Modern sculpture arose with similar artistic trends to painting and drawing and is widely considered to have begun in the 1800s with the work of French artist Auguste Rodin. Today is no longer restricted by traditional sculptural concepts, materials or methods of production.

  • A Wing and a Prayer

    by PJ Crook

    P.O.A.
    In her latest works P.J. Crook still takes on the plight of the planet, as she reflects on the current issues facing the world today, including climate change, the worldwide pandemic, and the recent Black Lives Matter movement. The artist reminds us that we should learn to love and respect each other regardless of colour or creed and all that inhabits our beautiful world. DIMENSIONS: 38.0 x 35.0 x 19.0 ins/ 96.5 x 88.9 x 48.3 cm MEDIUM: Recycled soft sculpture
  • Whip

    by Michael Thacker

    £5,500
    Michael uses natural forms as one of his primary references, seedpods, shells, fossils and plant buds. The idea that a form develops and grows from within a hard casing to burst forth and reveal a new appearance is paramount to his thought process. Unbalancing the original and juxtaposing taut polished geometric forms against roughly textured organic shapes that emerge from within. DIMENSIONS: 43.9 x 26.7 cm / 17.3 x 10.5 ins MEDIUM: Potoro Marble with Gold Leaf
  • Twist

    by Michael Thacker

    P.O.A.
    Michael uses natural forms as one of his primary references, seedpods, shells, fossils and plant buds. The idea that a form develops and grows from within a hard casing to burst forth and reveal a new appearance is paramount to his thought process. Unbalancing the original and juxtaposing taut polished geometric forms against roughly textured organic shapes that emerge from within. DIMENSIONS: 66.04 cms x 20.32 cms x 20.32 cms /26.00 ins x 8.00 ins x 8.00 ins MEDIUM: Bardiglio Marble
  • Titania

    by Cathy Lewis

    £3,500
    Cathy Lewis’ work examines cultural identity, the importance of a cultural heritage and how this may be learnt and shared. Encouraging her audience to examine links between the past and the future, her works call into question how the future is consistently propped up by the past. DIMENSIONS: 15 ins high SIGNATURE: Signed at the base of the neck C.L 3/6 MEDIUM: Cast marble Edition 3 of 6
  • Diana

    by Cathy Lewis

    P.O.A.
    Cathy Lewis’ work examines cultural identity, the importance of a cultural heritage and how this may be learnt and shared. Encouraging her audience to examine links between the past and the future, her works call into question how the future is consistently propped up by the past. DIMENSIONS: 54 ins high MEDIUM: Painted jesomite
  • The Wonder

    by Cathy Lewis

    P.O.A.
    Cathy Lewis’ work examines cultural identity, the importance of a cultural heritage and how this may be learnt and shared. Encouraging her audience to examine links between the past and the future, her works call into question how the future is consistently propped up by the past. DIMENSIONS: 38 ins high MEDIUM: Jesmonite & Gold Leaf
  • Pow – Nowhere near Gotham

    by Cathy Lewis

    P.O.A.
    A cast marble sculpture of ‘Pow’ sits alongside his double act ‘Zap’.  This little superhero, 'Pow' stands victorious with cape blowing in the wind, this is a wonderfully uplifting piece with a  light-hearted feel of innocence. DIMENSIONS: 89 cms SIGNATURE: Signed C.L. MEDIUM: Cast marble - Edition 6/6
  • Zap – Nowhere near Gotham…

    by Cathy Lewis

    P.O.A.
    Mask pushed up above his eyes, head down, hands in pockets—his face and stance proof that taking on the world is sometimes exhausting and often discouraging. Zap is a wonderful piece displaying the innocence of childhood. DIMENSIONS: (unframed) 87 cms SIGNATURE: Signed CL 1/6 MEDIUM: Cast marble - edition 4/6
  • Quicksilver

    by Cathy Lewis

    P.O.A.
    A cast marble sculpture depicting the humour of childhood in its finest with incredible detail. Quicksilver's wings are definitely flying in the wind. DIMENSIONS: (unframed) 86.0 cm/33.9 ins SIGNATURE: Signed CL 1/6 MEDIUM: Cast marble
  • Departure

    by Michael Thacker

    P.O.A.
    Michael uses natural forms as one of his primary references, seedpods, shells, fossils and plant buds. The idea that a form develops and grows from within a hard casing to burst forth and reveal a new appearance is paramount to his thought process. Unbalancing the original and juxtaposing taut polished geometric forms against roughly textured organic shapes that emerge from within. DIMENSIONS: 69.3 x 44.5 cm / 27.3 x 17.5 ins MEDIUM: Rose aurora marble
  • 5671-michael-thacker-halo

    Halo

    by Michael Thacker

    P.O.A.
    Michael uses natural forms as one of his primary references, seedpods, shells, fossils and plant buds. The idea that a form develops and grows from within a hard casing to burst forth and reveal a new appearance is paramount to his thought process. Unbalancing the original and juxtaposing taut polished geometric forms against roughly textured organic shapes that emerge from within. DIMENSIONS: 61.0 x 19.1 cm / 24.0 x 7.5 ins SIGNATURE: Signed with monogram and dated 2019. MEDIUM: Rosso Verona marble
  • 5673-michael-thacker-Aura

    Aura, 2019

    by Michael Thacker

    P.O.A.
    Michael uses natural forms as one of his primary references, seedpods, shells, fossils and plant buds. The idea that a form develops and grows from within a hard casing to burst forth and reveal a new appearance is paramount to his thought process. Unbalancing the original and juxtaposing taut polished geometric forms against roughly textured organic shapes that emerge from within. DIMENSIONS: 50.3 x 30.5 cm / 19.8 x 12 ins SIGNATURE: Signed with monogram and dated 2019. MEDIUM: Rosso Verona marble and gold leaf
  • Michael-Thacker-pinion

    Pinion

    by Michael Thacker

    P.O.A.
    DIMENSIONS: (unframed) 10.0 x 8.3 in./ 25.4 x 21.1 cm MEDIUM: Potoro marble and gold leaf
  • Reclining Figure (Maquette)

    by Henry Moore

    £110,000
    DIMENSIONS: 15.0 x 20.0 x 10.0 cm/5.9 x 7.9 x 3.9 ins SIGNATURE: Signed Twice numbered 1/9 and bearing H Noack, Berlin Foundry stamp MEDIUM: Bronze
  • Meditation

    by Michael Thacker

    P.O.A.
    DIMENSIONS: (unframed) 17 inches high SIGNATURE: inscribed and dated MEDIUM: Portoro marble        
  • Grosses Wachstum (Great Growth)

    by Gabor Torok

    £9,500
    DIMENSIONS: (unframed)21.3 x 7.1 ins/ 54 x 18 x 26 cms SIGNATURE: Signed and numbered 4/9 MEDIUM: Bronze  
  • Gabor Torok

    Cosi Fan Tutte

    by Gabor Torok

    P.O.A.
    DIMENSIONS: (unframed) 24.4 x 15.7 ins/ 62 x 40 cms SIGNATURE: Signed MEDIUM: Bronze
  • Trail

    by Michael Thacker

    P.O.A.
    DIMENSIONS: 7 x 17 x 4 in MEDIUM: Ruivina Marble and Paltinum leaf
  • Severance

    by Michael Thacker

    P.O.A.
    DIMENSIONS: 32 x 6.75 x 4.5 in MEDIUM: White Onyx
  • Flow

    by Michael Thacker

    P.O.A.
    DIMENSIONS: 15 x 10 x 5 in MEDIUM: Lincoln Limestone with Gold Leaf
  • Curl

    by Michael Thacker

    P.O.A.
    DIMENSIONS: 33 x 14 x 12 in./ 84 x 36 x 30 cm MEDIUM: Ancaster Weatherbed and Gold Leaf
  • Michael Thacker yeild II

    Yield II

    by Michael Thacker

    P.O.A.
    DIMENSIONS: 40.00 x 21.00 x 9.00 ins /101.60 x 53.34 x 22.86 cms SIGNATURE: n/a MEDIUM: Thala Limestone We know from the memoirs of Augustus John that students of fine art at the Slade School were sent off regularly to the National Gallery to study the work of the old masters in detail.  This pedagogy was supplemented with visits to the Royal Academy winter shows, the Burlington Fine Arts Club and Guildhall Art Gallery old master exhibitions. In Orpen’s student years and immediately after there was a sudden surge of interest in Dutch and Spanish 17th Century painting. Beyond Rembrandt and Hals, the keen student would have absorbed the neat, middle class homes of Holland, depicted in the work of Terborch, Metsu, Vermeer and De Hooch, in which wealthy merchants quietly accumulated wealth and possessions. Protestants who abjured the cavalier swagger of Van Dyck’s English sitters had more in common with those who would emerge from the shadows to patronize Orpen and his contemporaries at the turn of the 20th Century.
  • Reaver

    by Michael Thacker

    P.O.A.
    DIMENSIONS: 17 x 26 x 4.5 in./ 44 x 66 x 11 cm MEDIUM: Bardiglio Marble
  • Fluent

    by Michael Thacker

    P.O.A.
    DIMENSIONS: (unframed) 13.00 x 4.00 ins 33.02 x 10.16 cms SIGNATURE: n/a MEDIUM: Green Onyx
  • Genesis

    by Michael Thacker

    P.O.A.
    DIMENSIONS: (unframed) 22.75 x 5.00 ins 57.79 x 12.70 cms SIGNATURE: n/a MEDIUM: White Onyx
  • Tree Figure

    by Henry Moore

    P.O.A.
    Dimensions: (unframed) 7.09 x 2.00 ins (18.01 x 5.08 cms) Signed: Signed and numbered ‘Moore 2/9’ Medium:Bronze with brown patina Henry Moore’s sculptures have made the transition from private gallery to art museum to general public appreciation with such success that his work has become both instantly recognisable and synonymous with British Modern art. The very large works that we have become accustomed to seeing at Kew Gardens, London, in the Yorkshire Sculpture Park and in city squares nationwide are impressive and impactful, but in fact it is Moore’s table-top size pieces that have been described as having a ‘delicacy and emotional resonance that is missing in the big bronzes’ (Jane Ure-Smith for the Financial Times Arts supplement, 19 August 2011). Henry Spencer Moore was an English sculptor and artist. He was best known for his abstract monumental bronze sculptures which are located around the world as public works of art. His forms are usually abstractions of the human figure, typically depicting mother-and-child or reclining figures. Moore's works are usually suggestive of the female body, apart from a phase in the 1950s when he sculpted family groups. His forms are generally pierced or contain hollow spaces. Many interpreters liken the undulating form of his reclining figures to the landscape and hills of his birthplace, Yorkshire. His ability in later life to fulfill large-scale commissions made him exceptionally wealthy. Yet he lived frugally and most of the money he earned went towards endowing the Henry Moore Foundation, which continues to support education and promotion of the arts.
  • Flourish

    by Michael Thacker

    P.O.A.
    DIMENSIONS: 58.42 cms (23.00 ins) SIGNATURE: Signed MEDIUM: Ancaster Weatherbed Limestone & Gold Leaf (24ct gold leaf from Wrights of Lymm,a company that has been producing hand beaten gold leaf for over 170yrs)
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