• Reclining Lady

    by Paul César Helleu

    £22,000
    DIMENSIONS: (unframed) 19.0 x 30.0 in./  48.3 x 76.2 cm SIGNATURE: Signed “Helleu” center left MEDIUM: Crayon and graphite on paper
  • Boats in a port

    by Hilda Clements Hassel

    £3,750
    DIMENSIONS: (unframed) 22 x 18 ins (56 x 46 cms) SIGNATURE: Signed lower right MEDIUM: Watercolour on paper
  • River at Twighlight

    by Per Ekstrom

    £12,500
    DIMENSIONS: (unframed) 11.00 x 16.25 in./27.94 x 41.28 cm SIGNATURE: Signed lower right MEDIUM: Oil on canvas
  • French Harbour

    by Emile Laborne

    £12,400
    DIMENSIONS: (unframed) 10.75 x 15.00 in./ 91.44 x 81.28 cm SIGNATURE: Signed lower right MEDIUM: Oil on canvas
  • Soleil Couchant, 1902

    by Hippolyte-Camille Delpy

    £16,500
    DIMENSIONS: (unframed) 16.00 x 28.00 in./ 40.64 x 71.12 cm SIGNATURE: Signed lower right MEDIUM: Oil on canvas
  • DIMENSIONS: (unframed) 22.0 x 32.0 in./ 55.88 x 81.28 cm SIGNATURE: Signed lower right MEDIUM: Oil on canvas
  • Lake at Sunset, 1934

    by Gottfried Kallstenius

    £11,800
    DIMENSIONS: (unframed) 24 x 28.5 in./ 61 x 72 cm SIGNATURE: Signed lower right MEDIUM: Oil on canvas
  • Sunset, Versailles, 1930

    by Alexander Jamieson

    £15,000
    DIMENSIONS: (unframed) 30.0 x 25.0 in./ 76.20 x 63.50 cm SIGNATURE: Signed lower left MEDIUM: Oil on canvas This delicate painting sits firmly in the Impressionist School, and is a beautiful example of the typical Impressionist plein-air and wet-in-wet techniques. The work is by Alexander Jamieson, an acclaimed painter who rubbed shoulders with great names such as Monet and Manet.
  • Unloading Fish, Sunrise Dieppe

    by Eugène Galien Laloue

    £35,000
    DIMENSIONS: (unframed) 18.25 x 25.75 in./46.36 x 65.41 cm SIGNATURE: Signed lower left MEDIUM: Oil on canvas
  • Rue a Pont Aven, 1913

    by Henri Eugene Augustin Le Sidaner

    £7,500
    DIMENSIONS: (unframed) 36.00 x 32.00 ins 91.44 x 81.28 cms SIGNATURE: Signed MEDIUM: Oil on canvas Pont-Aven was a Brittany milling town popular with artists such as Paul Gauguin, Emile Bernard and Paul Sérusier. Apart from the metropolises of Paris and London, Le Sidaner was attracted to the atmospheric small towns in Normandy, Brittany, and the Côte d'Azur, whose old buildings and architecture were even then being slowly threatened with extinction.
  • Sketch of a woman with hat

    by Giovanni Boldini

    £29,500
    DIMENSIONS: (unframed) 19.75 x 13.75 inches (50 x 35 cm) SIGNATURE: Ink Stamp lower right. Additional charcoal sketch and inscription on verso 'No 53 Atelier Boldini' with Dovane Centrale stamp MEDIUM: Watercolour on paper This watercolour is typical of his tendency to depict - with fast impulsive brushstrokes - aristocratic sitters. Here, Boldini has chosen to use a subdued colour palette with infuses the work with modernity. The soft colours fill the work with femininity and intimacy while the sweeping lines of her form give a real sense of movement. It appears that Boldini has captured his sitter in a fleeting moment as she glides around Paris' boulevards.
  • DIMENSIONS: (unframed) 32.00 x 38.00 ins 81.28 x 96.52 cms SIGNATURE: Stamped signature lower left MEDIUM:Pastel and charcoal on paper laid on board This painting depicts Monsieur and Madame Louis Rouart. Louis was the fourth son of Henri Rouart, who was a close friend of Degas. Henri was a wealthy industrialist and an artist himself, participating in seven of the eight Impressionist shows. Rouart senior met Degas when they attended the elite Lycée Louis le Grand in Paris from 1845 to 1853. On graduating, Degas first became a lawyer before turning to painting, while Rouart joined the military and then became an engineer. [woocommerce_currency_converter currency_codes="GBP, USD, EUR"]
  • Jeune Femme Blonde

    by Paul César Helleu

    £85,000
    DIMENSIONS: (unframed) 36.00 x 32.00 ins 91.44 x 81.28 cms SIGNATURE: Signed MEDIUM: Oil on canvas In this elegant portrait by Paul Cesar Helleu, a young woman stares softly at the viewer, lightly meeting their gaze. The gentleness of the portrait is reflected in the loose gestural draughtsmanship of Helleu. This looseness and ease of depiction suggests that the work was finished in situ, rather than through a series of studies, which is how Helleu preferred to work. The appearance of a chair in the lower right hand corner suggests an informal setting, and implies that the artist was well-acquainted with the sitter. A further softness is brought to the work by the use of chalk and by the harmony of three main colours; green, yellow and peach. Furthermore, the use of peach on the sitter’s blushing cheeks and lips combined with her bright blue eyes give her an angelic look.
  • Femme aux Lilas, 1892

    by Louis Anquetin

    £18,000
    DIMENSIONS: (unframed) 25.51 x 21.14 ins 64.80 x 53.70 cms SIGNATURE: Signed lower left MEDIUM: Oil on canvas [woocommerce_currency_converter currency_codes="GBP, USD, EUR"]
  • Reclining Woman

    by Paul César Helleu

    £35,000
    DIMENSIONS: (unframed) 18.00 x 26.75 ins (45.72 x 67.95 cms) SIGNATURE: Signed 'Helleu' lower left MEDIUM: Chalk and pencil on paper In this elegant drawing, Paul César Helleu has rapidly drawn this stylishly attired woman using his signature loose gestural draughtmanship. This looseness and ease of depiction suggests that the work was finished in situ, rather than through a series of studies, which is how Helleu preferred to work. Although this drawing was clearly composed rapidly, Helleu has taken careful care in depicting the sitter’s fashionable furbelowed dress and  hat with jaunty feathers. Additionally, he has delicately rendered her up to date makeup and hairstyle by judicious application of colour. Paul César Helleu has created an exquisite drawing of a society lady at rest on her ornate settee; his trademark.
  • St. Tropez

    by Lucien Neuquelman

    £25,000
    DIMENSIONS: (unframed) 21.25 x 28.75 ins 53.98 x 73.03 cms SIGNATURE: Signed lower right MEDIUM: Oil on canvas In this work Neuquelman has used his characteristically bright palette and energetic, short brushstrokes, to create this view of Saint Tropez. Neuquelman very much enjoyed painting landscapes, not only in the South of France but also views of Paris and Brittany. A Parisian gallery organised a retrospective of his work in 1945. Rather than mixing the colours on a palette, the colours have been applied onto the canvas separately. In the foreground the contrasting colours of green, blue and red help to add a sense of depth to the canvas, just as the red and orange used in the sea contrast with the blue, creating a sense of depth and movement to the water’s surface. [woocommerce_currency_converter currency_codes="GBP, USD, EUR"]
  • Les Grands Boulevards

    by Eugène Galien Laloue

    £14,000
    DIMENSIONS: (unframed) 8.25 x 11.oo in./ 20.96 x 27.94 cm SIGNATURE: Signed lower left MEDIUM: Watercolour
  • Quai Bourbon, Paris

    by Luigi Loir

    £60,000
    DIMENSIONS: (unframed) 55.9 x 47 cms / 22 x 18.5 inches SIGNATURE: Signed MEDIUM: Oil on canvas [woocommerce_currency_converter currency_codes="GBP, USD, EUR"] This beautiful painting is one of such works, depicting the ‘Quai de Bourbon’ in the fourth arrondissment of Paris.
  • Chateau a Bievres

    by Lucien Adrion

    £18,000
    DIMENSIONS: (unframed) 72.00 cms x 58.00 cms (28.35 ins x 22.83 ins) SIGNATURE: Signed MEDIUM: Oil on canvas [woocommerce_currency_converter currency_codes="GBP, USD, EUR"]