• DIMENSIONS: (unframed) 14.0 x 17.9 in./35.5 x 45.5 cm SIGNATURE: Signed lower right MEDIUM: Oil on board
  • Les Falaises

    by Victor Vignon

    DIMENSIONS: (unframed) 21.63 x 17.63 in./54.9 x 44.7 cm SIGNATURE: Signed 'Vr. Vignon' lower right MEDIUM: Oil on canvas
  • Portrait of a Woman, C.1888

    by Giovanni Boldini

    DIMENSIONS: (unframed)8.0 x 6.0 ins/ 20.3 x 15.2 cm SIGNATURE: Signed lower right MEDIUM: Watercolour
  • Ville Portuaire

    by Jean Dufy

    DIMENSIONS: (unframed) 10.5 x 16.5 in./ 26.7 x 41.9 cm SIGNATURE: Stamped signature lower right MEDIUM: Pencil on paper
  • DIMENSIONS: (unframed)  17.5 x 25.0 in. / 44.5 x 63.5 cm SIGNATURE: Signed 'Jean Dufy' and dated lower right; Label from Herman C. Goldsmith, NY verso MEDIUM: Pencil on paper
  • DIMENSIONS: (unframed) 21.5 x 28.0 in./ 54.6 x 71.1 cm SIGNATURE: Stamped signature lower right MEDIUM: Ink and pencil on paper
  • County Down

    by Julius Olsson

    DIMENSIONS: (unframed) 30.0 x 40.0 in./ 76.2 x 101.6 cm SIGNATURE: Signed lower left MEDIUM: Oil on canvas
  • Unloading the Catch

    by Eugène Galien Laloue

    DIMENSIONS: (unframed)13.50 x 18.0 in./34.29 x 45.72 cm SIGNATURE: Signed lower left MEDIUM: Oil on canvas
  • Bateaux Amarrés

    by Eugène Boudin

    DIMENSIONS: (unframed) 23.8 cms x 33.6 cms / 9 3/8 ins x 13 1/4 ins SIGNATURE: Stamped lower right MEDIUM: Watercolour and Pencil on paper  
  • Rue Royal, Madeleine

    by Edouard Leon Cortes

    DIMENSIONS: (unframed) 18.0 x 22.0 in./ 45.7 x 55.9 cm SIGNATURE: Signed lower right MEDIUM: Oil on canvas
  • View on the Bridge

    by Gustave Cariot

    DIMENSIONS: (unframed)9.45 x 13.39 in./ 24.00 x 34.00 cm SIGNATURE: Signed and dated lower right MEDIUM: Oil on panel
  • Bathers on the Beach

    by Alexander Garbell

    DIMENSIONS: (unframed) 24 x 36 ins SIGNATURE: Signed MEDIUM: Oil on canvas
  • Reclining Lady

    by Paul César Helleu

    DIMENSIONS: (unframed) 19.0 x 30.0 in./  48.3 x 76.2 cm SIGNATURE: Signed “Helleu” center left MEDIUM: Crayon and graphite on paper
  • Boats in a port

    by Hilda Clements Hassel

    DIMENSIONS: (unframed) 22 x 18 ins (56 x 46 cms) SIGNATURE: Signed lower right MEDIUM: Watercolour on paper
  • French Harbour

    by Emile Laborne

    DIMENSIONS: (unframed) 10.75 x 15.00 in./ 91.44 x 81.28 cm SIGNATURE: Signed lower right MEDIUM: Oil on canvas
  • DIMENSIONS: (unframed) 22.0 x 32.0 in./ 55.88 x 81.28 cm SIGNATURE: Signed lower right MEDIUM: Oil on canvas
  • Lake at Sunset, 1934

    by Gottfried Kallstenius

    DIMENSIONS: (unframed) 24 x 28.5 in./ 61 x 72 cm SIGNATURE: Signed lower right MEDIUM: Oil on canvas
  • Depicting five young ballerinas, Dancers in the dressing room, c.1895 is a prime example of Arnaldo Ferraguti painting a subject he loved. This soft yet vibrant piece shows the young girls getting ready to dance, concentrating hard on their actions. Ferraguti’s use of bright colours lends a lovely sense of warmth to the composition. The dressing room is drawn softly and hazily to direct attention to the figures, who have been outlined faintly in black. The central figure helps one of the other girls to get dressed, inviting the viewer to question the relationship between these children and imbuing the scene with a comforting quality. DIMENSIONS: (unframed) 17.50 x 25.12 in./44.45 x 63.80 cm SIGNATURE: Signed 'A. Ferraguti' (lower right) MEDIUM: Chalk and pastel on paper laid down on card
  • DIMENSIONS: (unframed) 8.5 x 10.5 in./ 21.5 x 27.0 cm SIGNATURE: Signed lower right MEDIUM: Oil on panel
  • Ritratto di Giovane Signora

    by Giovanni Boldini

    Ritratto di Giovane Signora is a rare early portrait by the Italian master Giovanni Boldini from 1863-65. In this work a beautiful young woman stares knowingly out towards us. The black of her dress, which engulfs her body, is a stark contrast to her unblemished white skin. She is presented against a grey background in a formal portraiture composition, which gives reference to traditional portraiture while simultaneously beckoning in a new style for the genre. The empty background signals Boldini’s early style in which he quickly painted small portraits that focused upon the image of the sitter. With just the lady’s face to hold our attention all detail is on how it expresses her personality. With light illuminating on her face, we are given a real insight into Boldini’s skill in transforming portraiture in his early Tuscan years. DIMENSIONS: (unframed) 7.00 x 7.25 ins/ 17.78 x 18.42 cm SIGNATURE: Signed 'Boldini' (lower right) MEDIUM: Oil on canvas
  • Unloading Fish, Sunrise Dieppe

    by Eugène Galien Laloue

    DIMENSIONS: (unframed) 18.25 x 25.75 in./46.36 x 65.41 cm SIGNATURE: Signed lower left MEDIUM: Oil on canvas
  • Sketch of a woman with hat

    by Giovanni Boldini

    DIMENSIONS: (unframed) 19.75 x 13.75 inches (50 x 35 cm) SIGNATURE: Ink Stamp lower right. Additional charcoal sketch and inscription on verso 'No 53 Atelier Boldini' with Dovane Centrale stamp MEDIUM: Watercolour on paper This watercolour is typical of his tendency to depict - with fast impulsive brushstrokes - aristocratic sitters. Here, Boldini has chosen to use a subdued colour palette with infuses the work with modernity. The soft colours fill the work with femininity and intimacy while the sweeping lines of her form give a real sense of movement. It appears that Boldini has captured his sitter in a fleeting moment as she glides around Paris' boulevards.
  • DIMENSIONS: (unframed) 32.00 x 38.00 ins 81.28 x 96.52 cms SIGNATURE: Stamped signature lower left MEDIUM:Pastel and charcoal on paper laid on board This painting depicts Monsieur and Madame Louis Rouart. Louis was the fourth son of Henri Rouart, who was a close friend of Degas. Henri was a wealthy industrialist and an artist himself, participating in seven of the eight Impressionist shows. Rouart senior met Degas when they attended the elite Lycée Louis le Grand in Paris from 1845 to 1853. On graduating, Degas first became a lawyer before turning to painting, while Rouart joined the military and then became an engineer.
  • Femme aux Lilas, 1892

    by Louis Anquetin

    DIMENSIONS: (unframed) 25.51 x 21.14 ins 64.80 x 53.70 cms SIGNATURE: Signed lower left MEDIUM: Oil on canvas
  • St. Tropez

    by Lucien Neuquelman

    DIMENSIONS: (unframed) 21.25 x 28.75 ins 53.98 x 73.03 cms SIGNATURE: Signed lower right MEDIUM: Oil on canvas In this work Neuquelman has used his characteristically bright palette and energetic, short brushstrokes, to create this view of Saint Tropez. Neuquelman very much enjoyed painting landscapes, not only in the South of France but also views of Paris and Brittany. A Parisian gallery organised a retrospective of his work in 1945. Rather than mixing the colours on a palette, the colours have been applied onto the canvas separately. In the foreground the contrasting colours of green, blue and red help to add a sense of depth to the canvas, just as the red and orange used in the sea contrast with the blue, creating a sense of depth and movement to the water’s surface.
  • Le pont suspendu de Triel sur Seine exemplifies Gustave Loiseau's life-long fascination for the Seine and its tributaries. Set in a village north west of Paris, the work captures the passing of the water in a moment of muted light. Avoiding the strong light of midday, Loiseau often preferred the softer crepuscular light of morning or evening. DIMENSIONS: (unframed) 23.62 ins x 31.89 ins/ 60.0 cms x 81.0 cms SIGNATURE: Signed 'G. Loiseau' and dated (lower left) MEDIUM: Oil on canvas    
  • Les Grands Boulevards

    by Eugène Galien Laloue

    DIMENSIONS: (unframed) 8.25 x 11.oo in./ 20.96 x 27.94 cm SIGNATURE: Signed lower left MEDIUM: Watercolour
  • Château à Bièvres

    by Lucien Adrion

    DIMENSIONS: (unframed) 72.00 cms x 58.00 cms (28.35 ins x 22.83 ins) SIGNATURE: Signed MEDIUM: Oil on canvas