the finest flower painter of his time. The garden is flooded in bright sunlight, while the trees in full leaf cause dappled shade. The composition makes the picture seem as though it is being viewed through a window, the tops of the trees projecting out of the picture plane. This gives the viewer the sense that they are experiencing the view through the trees in real life. MAKE AN ENQUIRY

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                          • A Peaceful Autumn Afternoon, 1965

                            by Sir William Russell Flint

                            DIMENSIONS: (unframed) 9.0 x 12.0 in./22.9 x 30.5 cm SIGNATURE:Signed lower left: W Russell Flint, signed again, titled and inscribed verso: Loch Nan Uamh (Western Highlands) MEDIUM: Watercolour Sir William Russell Flint, one of the most celebrated British painters of the 20th century, has enjoyed almost constant popularity since the 1920s.  His best work reflects a genuine greatness in watercolour technique . The Times’ obituary paid tribute to his exceptional mastery of the watercolour medium: ‘Sir William Russell Flint, RA, who has died at the age of 89, will be chiefly remembered as a watercolourist of remarkable technical skill. Though he painted also in oils and tempera and produced a considerable number of etchings and dry-points, his most characteristic works were watercolour landscapes and figure compositions, elaborately carried out and displaying great virtuosity, in the gradations of a wash and a special manner of enriching its effect by taking advantage of a grained surface paper’. MAKE AN ENQUIRY

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                            • Herefordshire View

                              by Campbell Archibald Mellon

                              DIMENSIONS: (unframed) 9 x 12 inches (22.9 x 30.5 cm) SIGNATURE: Signed 'C A Mellon' (lower right) MEDIUM: Oil on panel This work is a refreshing change from Mellon’s paintings of Gorleston and would be a unique addition to a discerning collection. MAKE AN ENQUIRY

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                              • Mischievous

                                by Charles Sims

                                DIMENSIONS: (unframed) 29 x 36 inches (73.7 x 91.4 cm) SIGNATURE: Signed (lower right) MEDIUM: Oil on canvas This beautiful painting sees Charles Sims demonstrating his incredible talent, depicting two young children frolicking on the beach. He was a highly regarded artist having won the Royal Academy Schools Silver Medal in 1893 and the Landseer Scholarship in 1895. MAKE AN ENQUIRY

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                                • Glow, 2015

                                  by Gabor Torok

                                  DIMENSIONS: (unframed) 27.6 x 11.8 x 11.8 in./70.0 x 30.0 x 30.0 cm SIGNATURE: Signed and numbered 4/9 MEDIUM: Bronze MAKE AN ENQUIRY

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                                  • Morning Light, Dordrecht

                                    by Christopher Sanders

                                    DIMENSIONS: (unframed) 20 x 24 in. / 50.8 x 61 cm SIGNATURE: Signed and inscribed (verso) MEDIUM: Oil on canvas MAKE AN ENQUIRY

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                                    • Flow

                                      by Michael Thacker

                                      DIMENSIONS: 15 x 10 x 5 inches (38.1 x 25.4 x 12.7 cm) MEDIUM: Lincoln Limestone with Gold Leaf MAKE AN ENQUIRY

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                                      • Ritratto di Giovane Signora

                                        by Giovanni Boldini

                                        DIMENSIONS: (unframed) 7 x 7.25 inches (17.78 x 18.42 cm) SIGNATURE: Signed 'Boldini' (lower right) MEDIUM: Oil on canvas   MAKE AN ENQUIRY

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                                        • Inversion

                                          by Michael Thacker

                                          DIMENSIONS: 27 x 13 x 5.5 inches (68.6 x 33 x 14 cm) SIGNATURE: Inscribed MEDIUM: Portoro Marble   MAKE AN ENQUIRY

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                                          • Jeune Femme Blonde

                                            by Paul César Helleu

                                            DIMENSIONS: (unframed) 36.00 x 32.00 inches (91.44 x 81.28 cm) SIGNATURE: Signed MEDIUM: Pastel In this elegant portrait by Paul Cesar Helleu, a young woman stares softly at the viewer, lightly meeting their gaze. The gentleness of the portrait is reflected in the loose gestural draughtsmanship of Helleu. This looseness and ease of depiction suggests that the work was finished in situ, rather than through a series of studies, which is how Helleu preferred to work. MAKE AN ENQUIRY

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