The term ‘Impressionist’ was initially a criticism that became an accurate description for the unique attraction of the Impressionist group of artist’s work. It was precisely the artist’s personal, visual impression of contemporary France that they sought to communicate; they wanted to express the reality of modern life, within the contemporary landscape.

  • Springtime in Bruges

    by Fred Hall

    £13,500
    Frederick Hall was a British artist whose work is characterised by his Impressionistic style, whilst concurrently focusing on the romantic subjects of landscapes, rustic subjects and portraits. He was a member of the Newlyn School in Cornwall.  It was during his time at the Newlyn School that his style shifted from focusing on the subjects of social realism to that of the impressionist mode. DIMENSIONS: (unframed) 12.2 x 15.7 ins / 31.0 x 40.0 cm SIGNATURE: Signed lower left MEDIUM: Oil on board
  • St-Raphaël

    by Jeanne Selmersheim-Desgrange

    £19,500
    Selmersheim-Desgrange lived and loved the area around St. Tropez –  and she replicated the relaxed atmosphere, the intense light, the brilliant earthen colors, dark tree silhouettes, and azure seas in her work as can be seen in this composition. Signac and Selmersheim-Desgrange lived in a small house in the South of France – “La Hune” and throughout her association with Signac, Jeanne was happy and most contented to stay in the shadows of “her great master.” DIMENSIONS: (unframed) 50.3 x 65.5 cm/19.8 x 25.8 ins SIGNATURE: Titled and dated 'St-Raphaël 1908' (lower right) MEDIUM: Oil on canvas
  • Esquisse de Paysage

    by Pierre Auguste Renoir

    P.O.A.
    This spontaneous sketch depicts a town landscape. Though unfinished, it reveals how Renoir layered light tones over dark tones. For example, the front wall of the house on the left shows how white has been layered over an ochre base. This technique is also visible in the surrounding foliage, and lends the composition warmth. The haziness with which the scene has been depicted not only indicates the spontaneity of this sketch, but also shows how Renoir carefully considered the mixing of colours. DIMENSIONS: (unframed) 5.75 ins x 10.25 ins SIGNATURE: Stamped signature lower left MEDIUM: Oil on canvas
  • Fenetre a Epineuil

    by Jules Cavaillès

    £35,000
    “Nothing should be ‘inhabited’ in a painting, no space should remain lifeless. Everything should conspire to enhance a painting’s harmonious balance. This is what invests a painting with its vibrancy.”- Jules Cavaillès Fenetre a Epineuil is a vibrant composition that evokes the sense of the sweetness of a warm summer’s day. The work depicts a beautiful bouquet of flowers, framed by a garden which is in fact equally as bountiful and lush in nature. DIMENSIONS: (unframed) 91.4 x 71.1 cm / 36.0 x 28.0 ins SIGNATURE: Signed lower right MEDIUM: Oil on canvas
  • La Maison Bleue aux Environs de Giverny

    by Blanche Hoschede-Monet

    £68,000
    Most of Blanche's works were done in Giverny (where the family home was based) from 1883 to 1897. Here she painted alongside Claude Monet and became Monet's assistant and pupil, often carrying his easel and his canvases on a wheel barrow. Monet enquired in 1884, when Blanche was 19, "Has Blanche been painting, and has she been making progress?" She painted landscapes with trees such as pines and poplars, and meadows along the Risle river. In the 1920s, she also painted on several occasions at Georges Clemenceau's property in Saint-Vincent-sur-Jard (Vendée department) in the west of France - paintings of the garden, house and the Atlantic Ocean. After Monet's death, she remained in Giverny and continued painting. DIMENSIONS: (unframed)54.1 x 81.5 cm/21.3 x 32.1 ins SIGNATURE: Signed lower left MEDIUM: Oil on canvas
  • Le Sas à Trouville, 1894

    by Eugène Boudin

    P.O.A.
    This painting depicts the port of Trouville harbour, Boudin was particularity fond of the location and produced a series of works there. The horizontal brushstrokes used to depict the water are executed in a clearly Impressionist style, while the sky, formed by a heavy mass of clouds, is common to Boudin’s work. DIMENSIONS: (unframed) 33.0 x 40.6 cm/13.0 x 16.0 ins SIGNATURE: Signed 'E. Boudin' dated and inscribed (lower left) MEDIUM: Oil on panel
  • Port de Cherbourg, 1929

    by Achille Emile Othon Friesz

    £23,500
    This peaceful painting depicts Cherbourg Harbour with the blues and oranges of sunset covering the whole canvas. These muted colours lend an air of tranquillity to the piece denoting that the day is coming to a close. In his later years, Othon Friesz often portrayed this vista, fascinated by the comings and goings of the boats. One can almost imagine the artist sitting on the quay, painting the view before him. DIMENSIONS: (unframed) 15.0 x 18.1 in./38.0 x 46.0 cm SIGNATURE: Signed 'E. Othon Friesz' and dated (lower right) MEDIUM: Oil on canvas  
  • Voiliers

    by Jean Dufy

    £48,000
    Voiliers is an incredibly expressive nautical scene by Jean Dufy who was known for his depictions of leisurely social activities of the French bourgeoisie. Dufy was strongly influenced by the musical figures that surrounded him, especially in Paris. The expressiveness of Voiliers, recalls the music that Dufy would have heard in the cafés of Paris- a culture Dufy was very much a part of. The strong vertical brushstrokes in Voiliers conveys the sense of movement associated with jazz and also recalls the fluid motion of waves. The title itself, ‘Voiliers’ refers to the specific type of boats depicted in this painting; the name of which is derived for the French word for sail or veil. The boats were previously mercantile ships but during Dufy’s lifestyle they were used as leisure boats, as seen by the graphic figures in the foreground. DIMENSIONS: (unframed) 16 x 9.50 ins / 40.75 x 24.25 cm SIGNATURE: Signed lower right MEDIUM: Oil on canvas
  • This sketch depicts Ida Nettleship, who was the artist’s wife. Ida was an art student at the Slade School of art. Towards the end of her time at Slade she met Augustus John and they married in 1901. A portrait of Ida by John from around 1901, while she was in her first pregnancy, is held by the National Museum of Wales. The family moved to London in 1903, where John co-founded Chelsea Art School with William Orpen.  Later in 1903, Nettleship's life with John was complicated when Dorelia McNeill became John's model and mistress. From 1903 to 1907, the three lived together, first at Matching Green in Essex and from 1905 in Paris. Nettleship had three further sons with John in quick succession. During this period, Dorelia also had children with John, in 1905 and 1906. Given John's limited income and the growing family, Nettleship eventually gave up painting to take care of the children and the housework. Although she found this wearisome and considered leaving John, she did not live long enough to do so. She died of puerperal fever in Paris in 1907 after the birth of her fifth son, Henry. DIMENSIONS: (unframed) 12.7 x 10.8 cm/5.0 x 4.3 ins MEDIUM: Pencil on paper
  • Portrait of a Woman

    by Paul César Helleu

    £35,000
    Paul César Helleu has created an exquisite drawing of a his eldest daughter, Ellen, at rest on her dainty chair. Ellen was born in 1887. Therefore date of this work is probably between 1905 and 1910. DIMENSIONS: (unframed) 20.5 x 30.25 ins / 52.07 x 76.84 cms SIGNATURE: Signed lower right MEDIUM: White, black and red pastel on buff paper
  • ‘Suzanne’, Étude de Cinq Têtes

    by Paul César Helleu

    £35,000
    This beautiful portrait study shows the artist’s skill and his mastery of the trios crayons technique of using just three colours of chalk, black red and white, to capture his sitters so brilliantly. DIMENSIONS: (unframed) 59.69 cms x 75.56 cms /23.50 ins x 29.75 ins SIGNATURE: Signed lower right and inscribed MEDIUM: Pencil on paper
  • Élégante

    by Paul César Helleu

    £35,000
    Referenced in the archives of the Amis de Paul-César Helleu under the n° 4338. Authenticated by Mrs. Howard-Johnston in 1988. In this elegant drawing, Paul César Helleu has rapidly drawn this stylishly attired woman using his signature loose gestural draughtmanship. This looseness and ease of depiction suggests that the work was finished in situ, rather than through a series of studies, which is how Helleu preferred to work. Although this drawing was clearly composed rapidly, Helleu has taken careful care in depicting the sitter’s fashionable furbelowed dress and  hat with jaunty feathers. Additionally, he has delicately rendered her up to date makeup and hairstyle by judicious application of colour. Paul César Helleu has created an exquisite drawing of a society lady; his trademark. DIMENSIONS: (unframed) 70.00 cms x 48.00 cms /27.56 ins x 18.90 ins x 0.0 ins SIGNATURE: Signed lower left MEDIUM: Crayon on paper
  • Portrait of a young woman

    by Paul César Helleu

    £9,500
    Paul César Helleu worked as a painter and an engraver in France at the turn of the century. His work epitomises the charm and elegance of French culture at the time – the belle époque – with all its verve and focus on fashion. Whilst he was renowned for his portraits of society ladies on commission, and those of his childhood sweetheart who later became his wife (Alice Guerin). DIMENSIONS: (unframed) 43.18 cms x 30.48 cms /17.00 ins x 12.00 ins SIGNATURE: Signed and inscribed 'To Alice' MEDIUM: Black and Sanguine Chalk  
  • Bassin, Lentilles Vertes

    by Henri Eugene Augustin Le Sidaner

    P.O.A.
    Le Sidaner said that no landscape was worth painting unless it was enhanced by some play of light. He experimented with all sources of light, including sunlight, sunset and the illuminating “clair de lune”. The son of a sea captain, he was drawn in particular to the play of light on water. DIMENSIONS: (unframed) 23.9 x 28.9 in./ 60.7 x 73.4 cm SIGNATURE: Signed lower right and inscribed MEDIUM: Oil on canvas
  • Building Sandcastles

    by Dorothea Sharp

    £28,000
    ‘Building Castles’ is a prime example of Sharp’s happy pictures. In the composition we can see a child methodically building their sandcastle, while other children play behind them. Sharp believed colour to be as important as form in the creation of a work and painted quickly with a heavily loaded brush. These ideas and techniques were learnt in Paris where she became influenced by the Impressionists, particularly by Monet. These concepts are perfectly executed in this beautiful painting where Sharp’s thick application of paint and use of exuberant colour palette highlights the bright sea and rocky foreshore. The bright light in this charming painting further reflects her Impressionist teachings. Her pictures have a fresh colour scheme, sense of movement and warmth that fit perfectly with her subjects. In the same way, her mastery of the impressionistic style imbues her canvases with an almost dream-like sentimentality. DIMENSIONS: (unframed) 14 x 18 inches / 35.6 x 45.7 cms SIGNATURE: Signed lower left MEDIUM: Oil on canvas  
  • The Dunes at Wimereux, Normandy, 1934

    by Edmund Blampied

    £10,000
    Blampied put his hand to a variety subjects, the most dear are his scenes of domestic idiosyncrasy that depict life on the farm and small town and those that show the bond that develops between people of a close knit community.  He was a keen observer of everyday life who clearly enjoyed the quirks of human nature, even within amusing stereotypes.  Blampied’s humor is as precise and delicate as his line work.  His charming depictions rendered in a flourish with a skillful hand, float in and out of existence on the page like a cherished memory. DIMENSIONS: (unframed) 8.0 x 11.5 in./ 20.32 x 29.21 cm SIGNATURE: Signed 'Blampied' and dated (lower right) MEDIUM: Oil on board
  • Falaises a Varengeville

    by Robert Antoine Pinchon

    £11,000
    Robert Antoine Pinchon is best known for his Post-Impressionist landscape scenes, favouring en plein air painting to being inside a studio. Born into an artistic family in 1886, Pinchon played a prominent part in the Rouen school of artists. It was in Rouen that Pinchon met the master of Impressionists, Claude Monet, with whom he exhibited in 1903 at the Exposition des Beaux Arts in Rouen. Monet said that Pinchon had ‘a surprising touch in the service of a surprising eye’. Naturally this early contact with Monet had a major impact on Pinchon’s artistic career . DIMENSIONS: (unframed) 45.0 x 62.0 cm / 17.7 x 24.4 ins SIGNATURE: Signed lower right MEDIUM: Watercolour
  • Falaises a Varengeville

    by Robert Antoine Pinchon

    £11,000
    Robert Antoine Pinchon is best known for his Post-Impressionist landscape scenes, favouring en plein air painting to being inside a studio. Born into an artistic family in 1886, Pinchon played a prominent part in the Rouen school of artists. It was in Rouen that Pinchon met the master of Impressionists, Claude Monet, with whom he exhibited in 1903 at the Exposition des Beaux Arts in Rouen. Monet said that Pinchon had ‘a surprising touch in the service of a surprising eye’. Naturally this early contact with Monet had a major impact on Pinchon’s artistic career . DIMENSIONS: (unframed) 45.0 x 62.0 cm / 17.7 x 24.4 ins SIGNATURE: Signed lower right MEDIUM: Watercolour
  • Falaises vers Etretat, 1906

    by Paul Madeline

    £18,000
    This splendid little painting is titled Falaises vers Etretat (Cliffs to Etretat) and depicts Etretat, a town on the north coast of France and its striking rock formations carved out of its white cliffs. DIMENSIONS: (unframed) 34.0 x 46.0 cm / 13.4 x 18.1 ins SIGNATURE: Signed lower left MEDIUM: Oil on canvas
  • 4445-Kallstenius-Summer Sunset

    Summer Sunset, 1928

    by Gottfrid Kallstenius

    £12,800
    This painting is a beautiful, late Impressionist piece by Swedish painter Kallstenius Gottfried. The painting is a demonstration of Kallstenius’ aptitude with pigments, especially in the way in which the warm sunlight of a summer sunset has been achieved. Although the brushstrokes are visible and choppy, the clever depiction of light seems to evoke the feeling of the golden hour better than any photograph. This work captures the moment just before dusk on a summer’s evening; the sky above is pink and orange, and the water below reflects its iridescence, while the surrounding shrubbery looks dark and a little sinister. It seems that Gottfrid was fascinated by the warm light of the evening sun, and he evokes it perfectly here. DIMENSIONS: (unframed) 29.0 x 39.0 in./73.66 x 99.06cm SIGNATURE: Signed lower right MEDIUM: Oil on canvas
  • Vent, Beau Temps, au Large (Deauville)

    by Andre Hambourg

    £20,000
    In 1970, Hambourg was sufficiently well-known to be granted a retrospective of five hundred paintings at the Maison de Culture in Bourges, and exhibitions and commissions continued all over the world until his death. The Normandy coastline remains one of the most collectable subjects of Hambourg’s career. Today his works can be found in the collections of museums such as the Musée National d’Art Moderne, the Musée National de la Marine, and the Musée des Arts d’Afrique et d’Océanie. DIMENSIONS: (unframed) 8.8 x 13.8 in./22.4 x 35.1 cm SIGNATURE: Signed 'A. Hambourg' (lower left); titled and inscribed (verso) MEDIUM: Oil on canvas
  • 5579-edouard-leon-cortes-rue-de-la-republique

    Rue de la Republique

    by Edouard Leon Cortes

    £48,000
    Cortes’ reputation is founded on his ability to depict the busy atmosphere of Paris at the turn of the century working delicately in watercolour and gouache. His works are not only of aesthetic value, but also important as historical documents of the life of the times. DIMENSIONS: (unframed) 19.5 x 25.0 in./ 49.5 x 63.5 cm SIGNATURE: Signed lower right MEDIUM: Oil on canvas
  • Une Vue de Venise

    by Julien Gustave Gagliardini

    £29,000
    DIMENSIONS: (unframed) 21.0 x 29.0 in./ 53.3 x 73.7 cm SIGNATURE: Signed lower right MEDIUM: Oil on canvas This painting is a beautiful depiction of Venice, with vibrant colours that show the warmth of the sun reflecting off the water. As the viewer you get a real sense of the love Julien Gagliardini shared for his surroundings in Venice, especially in choosing to paint the edge of the city and unseen parts rather than the more famous landmarks.
  • 5644-henri-Le-Sidaner-Le-chamber-bleu-Villefranche

    Le Chamber Bleu Villefranche Sur Mer, c 1927

    by Henri Eugene Augustin Le Sidaner

    P.O.A.
    Le Sidaner said that no landscape was worth painting unless it was enhanced by some play of light. He experimented with all sources of light, including sunlight, sunset and the illuminating “clair de lune”. The son of a sea captain, he was drawn in particular to the play of light on water. DIMENSIONS: (unframed) 18.0 x 21.0 in./ 45.7 x 53.3 cm SIGNATURE: Signed lower right MEDIUM: Oil on canvas
  • 5642-anshelm-Schultzberg-winter

    Winter Twilight

    by Anshelm Schultzberg

    £14,000
    DIMENSIONS: (unframed) 20.5 x 28 in./ 52.1 x 71.1 cm SIGNATURE: Signed lower right MEDIUM: Oil on canvas
  • DIMENSIONS: (unframed) 31.3 x 39.8 in./79.5 x 101.1 cm SIGNATURE: Signed lower right MEDIUM: Oil on canvas Petite Odalisque ou Nu à la Nature Morte is a depiction of his wife, Jeanne who he married in 1899 and became his favourite model, placed against a colourful and elaborately patterned room filled with rich tapestries. The fleshy tones of her curvaceous body contrast against the luxurious white sheets that she reclines upon. Her body is painted with a natural ease and suggestive sensuousness, concentrating on the idea of woman as muse, relaxed and pensive with a sure sense of colour. He was concerned with simple expression and sensuous surface.
  • Palazzo Barbarigo

    by Jacques Martin-Ferrières

    £28,500
    DIMENSIONS: (unframed) 24.0 x 29.0 in./61.0 x 73.7 cm SIGNATURE: Signed lower right MEDIUM: Oil on canvas Jacques Martin-Ferrières often travelled to Italy, especially his beloved Venice, producing some of his finest works. This beautiful painting of the Venetian canal demonstrates a superb sensitivity of colour with the bright reflections and effects of light. His palette developed throughout the 1930's, as he continually visited Venice and other locations, as his paintings became more energised and he refined his impasto technique of painting.
  • Reflections c.1930

    by Jacques Martin-Ferrières

    £32,500
    DIMENSIONS: (unframed) 32 x 26 in./81.3 x 66 cm SIGNATURE: Signed upper left MEDIUM: Oil on canvas Jacques Martin-Ferrières continually painted subjects of landscapes and nature within Southern regions of France, usually standing out for his vivid use of colours and excellent skill. He gradually became known for his technique of thick application of paint, applying layers to the canvas in a freer brushstroke, to create balanced compositions of animation and tantalising effects of light. We can see this in the painting Reflections, as he reflects the light off the water of a river, with subtle harmonies of ochre and green tones.
  • The Flamboyant Tree

    by Frits Lucien Ohl

    P.O.A.
    DIMENSIONS: (unframed) 36.00 x 24.00 in./ 91.40 x 60.00 cm SIGNATURE: Signed lower right MEDIUM: Oil on canvas Frits Lucien Ohl (1904-1976) was a painter whose works were mostly of Indonesian landscapes and Asian panoramas. He was a skilled artiste, watercolourist, and draughtsman in the style reminiscent of the late of GP. Adolfs. He worked in a colourful and impressionistic manner, depicting Indonesian landscapes and culture, often using his palette knife.
  • La Table, Gerberoy, 1901

    by Henri Eugene Augustin Le Sidaner

    £95,000
    DIMENSIONS: (unframed) 14.75 x 14 inches (37.5 x 35.5 cms) SIGNATURE: Signed 'Le Sidaner' lower right MEDIUM: coloured crayon, watercolour and pencil on paper
  • Edouard Leon Cortes Place de Clichy Edouard Leon Cortes Place de Clichy

    Place de Clichy, Paris, by night

    by Edouard Leon Cortes

    £35,000
    DIMENSIONS: (unframed) 13.00 x 18.00 in./ 33.0 x 45.7 cm SIGNATURE: Signed lower right MEDIUM: Oil on canvas
  • Eugene Galien Laloue Arc de Triomphe Laloue arc de triomphe

    L’Arc de Triomphe, c. 1925-1930

    by Eugène Galien Laloue

    £24,000
    DIMENSIONS: (unframed) 7.3 x 12 ins SIGNATURE: Signed 'E. Galien-Laloue' (lower left). MEDIUM: Gouache on paper This beautiful work shows the Arc de Triomphe in Paris on a crisp autumn evening. The sky is filled with the oranges of sunset, capturing the light and atmosphere of the scene.
  • Costantini elegant au theatre Costantini elegant au theatre

    Portrait d’élégante au théâtre, 1925

    by Virgilio Costantini

    £9,950
    DIMENSIONS: (unframed) 16.1 x 13.0 in./41.0 x 33.0 cm SIGNATURE: Signed and dated lower left MEDIUM: Oil on board
  • DIMENSIONS: (unframed) 45.3 x 61.4 in./115.0 x 156.0 cm SIGNATURE: Signed and dated lower left MEDIUM: Oil on canvas To be included in the forthcoming catalogue raisonné by Caroline Durand-Ruel Godfroy.
  • Carrier-Belleuse dancer

    The Dancer

    by Pierre Carrier-Belleuse

    £19,950
    DIMENSIONS: (unframed)31.0 x 38.0 in./78.7 x 96.5 cm SIGNATURE: Signed lower right MEDIUM: Pastel on paper
  • Laloue Place de la République

    La Place de la République

    by Eugène Galien Laloue

    £24,000
    DIMENSIONS: (unframed) 7.3 x 12.0 in./18.5 x 30.5 cm SIGNATURE: Signed lower left MEDIUM: Gouache on paper
  • Coastal View

    by Hilda Clements Hassel

    £1,800
    DIMENSIONS: (unframed) 3.50 x 5.25 in./8.89 x 13.34 cm SIGNATURE: Signed HCH lower right MEDIUM: Watercolour
  • Harbour Corner, Ibiza, 1936

    by Hilda Clements Hassel

    £6,800
    DIMENSIONS: (unframed) 14.00 x 18.00 in./ 35.56 x 45.72 cm MEDIUM: Oil on panel
  • Harbour scene with boats at anchor, Cassis

    by Hilda Clements Hassel

    £6,800
    DIMENSIONS: (unframed) 14.0 x 17.9 in./35.5 x 45.5 cm SIGNATURE: Signed lower right MEDIUM: Oil on board
  • Les Falaises

    by Victor Vignon

    £15,500
    DIMENSIONS: (unframed) 21.63 x 17.63 in./54.9 x 44.7 cm SIGNATURE: Signed 'Vr. Vignon' lower right MEDIUM: Oil on canvas
  • Portrait of a Woman, C.1888

    by Giovanni Boldini

    P.O.A.
    DIMENSIONS: (unframed)8.0 x 6.0 ins/ 20.3 x 15.2 cm SIGNATURE: Signed lower right MEDIUM: Watercolour
  • Ville Portuaire

    by Jean Dufy

    £12,000
    DIMENSIONS: (unframed) 10.5 x 16.5 in./ 26.7 x 41.9 cm SIGNATURE: Stamped signature lower right MEDIUM: Pencil on paper
  • Bateaux au Port, 1924

    by Jean Dufy

    £12,500
    DIMENSIONS: (unframed)  17.5 x 25.0 in. / 44.5 x 63.5 cm SIGNATURE: Signed 'Jean Dufy' and dated lower right; Label from Herman C. Goldsmith, NY verso MEDIUM: Pencil on paper
  • Le Bassin de Toulon

    by Jean Dufy

    £12,500
    DIMENSIONS: (unframed) 21.5 x 28.0 in./ 54.6 x 71.1 cm SIGNATURE: Stamped signature lower right MEDIUM: Ink and pencil on paper
  • County Down

    by Julius Olsson

    £14,000
    DIMENSIONS: (unframed) 30.0 x 40.0 in./ 76.2 x 101.6 cm SIGNATURE: Signed lower left MEDIUM: Oil on canvas
  • Unloading the Catch

    by Eugène Galien Laloue

    £15,000
    DIMENSIONS: (unframed)13.50 x 18.0 in./34.29 x 45.72 cm SIGNATURE: Signed lower left MEDIUM: Oil on canvas
  • Bateaux Amarrés

    by Eugène Boudin

    £18,000
    DIMENSIONS: (unframed) 23.8 cms x 33.6 cms / 9 3/8 ins x 13 1/4 ins SIGNATURE: Stamped lower right MEDIUM: Watercolour and Pencil on paper  
  • Rue Royal, Madeleine

    by Edouard Leon Cortes

    £56,000
    DIMENSIONS: (unframed) 18.0 x 22.0 in./ 45.7 x 55.9 cm SIGNATURE: Signed lower right MEDIUM: Oil on canvas
  • View on the Bridge

    by Gustave Cariot

    £12,950
    DIMENSIONS: (unframed)9.45 x 13.39 in./ 24.00 x 34.00 cm SIGNATURE: Signed and dated lower right MEDIUM: Oil on panel
  • Bathers on the Beach

    by Alexander Garbell

    P.O.A.
    DIMENSIONS: (unframed) 24 x 36 ins SIGNATURE: Signed MEDIUM: Oil on canvas
  • Reclining Lady

    by Paul César Helleu

    £22,000
    DIMENSIONS: (unframed) 19.0 x 30.0 in./  48.3 x 76.2 cm SIGNATURE: Signed “Helleu” center left MEDIUM: Crayon and graphite on paper
  • Boats in a port

    by Hilda Clements Hassel

    £3,750
    DIMENSIONS: (unframed) 22 x 18 ins (56 x 46 cms) SIGNATURE: Signed lower right MEDIUM: Watercolour on paper
  • River at Twighlight

    by Per Ekstrom

    £12,500
    DIMENSIONS: (unframed) 11.00 x 16.25 in./27.94 x 41.28 cm SIGNATURE: Signed lower right MEDIUM: Oil on canvas
  • French Harbour

    by Emile Laborne

    £12,400
    DIMENSIONS: (unframed) 10.75 x 15.00 in./ 91.44 x 81.28 cm SIGNATURE: Signed lower right MEDIUM: Oil on canvas
  • Soleil Couchant, 1902

    by Hippolyte-Camille Delpy

    £16,500
    DIMENSIONS: (unframed) 16.00 x 28.00 in./ 40.64 x 71.12 cm SIGNATURE: Signed lower right MEDIUM: Oil on canvas
  • DIMENSIONS: (unframed) 22.0 x 32.0 in./ 55.88 x 81.28 cm SIGNATURE: Signed lower right MEDIUM: Oil on canvas
  • Lake at Sunset, 1934

    by Gottfried Kallstenius

    £11,800
    DIMENSIONS: (unframed) 24 x 28.5 in./ 61 x 72 cm SIGNATURE: Signed lower right MEDIUM: Oil on canvas
  • Sunset, Versailles, 1930

    by Alexander Jamieson

    £15,000
    DIMENSIONS: (unframed) 30.0 x 25.0 in./ 76.20 x 63.50 cm SIGNATURE: Signed lower left MEDIUM: Oil on canvas This delicate painting sits firmly in the Impressionist School, and is a beautiful example of the typical Impressionist plein-air and wet-in-wet techniques. The work is by Alexander Jamieson, an acclaimed painter who rubbed shoulders with great names such as Monet and Manet.
  • Unloading Fish, Sunrise Dieppe

    by Eugène Galien Laloue

    £35,000
    DIMENSIONS: (unframed) 18.25 x 25.75 in./46.36 x 65.41 cm SIGNATURE: Signed lower left MEDIUM: Oil on canvas
  • Rue a Pont Aven, 1913

    by Henri Eugene Augustin Le Sidaner

    £7,500
    DIMENSIONS: (unframed) 36.00 x 32.00 ins 91.44 x 81.28 cms SIGNATURE: Signed MEDIUM: Oil on canvas Pont-Aven was a Brittany milling town popular with artists such as Paul Gauguin, Emile Bernard and Paul Sérusier. Apart from the metropolises of Paris and London, Le Sidaner was attracted to the atmospheric small towns in Normandy, Brittany, and the Côte d'Azur, whose old buildings and architecture were even then being slowly threatened with extinction.
  • Sketch of a woman with hat

    by Giovanni Boldini

    £29,500
    DIMENSIONS: (unframed) 19.75 x 13.75 inches (50 x 35 cm) SIGNATURE: Ink Stamp lower right. Additional charcoal sketch and inscription on verso 'No 53 Atelier Boldini' with Dovane Centrale stamp MEDIUM: Watercolour on paper This watercolour is typical of his tendency to depict - with fast impulsive brushstrokes - aristocratic sitters. Here, Boldini has chosen to use a subdued colour palette with infuses the work with modernity. The soft colours fill the work with femininity and intimacy while the sweeping lines of her form give a real sense of movement. It appears that Boldini has captured his sitter in a fleeting moment as she glides around Paris' boulevards.
  • DIMENSIONS: (unframed) 32.00 x 38.00 ins 81.28 x 96.52 cms SIGNATURE: Stamped signature lower left MEDIUM:Pastel and charcoal on paper laid on board This painting depicts Monsieur and Madame Louis Rouart. Louis was the fourth son of Henri Rouart, who was a close friend of Degas. Henri was a wealthy industrialist and an artist himself, participating in seven of the eight Impressionist shows. Rouart senior met Degas when they attended the elite Lycée Louis le Grand in Paris from 1845 to 1853. On graduating, Degas first became a lawyer before turning to painting, while Rouart joined the military and then became an engineer. [woocommerce_currency_converter currency_codes="GBP, USD, EUR"]
  • Jeune Femme Blonde

    by Paul César Helleu

    £85,000
    DIMENSIONS: (unframed) 36.00 x 32.00 ins 91.44 x 81.28 cms SIGNATURE: Signed MEDIUM: Oil on canvas In this elegant portrait by Paul Cesar Helleu, a young woman stares softly at the viewer, lightly meeting their gaze. The gentleness of the portrait is reflected in the loose gestural draughtsmanship of Helleu. This looseness and ease of depiction suggests that the work was finished in situ, rather than through a series of studies, which is how Helleu preferred to work. The appearance of a chair in the lower right hand corner suggests an informal setting, and implies that the artist was well-acquainted with the sitter. A further softness is brought to the work by the use of chalk and by the harmony of three main colours; green, yellow and peach. Furthermore, the use of peach on the sitter’s blushing cheeks and lips combined with her bright blue eyes give her an angelic look.
  • Femme aux Lilas, 1892

    by Louis Anquetin

    £18,000
    DIMENSIONS: (unframed) 25.51 x 21.14 ins 64.80 x 53.70 cms SIGNATURE: Signed lower left MEDIUM: Oil on canvas [woocommerce_currency_converter currency_codes="GBP, USD, EUR"]
  • Reclining Woman

    by Paul César Helleu

    £35,000
    DIMENSIONS: (unframed) 18.00 x 26.75 ins (45.72 x 67.95 cms) SIGNATURE: Signed 'Helleu' lower left MEDIUM: Chalk and pencil on paper In this elegant drawing, Paul César Helleu has rapidly drawn this stylishly attired woman using his signature loose gestural draughtmanship. This looseness and ease of depiction suggests that the work was finished in situ, rather than through a series of studies, which is how Helleu preferred to work. Although this drawing was clearly composed rapidly, Helleu has taken careful care in depicting the sitter’s fashionable furbelowed dress and  hat with jaunty feathers. Additionally, he has delicately rendered her up to date makeup and hairstyle by judicious application of colour. Paul César Helleu has created an exquisite drawing of a society lady at rest on her ornate settee; his trademark.
  • St. Tropez

    by Lucien Neuquelman

    £25,000
    DIMENSIONS: (unframed) 21.25 x 28.75 ins 53.98 x 73.03 cms SIGNATURE: Signed lower right MEDIUM: Oil on canvas In this work Neuquelman has used his characteristically bright palette and energetic, short brushstrokes, to create this view of Saint Tropez. Neuquelman very much enjoyed painting landscapes, not only in the South of France but also views of Paris and Brittany. A Parisian gallery organised a retrospective of his work in 1945. Rather than mixing the colours on a palette, the colours have been applied onto the canvas separately. In the foreground the contrasting colours of green, blue and red help to add a sense of depth to the canvas, just as the red and orange used in the sea contrast with the blue, creating a sense of depth and movement to the water’s surface. [woocommerce_currency_converter currency_codes="GBP, USD, EUR"]
  • Les Grands Boulevards

    by Eugène Galien Laloue

    £14,000
    DIMENSIONS: (unframed) 8.25 x 11.oo in./ 20.96 x 27.94 cm SIGNATURE: Signed lower left MEDIUM: Watercolour
  • Quai Bourbon, Paris

    by Luigi Loir

    £60,000
    DIMENSIONS: (unframed) 55.9 x 47 cms / 22 x 18.5 inches SIGNATURE: Signed MEDIUM: Oil on canvas [woocommerce_currency_converter currency_codes="GBP, USD, EUR"] This beautiful painting is one of such works, depicting the ‘Quai de Bourbon’ in the fourth arrondissment of Paris.
  • Chateau a Bievres

    by Lucien Adrion

    £18,000
    DIMENSIONS: (unframed) 72.00 cms x 58.00 cms (28.35 ins x 22.83 ins) SIGNATURE: Signed MEDIUM: Oil on canvas [woocommerce_currency_converter currency_codes="GBP, USD, EUR"]