Modernism first began in Britain just after the First World War, with artists developing increasingly abstract work. Following from this in the post 1935 period artist such as Ben Nicholson settled in St Ives, Cornwall which became a centre of progressive painting and sculpture.
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DIMENSIONS: (unframed) 31.5 x 35.5 inches (80 x 90.2 cm) SIGNATURE: Signed and dated (lower left) MEDIUM: Oil on canvas Mary Fedden very much developed her own individual style of still life painting, as this work beautifully exemplifies. In an article in 'The Artist' magazine, Fedden wrote: 'I really float from influence to influence. I found the early Ben Nicholson's fascinating as were the paintings of his wife Winifred. I also admire the Scottish artist Anne Redpath and the French painter Henri Hayden.' MAKE AN ENQUIRY
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MEDIUM: Pastel SIGNATURE: Signed 'Braaq' (lower right) DIMENSIONS: (framed) 10 x 12 inches (20 x 38.48 cm) Like with the majority of his oeuvre, in ‘The Big Match’ Shields has created a very atmospheric work, depicting the somewhat bleak weather on a typical weekend afternoon in Northern England. The low horizon line allows the heavy, polluted skies and industrial fog to dominate the scene of a football match, which would normally take centre stage and yet here takes up less than half the image. The void of empty space created by the oppressive sky and the bright green pitch in the foreground mean that all of the action unfolds along the horizontal of the painting, distorting any sense of natural perspective, a technique which Braaq used often.
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MEDIUM: Watercolour DIMENSIONS: (unframed) 10.6 x 15 inches (27 x 39 cm) (framed) 19 x 22.5 inches (48.3 x 57.1 cm) This watercolour work by the artist Edward Seago focuses on a Roman fountain, with water spraying from the arms of a stone figure reclining. Behind there are the hints of colour and stonework characteristic of the historic architecture of Rome, as well as Mediterranean poplar trees. MAKE AN ENQUIRY
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DIMENSIONS: (unframed) 10.2 x 14.3 inches (25.9 x 36.3 cm) SIGNATURE: Signed 'Laura Knight' (lower right) MEDIUM: Watercolour and pencil on paper Dame Laura Knight's life began in poverty, but she went on to achieve considerable success in her lifetime - and in that time she also befriended people from all walks of life, from well-known authors, actors, and aristocrats to gypsies and circus folk. MAKE AN ENQUIRY
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MEDIUM: Oil on canvas DIMENSIONS: (unframed) 17.7 x 14.6 inches (45.0 x 37.1 cm) SIGNATURE: Signed ‘Dorothea Sharp’ (lower right) Dorothea Sharp believed colour to be as important as form in the creation of a work and painted quickly with a heavily loaded brush. These ideas and techniques were learnt in Paris where she became influenced by the Impressionists, particularly by Monet. She was well known for her paintings of women and children, like with this intimate scene of a mother and child which would be a lovely addition to any collection. MAKE AN ENQUIRY
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MEDIUM: Chalk on paper DIMENSIONS: (unframed) 23.5 x 25.3 inches (59.6 x 64.2 cm) This study by David Bomberg was drawn from the artist’s bedroom window in Ronda, a town in the Spanish province of Málaga. Here, Bomberg uses sharp, expressive lines in chalk and a creeping sense of darkness to convey a sense of evening shadows, which encourages the viewer to explore the most ancient part of a city which had captivated the artist as soon as he arrived. MAKE AN ENQUIRY
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MEDIUM: Mixed media DIMENSIONS: (unframed) 22.8 x 15.4 ins/ 58.0 x 39.0 cm SIGNATURE: Signed ‘Gear’ and dated (lower right) William Gear was a Scottish painter known for his abstract compositions and as one of the most international in spirit among British artists of his generation and one of the relatively few to make a reputation outside Britain. Gear is recognised for his fondness for heavy black line as a division of colour, predominately reds, yellows and oranges. He regarded the structure and architecture, like the building of his painting to be the most essential basis of a work. MAKE AN ENQUIRY
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MEDIUM: Acrylic DIMENSIONS: (unframed) 31.1 x 16.1 ins/ 79.0 x 41.0 cm SIGNATURE: Signed ‘Gear’ and dated (lower right) William Gear was a Scottish painter known for his abstract compositions and as one of the most international in spirit among British artists of his generation and one of the relatively few to make a reputation outside Britain. Gear is recognised for his fondness for heavy black line as a division of colour, predominately reds, yellows and oranges. He regarded the structure and architecture, like the building of his painting to be the most essential basis of a work. MAKE AN ENQUIRY
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MEDIUM: Acrylic DIMENSIONS: (unframed) 20.1 x 28.3 ins/ 51.0 x 72.0 cm SIGNATURE: Signed ‘Gear’ and dated (lower right) This striking work, Fairground Flight, was painted towards the end of Gear’s career in 1979 when he had developed a distinctive style after his time at Birmingham University. In this period, Gear painted dynamic, diagonal black armatures against vibrant detonations of colour, perfecting a new, thrilling evocation of light pulsing through foliage MAKE AN ENQUIRY
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DIMENSIONS: (unframed) 14.0 x 10.0 ins/ 35.6 x 25.4 cm SIGNATURE: Signed 'G. Brockhurst' (lower right) MEDIUM: Watercolour and pastel This is a portrait of the son of Oliver St. John Gogarty (1878-1957), an Irish poet, author, surgeon, athlete, politician, and well-known conversationalist. He was a onetime friend of James Joyce and served as the inspiration for Buck Mulligan in Joyce's novel Ulysses. MAKE AN ENQUIRY
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DIMENSIONS: (unframed) 23.0 x 30.8 ins/ 58.4 x 78.2 cm SIGNATURE: Signed 'Gear' and dated (lower right) MEDIUM: Mixed media on paper Painted in 1966, Tortured Landscape transports the viewer to a fantastical countryside scene with the dynamic black shapes and juxtaposition of colour creating a sense of depth and movement. MAKE AN ENQUIRY
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DIMENSIONS: (unframed) 3.5 x 4.7 in. / 9 x 12 cm SIGNATURE: Signed 'Herbert Gunn' and dated (lower centre) MEDIUM: Oil on board In this striking view of Pont Mirabeau in Paris, the physical location plays second fiddle to the technical structure of the composition, with only a brief visual reference to Le Trocadero on the horizon. We have to remember that although we are now quite used to seeing pictorial arrangements like this in the 21st Century, when this oil on board was executed in 1913, his work was incredibly avant-garde, challenging much of the sentimental landscapes that were still being reproduced by the bulk of commercial Edwardian artists in Britain. MAKE AN ENQUIRY
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DIMENSIONS: (unframed) 9.0 x 12.0 in./22.9 x 30.5 cm SIGNATURE:Signed lower left: W Russell Flint, signed again, titled and inscribed verso: Loch Nan Uamh (Western Highlands) MEDIUM: Watercolour Sir William Russell Flint, one of the most celebrated British painters of the 20th century, has enjoyed almost constant popularity since the 1920s.  His best work reflects a genuine greatness in watercolour technique . The Times’ obituary paid tribute to his exceptional mastery of the watercolour medium: ‘Sir William Russell Flint, RA, who has died at the age of 89, will be chiefly remembered as a watercolourist of remarkable technical skill. Though he painted also in oils and tempera and produced a considerable number of etchings and dry-points, his most characteristic works were watercolour landscapes and figure compositions, elaborately carried out and displaying great virtuosity, in the gradations of a wash and a special manner of enriching its effect by taking advantage of a grained surface paper’. MAKE AN ENQUIRY