The term ‘Impressionist’ was initially a criticism that became an accurate description for the unique attraction of the Impressionist group of artist’s work. It was precisely the artist’s personal, visual impression of contemporary France that they sought to communicate; they wanted to express the reality of modern life, within the contemporary landscape.

  • The Hedgehog

    by William Stewart MacGeorge

    £28,500
    DIMENSIONS: (unframed) 20.1 x 24.0 inches (51.1 x 61.0 cm) SIGNATURE: Signed, inscribed (lower right) MEDIUM: Oil on board
  • Geese and a person by the side of a river by Sisley A person stands next to geese at the river side

    Les Oies A Saint-Mammes

    by Alfred Sisley

    P.O.A.
    Alfred Sisley painted his landscapes 'en plein air' rather than in a studio, in order to realistically capture the transient effects of sunlight.  This piece depicts a man standing on the banks of the river at Saint-Mammes, Paris, with a gaggle of geese. DIMENSIONS: (unframed) 11.42 x 15.75 in. / 29.0 x 40.0 cm SIGNATURE: Signed 'Sisley' (lower right) MEDIUM: Pastel on paper
  • A ballet dancer mid movement with arms and legs outstretched

    Dancer (Préparation en dedans)

    by Edgar Degas

    P.O.A.
    The dancer is preparing for a movement known as a rond de jambe à terre, ‘in which one leg describes a semicircle on the floor. “En dedans” specifies that the movement is from front to back...“Préparation” is the movement leading to (preparing for) the “rond de jambe” and it is not normally followed by “en dedans” as Degas writes it; the “en dedans” belongs to the “rond de jambe”. DIMENSIONS: (unframed) 13.25 x 9 in. / 33.66 x 22.86 cm SIGNATURE: Inscribed (upper right), stamped (lower left), inscribed (verso) MEDIUM: Charcoal on paper
  • Physalis Et Pommes, c 1918

    by Louis Valtat

    P.O.A.
    Valtat’s brushwork employs light strokes inspired by the Impressionists, combined with strong outlines influenced by his contemporaries. He is known as a member of the fauvists – sometimes translated as “wild beasts” for their aggressive use of colour. Dimensions: (unframed) 20.8 x 28 inches. (framed) 30.8 x 38 inches. Signature: Signed (lower right) Medium: Oil on canvas
  • Madame Helleu Lisant devant la Cheminée

    by Paul César Helleu

    £35,000

    Paul César Helleu worked as a painter and an engraver in France at the turn of the century. His work epitomises the charm and elegance of French culture at the time – the belle époque – with all its verve and focus on fashion. He was renowned for his portraits of society ladies on commission, and those of his childhood sweetheart who later became his wife (Alice Guerin) and his eldest daughter Ellen, born in 1887.

    DIMENSIONS: (unframed) 27.0 x 21.0 ins/ 68.6 x 53.3 cm SIGNATURE: Signed 'Helleu' (lower left) MEDIUM: Conté crayon and charcoal on paper
  • The daughter of Singer sewing machine magnate Issac Singer, Winaretta Singer (1865–1943) was a prominent arts and music patron. She established a salon in the Paris home she shared with her second husband, Prince Edmond de Polignac (1834–1901), which was frequented by Marcel Proust, Isadora Duncan, Jean Cocteau, and Claude Monet. After her husband's death she used her fortune to benefit the arts and especially music, commissioning several works. She was also an artist in her own right, exhibiting her paintings in the Académie des Beaux-Arts.

    DIMENSIONS: (unframed) 30.0 x 22.0 ins/ 76.2 x 55.9 cm SIGNATURE: Signed 'Helleu' (lower right) MEDIUM: Chalk on paper
  • Vase De Fleurs

    by Georges d'Espagnat

    P.O.A.
    Georges d'Espagnat was a French Post-Impressionist painter known for his depictions of nudes, still lifes, and landscapes. Made in the tradition of his mentor Pierre-Auguste Renoir, d’Espagnat believed that paintings should adhere to the formal concern of artists like Tintoretto, while also taking cues from nature. Today, his works are held in the collections of the Art Institute of Chicago, the Musée d’Orsay in Paris, and the Metropolitan Museum of Art in New York, among others. Dimensions: (unframed) 80 x 64.3 cm/ 31.5 x 25.3 ins. (framed) 102.4 x 86.4 cm/ 40.3 x 34 ins. Signature: Initialled (lower right) Medium: Oil on canvas
  • 14 juillet, fête foraine, c.1895-98

    by Ferdinand Puigaudeau

    P.O.A.
    Crowds celebrate France's national day, Bastille Day on the 14th July, at the evening fairground in this impressionist piece. MEDIUM: Oil on canvas DIMENSIONS: (unframed) 25.8 x 31.8 ins/ 65.5 x 80.8 cm SIGNATURE: Signed 'F. du Puigaudeau' (lower right)
  • Des Fruits (a pair)

    by Louis Valtat

    P.O.A.
    Valtat’s brushwork employs light strokes inspired by the Impressionists, combined with strong outlines influenced by his contemporaries. He is known as a member of the fauvists – sometimes translated as “wild beasts” for their aggressive use of colour. MEDIUM: Oil on panel DIMENSIONS: 4 inches (diameter) 12 x 12 inches (framed) SIGNATURE: Initialled (lower centre)
  • Sailboats

    by Henri Martin

    P.O.A.
    Henri Jean Guillaume Martin was a French painter known for his Neo-Impressionist paintings. Like the work of Pierre Puvis de Chavannes, Martin’s paintings merge Symbolist imagery with controlled Pointillist brushstrokes and pastel colours. DIMENSIONS: (unframed) 10 x 8 ins/ 25.4 x 20.3 cm SIGNATURE: Signed 'Henri Martin' (lower left) MEDIUM: Oil on board
  • Fenêtre Ouverte Sur La Cote D’azur

    by Jeanne Selmersheim-Desgrange

    P.O.A.
    Jeanne Selmersheim-Desgrange's  work features high-key colors and block-like strokes typical of the later phase of Neo-Impressionism, as we can see here in this beautiful still life. Her works feature high-key colors and block-like strokes typical of the later phase of Neo-Impressionism, as we can see here in this beautiful scene of a window overlooking the azure sea full of sailboats on the coast of the French Riviera. Selmersheim-Desgrange perfectly captures the relaxed atmosphere of the Mediterranean with the intense light and brilliant earthen colours. Her work is really celebrated for its sincerity and a certain unrestrained quality of exuberance that it shows. It can almost be said that her paintings sing. MEDIUM: Oil on canvas DIMENSIONS: (unframed) 31.8 x 25.8 ins/ 80.8 x 65.5 cm SIGNATURE: Signed 'J. Selmersheim-Desgrange' (lower right)
  • Nature Morte à la Table

    by Jeanne Selmersheim-Desgrange

    P.O.A.
    Jeanne Selmersheim-Desgrange's  work features high-key colors and block-like strokes typical of the later phase of Neo-Impressionism, as we can see here in this beautiful still life. Selmersheim-Desgrange creates a relaxed and dream-like atmosphere in this still life with the table and chairs looking over the cool shimmering dusk of an evening, full of appealing and delicate colours of light blue and azure, along with rose and hues of yellow. Her work is really celebrated for its sincerity and a certain unrestrained quality of exuberance that it shows. It can almost be said that her paintings sing. MEDIUM: Oil on canvas DIMENSIONS: (unframed) 25.5 x 36.0 ins/ 64.8 x 91.4 cm SIGNATURE: Signed 'J. Selmersheim-Desgrange' (lower left)
  • Fleurs à la Fenêtre

    by Jeanne Selmersheim-Desgrange

    P.O.A.
    Jeanne Selmersheim-Desgrange's  work features high-key colors and block-like strokes typical of the later phase of Neo-Impressionism, as we can see here in this beautiful still life with a distinctive arrangement of her flower pieces. Selmersheim-Desgrange perfectly creates the calm Mediterranean atmosphere as she uses tones of orange and pink for the warm light through the window, contrasted with the greys and disparate shades of purple that flow through the painting, which make for a glistening opalescent composition. Her work is really celebrated for its sincerity and a certain unrestrained quality of exuberance that it shows. It can almost be said that her paintings sing. MEDIUM: Oil on canvas DIMENSIONS: (unframed) 36.3 x 28.8 ins/ 92.2 x 73.2 cm SIGNATURE: Signed 'J. Selmersheim-Desgrange' (lower right)
  • Portrait of a Woman, 1895

    by Henri Martin

    P.O.A.
    DIMENSIONS: (unframed) 23.5 x 14 ins. / 59.7 x 35.6 cm SIGNATURE: Signed 'Henri Martin' and dated (lower left) MEDIUM: Oil on canvas Portrait of a Woman depicts a fair woman - the artist's wife -, her black hair pulled back, wearing a loose green dress. She stands before an expanse of flora and woodland, with a sky darkened by clouds overhead and casting a subdued light over the foliage and figure below.
  • L’Orée du Bois, 1922

    by Jean Dufy

    P.O.A.
    Dufy often depicted people enjoying themselves in a bright colourful manner and he became best-known for his panoramic views of modern Paris, capturing the architecture, activities and electricity of the city - and at the same time he was drawn time and again to nature and to landscape representation. DIMENSIONS: (unframed) 31.8 x 25.5 in. / 80.8 x 64.8 cm (framed) 43.0 x 37.0 in. / 109.2 x 94.0 cm SIGNATURE: Signed 'Jean Dufy' and dated (lower right) MEDIUM: Oil on canvas  
  • Paris at Twilight

    by Erna Hoppe Kinross

    P.O.A.
    This stunning nocturne scene by Impressionist artist Erna Hoppe Kinross shows a bridge over the River Seine in Paris in the hazy moonlight of twilight. The warm spots of occasional light sources, including a passing carriage and the burning streetlamps break up the overall tones of grey and blue. This work demonstrates the artist's early style, being painted in 1910 when Kinross was experimenting with contemporary painting techniques and shows her influence by Monet in London. MEDIUM: Oil on canvas DIMENSIONS: (unframed) 23.8 x 28.8 ins/ 60.5 x 73.2 cm SIGNATURE: Signed ‘E. Hoppe Kinross’ (lower right)  
  • Une Journée Sur La Marne

    by Lucien Adrion

    P.O.A.
    This painting is a bustling hub of activity - from the clouds in the sky which look as though they're whistling over the trees, to the many dynamic figures below. Adrion was especially appreciated for his crowded scenes of Parisian life. The critic Galtier-Boissiére wrote about his work, ‘Il a le sense du movement des foules, du movement de la vie (He has a feeling for the movement of crowds, the movement of life). DIMENSIONS: (unframed) 25.5 x 32.5 ins/ 64.8 x 82.5 cm (framed) 33.5 x 40.5 ins/ 85.1 x 102.9 cm SIGNATURE: Signed ‘Adrion’ (lower left) MEDIUM: Oil on canvas
  • Landscape oil painting from a high viewpoint overlooking hills of fields and a village in the distance, and some trees on the left of the work by Armand Guillaumin Landscape oil painting from a high viewpoint overlooking hills of fields and a village in the distance, and some trees on the left of the work by Armand Guillaumin

    Le Village de Crozant, c. 1895

    by Armand Guillaumin

    £95,000
    The artist’s most famous works are landscapes and experimentations with the effects of light. In this beautiful painting Guillaumin has depicted the view of a village in Crozant en-plein-air, using looser and more vigorous brushstrokes. Crozant was one of his popular choices of locations to paint as after Guillaumin won a large prize in the Loterie Nationale in 1891 he was able to dedicate his life to painitng and travel between Agay, Crozant, and Saint-Palais-sur-Mer throughout the year, painting multiple works in each area. DIMENSIONS: (unframed) 32 x 36.0 ins / 81.3 x 91.4 cm SIGNATURE: Signed 'Guillaumin' (lower left) MEDIUM: Oil on canvas
  • Pommes et Dahlias

    by Louis Valtat

    P.O.A.
    Valtat’s brushwork employs light strokes inspired by the Impressionists, combined with strong outlines influenced by his contemporaries. He is known as a member of the fauvists – sometimes translated as “wild beasts” for their aggressive use of colour. Dimensions: (unframed) 7 x 12 in./ 17.8 x 30.5 cm (framed) 14 x 19 in./ 35.6 x 48.3 cm Signature: Signed 'L.V' (lower left) Medium: Oil
  • Street scene of Paris with people looking at flower sellers and buildings in the background by Cesar Villacres Street scene of Paris with people looking at flower sellers and buildings in the background by Cesar Villacres

    Paris

    by Cesar A. Villacres

    £15,000
    MEDIUM: Oil on canvas DIMENSIONS: (unframed) 20 x 24 in. / 50.8 x 61 cm SIGNATURE: Signed ‘Villacres’ (lower right) In this vibrant work Villacres beautifully depicts an alive street in Paris showing street vendors, flower sellers and people going about their day, as he uses a mixture of quick brushstrokes and attention to detail to effortlessly capture this fleeting moment.
  • landscape with a river next to a bank with green grass and pink trees on it. There is a bridge in the background

    Rivière Provençale

    by Henri Aurrens

    £18,500
    Louis Henri Joseph Aurrens was a French painter, illustrator and caricaturist. Aurrens’ is best known for his paintings later in life of the surrounding landscapes in Marseille, his hometown. He was adept in pointillism, yet made it his own; a kind of controlled abandonment gives a charm to his free, fine and personal interpretation of luminist doctrines. His work is notable for his characteristic use of the colour pink, tinging the scenes with a rosy nostalgia, as we see in this beautiful landscape, Rivière Provençale, depicting a river running next to a bank where Aurrens has used vibrant colours of green and pink. MEDIUM: Oil on canvas DIMENSIONS: (unframed) 24.0 x 29.0 ins/ 61.0 x 73.7 cm SIGNATURE: Signed ‘H. Aurrens’ (lower right)
  • female figure with a green vest on sat with her feet on a blue stool in a colourful room by Jules Cavailles

    Jeune Fille au Gilet Vert, 1941

    by Jules Cavaillès

    £32,000
    DIMENSIONS: (unframed) 26 x 18 in. / 66 x 45.7 cm SIGNATURE: Signed 'J. Cavailles' (lower right) MEDIUM: Oil on canvas laid on board Jules Cavaillès here in Jeune Fille au Gilet Vert shows us a composition full of colour and carefully considered detail within the room, with a female figure in vivid tones sat at the heart of the painting. The artist has juxtaposed vibrant yet harmonious touches of orange, yellow and green imbuing the painting with life and energy.
  • White boats on a harbour in summertime by Lucien Neuquelman

    Bateaux dans le port de Honfleur

    by Lucien Neuquelman

    £25,000
    Lucien Neuquelman was a French artist whose oeuvre was heavily influenced by Georges Seurat and Paul Signac, the forefunners of the pointillist technique. Neuquelman’s painting approach relies on the ability of the eye and mind of the viewer to blend his singular spots of colour into a fuller range of tones. Like with Seurat and Signac, Neuquelman does not mix colours on a palette but rather applies complimentary colours in close proximity to one another, often making the colours seem much brighter and more vivid. MEDIUM: Oil on canvas DIMENSIONS: (unframed) 28.8 x 36.0 ins/ 73.0 x 91.4 cm SIGNATURE: Signed ‘L. Neuquelman’ (lower right)
  • Louis Abel-Truchet was a major French painter, etcher and lithographer of his time. He is most well-known for his depictions of Paris and Venice, both cities which remained close to his heart throughout his life. This beautiful painting of the Venetian Grand Canal demonstrates a superb sensitivity of colour with the bright reflections and effects of light. MEDIUM: Oil on canvas DIMENSIONS: (unframed) 28.7 x 21.3 ins/ 73.0 x 54.0 cm SIGNATURE: Signed 'Abel Truchet' (lower left)
  • Sous Bois

    by Louis Valtat

    £175,000
    Valtat’s brushwork employs light strokes inspired by the Impressionists, combined with strong outlines influenced by his contemporaries. He is known as a member of the fauvists – sometimes translated as “wild beasts” for their aggressive use of colour. Dimensions: (unframed) 25.5 x 21.3 in Signature: Signed (lower left) Medium: Oil on canvas
  • Impressionist Paintings

    Labastide-du-Vert, 1916

    by Henri Martin

    P.O.A.
    Henri Jean Guillaume Martin was a French painter known for his Neo-Impressionist paintings. Like the work of Pierre Puvis de Chavannes, Martin’s paintings merge Symbolist imagery with controlled Pointillist brushstrokes and pastel colours. In 1900 Martin’s career moved into the phase for which he is now justly renowned. He purchased ‘Marquayrol’ in Labastide-du-Vert in Lot where he lived and painted for the rest of his long life. Marquayrol, an old farmhouse with a beautiful garden and extensive views provided much of his subject matter over the years to come. DIMENSIONS: (unframed) 27.5 x 39.0 ins/ 69.9 x 99.1 cm SIGNATURE: Signed 'Henri Martin' (lower left) MEDIUM: Oil on canvas
  • Haystacks, 1907

    by Armand Guillaumin

    £125,000
    Noted for their intense colours, Guillaumin's paintings are represented in major museums around the world. He is best remembered for his landscapes of Paris, the Creuse département, and the area around Les Adrets-de-l'Estérel near the Mediterranean coast in the Provence-Alpes-Côte d'Azur region of France. Guillaumin was called the leader of the École de Crozant, a diverse group of painters who came to depict the landscape in the region of the Creuse around the village of Crozant. One of these depictions, titled Landscape in Crozant, is housed in the Art Institute of Chicago. His bust is in the square near the village church. Dimensions: (unframed) 21.3 x 28.5 ins/ 54.1 x 72.4 cm Signature: Signed 'Guillaumin' (lower left); dated (verso) Medium: Oil on canvas
  • Hotagen, Sweden 1928

    by Gottfrid Kallstenius

    £19,500
    DIMENSIONS: (unframed) 35.3 x 46 in. / 89.7 x 116.8 cm SIGNATURE: Signed and dated (lower right) MEDIUM: Oil on canvas This wonderful sunset painting is a charming and evocative rendition of an idyllic summer evening on a Swedish lake. It would make a lovely addition to any collection of Impressionist, Swedish Romantic or Landscape paintings.  Kallstenius is now represented at the National Museum in Stockholm, at the art museums in Gothenburg and Malmö and in a number of museum collections in Europe, South and North America.
  • Orvida Wearing a Turban, 1907

    by Lucien Pissarro

    P.O.A.
    Lucien Pissarro was a French born Neo-Impressionist painter that spent much of his life living in England as a British citizen. Employing short brushstrokes and a muted palette, Pissarro created light-filled depictions of the British countryside and stunning portraits. DIMENSIONS: (unframed) 18.0 x 15.0 in./ 45.7 x 38.1 cm SIGNATURE: Signed with a monogram and dated (lower right) MEDIUM: Oil on canvas
  • Au Bord de la Seine

    by Jean Dufy

    £32,000
    Dufy often depicted people enjoying themselves in a bright colourful manner and he became best-known for his panoramic views of modern Paris, capturing the architecture, activities and electricity of the city. The Place de la Concorde was one of the artist’s favourite subjects, appearing in dozens of canvases he created from the 1930s through the 1950s. Here, Dufy has depicted the quay running right by the square using his signature stylized figures capturing its energy while focusing on such national symbols as the Palais Bourbon and the Pont Alexandre III. DIMENSIONS: (unframed) 13.0 x 20.0 in. / 33.02 x 50.8 cm SIGNATURE: Signed (lower centre) MEDIUM: Watercolour on paper  
  • St-Raphaël, 1908

    by Jeanne Selmersheim-Desgrange

    P.O.A.
    Selmersheim-Desgrange lived and loved the area around St. Tropez –  and she replicated the relaxed atmosphere, the intense light, the brilliant earthen colors, dark tree silhouettes, and azure seas in her work as can be seen in this composition. Signac and Selmersheim-Desgrange lived in a small house in the South of France – “La Hune” and throughout her association with Signac, Jeanne was happy and most contented to stay in the shadows of “her great master.” DIMENSIONS: (unframed) 19.8 x 25.8 inches (50.3 x 65.5 cm) SIGNATURE: Titled and dated 'St-Raphaël 1908' (lower right) MEDIUM: Oil on canvas
  • Port de Cherbourg, 1929

    by Achille Emile Othon Friesz

    £23,500
    This peaceful painting depicts Cherbourg Harbour with the blues and oranges of sunset covering the whole canvas. These muted colours lend an air of tranquillity to the piece denoting that the day is coming to a close. In his later years, Othon Friesz often portrayed this vista, fascinated by the comings and goings of the boats. One can almost imagine the artist sitting on the quay, painting the view before him. DIMENSIONS: (unframed) 15.0 x 18.0 in./38.1 x 45.7 cm SIGNATURE: Signed 'E. Othon Friesz' and dated (lower right) MEDIUM: Oil on canvas  
  • Voiliers

    by Jean Dufy

    £48,000
    Jean Dufy (March 12, 1888 – May 12, 1964) was a French painter of Parisian society, country scenes, circuses, horse races, stages, and orchestras. His work was featured in both gallery and museum exhibitions throughout his career. DIMENSIONS: (unframed) 16 x 9.50 ins / 40.75 x 24.25 cm SIGNATURE: Signed lower right MEDIUM: Oil on canvas
  • Portrait of Ida Nettleship, c.1900-05

    by Augustus John

    £17,000
    This sketch depicts Ida Nettleship, who was the artist’s wife. Ida was an art student at the Slade School of art. Towards the end of her time at Slade she met Augustus John and they married in 1901. A portrait of Ida by John from around 1901, while she was in her first pregnancy, is held by the National Museum of Wales. The family moved to London in 1903, where John co-founded Chelsea Art School with William Orpen.  Later in 1903, Nettleship's life with John was complicated when Dorelia McNeill became John's model and mistress. From 1903 to 1907, the three lived together, first at Matching Green in Essex and from 1905 in Paris. Nettleship had three further sons with John in quick succession. During this period, Dorelia also had children with John, in 1905 and 1906. Given John's limited income and the growing family, Nettleship eventually gave up painting to take care of the children and the housework. Although she found this wearisome and considered leaving John, she did not live long enough to do so. She died of puerperal fever in Paris in 1907 after the birth of her fifth son, Henry. DIMENSIONS: (unframed) 12.7 x 10.8 cm/5.0 x 4.3 ins MEDIUM: Pencil on paper
  • Portrait of a Woman

    by Paul César Helleu

    £35,000
    Paul César Helleu has created an exquisite drawing of a his eldest daughter, Ellen, at rest on her dainty chair. Ellen was born in 1887. Therefore date of this work is probably between 1905 and 1910. DIMENSIONS: (unframed) 20.5 x 30.25 ins / 52.07 x 76.84 cms SIGNATURE: Signed lower right MEDIUM: White, black and red pastel on buff paper
  • ‘Suzanne’, Étude de Cinq Têtes

    by Paul César Helleu

    £35,000
    This beautiful portrait study shows the artist’s skill and his mastery of the trios crayons technique of using just three colours of chalk, black red and white, to capture his sitters so brilliantly. DIMENSIONS: (unframed) 59.69 cms x 75.56 cms /23.50 ins x 29.75 ins SIGNATURE: Signed lower right and inscribed MEDIUM: Pencil on paper
  • Élégante

    by Paul César Helleu

    £35,000
    Referenced in the archives of the Amis de Paul-César Helleu under the n° 4338. Authenticated by Mrs. Howard-Johnston in 1988. In this elegant drawing, Paul César Helleu has rapidly drawn this stylishly attired woman using his signature loose gestural draughtmanship. This looseness and ease of depiction suggests that the work was finished in situ, rather than through a series of studies, which is how Helleu preferred to work. Although this drawing was clearly composed rapidly, Helleu has taken careful care in depicting the sitter’s fashionable furbelowed dress and  hat with jaunty feathers. Additionally, he has delicately rendered her up to date makeup and hairstyle by judicious application of colour. Paul César Helleu has created an exquisite drawing of a society lady; his trademark. DIMENSIONS: (unframed) 70.00 cms x 48.00 cms /27.56 ins x 18.90 ins x 0.0 ins SIGNATURE: Signed lower left MEDIUM: Crayon on paper
  • Portrait of a young woman

    by Paul César Helleu

    £9,500
    Paul César Helleu worked as a painter and an engraver in France at the turn of the century. His work epitomises the charm and elegance of French culture at the time – the belle époque – with all its verve and focus on fashion. Whilst he was renowned for his portraits of society ladies on commission, and those of his childhood sweetheart who later became his wife (Alice Guerin). DIMENSIONS: (unframed) 43.18 x 30.48 cm/ 17.00 x 12.00 ins (framed) 68.6 x 55.9 cm/ 27 x 22 ins SIGNATURE: Signed and inscribed 'To Alice' MEDIUM: Black and Sanguine Chalk  
  • The Dunes at Wimereux, Normandy, 1934

    by Edmund Blampied

    £10,000
    Blampied put his hand to a variety subjects, the most dear are his scenes of domestic idiosyncrasy that depict life on the farm and small town and those that show the bond that develops between people of a close knit community.  He was a keen observer of everyday life who clearly enjoyed the quirks of human nature, even within amusing stereotypes.  Blampied’s humor is as precise and delicate as his line work.  His charming depictions rendered in a flourish with a skillful hand, float in and out of existence on the page like a cherished memory. DIMENSIONS: (unframed) 8.0 x 11.5 in./ 20.32 x 29.21 cm SIGNATURE: Signed 'Blampied' and dated (lower right) MEDIUM: Oil on board
  • Falaises a Varengeville

    by Robert Antoine Pinchon

    P.O.A.
    Robert Antoine Pinchon is best known for his Post-Impressionist landscape scenes, favouring en plein air painting to being inside a studio. Born into an artistic family in 1886, Pinchon played a prominent part in the Rouen school of artists. It was in Rouen that Pinchon met the master of Impressionists, Claude Monet, with whom he exhibited in 1903 at the Exposition des Beaux Arts in Rouen. Monet said that Pinchon had ‘a surprising touch in the service of a surprising eye’. Naturally this early contact with Monet had a major impact on Pinchon’s artistic career . DIMENSIONS: (unframed) 45.0 x 62.0 cm / 17.7 x 24.4 ins SIGNATURE: Signed lower right MEDIUM: Watercolour
  • Falaises a Varengeville

    by Robert Antoine Pinchon

    P.O.A.
    Robert Antoine Pinchon is best known for his Post-Impressionist landscape scenes, favouring en plein air painting to being inside a studio. Born into an artistic family in 1886, Pinchon played a prominent part in the Rouen school of artists. It was in Rouen that Pinchon met the master of Impressionists, Claude Monet, with whom he exhibited in 1903 at the Exposition des Beaux Arts in Rouen. Monet said that Pinchon had ‘a surprising touch in the service of a surprising eye’. Naturally this early contact with Monet had a major impact on Pinchon’s artistic career . DIMENSIONS: (unframed) 45.0 x 62.0 cm / 17.7 x 24.4 ins SIGNATURE: Signed lower right MEDIUM: Watercolour
  • Falaises vers Etretat, 1906

    by Paul Madeline

    P.O.A.
    This splendid little painting is titled Falaises vers Etretat (Cliffs to Etretat) and depicts Etretat, a town on the north coast of France and its striking rock formations carved out of its white cliffs. DIMENSIONS: (unframed) 34.0 x 46.0 cm / 13.4 x 18.1 ins SIGNATURE: Signed lower left MEDIUM: Oil on canvas
  • Vent, Beau Temps, au Large (Deauville)

    by Andre Hambourg

    £20,000
    In 1970, Hambourg was sufficiently well-known to be granted a retrospective of five hundred paintings at the Maison de Culture in Bourges, and exhibitions and commissions continued all over the world until his death. The Normandy coastline remains one of the most collectable subjects of Hambourg’s career. Today his works can be found in the collections of museums such as the Musée National d’Art Moderne, the Musée National de la Marine, and the Musée des Arts d’Afrique et d’Océanie. DIMENSIONS: (unframed) 8.8 x 13.8 in./22.4 x 35.1 cm SIGNATURE: Signed 'A. Hambourg' (lower left); titled and inscribed (verso) MEDIUM: Oil on canvas
  • 5642-anshelm-Schultzberg-winter

    Winter Twilight

    by Anshelm Schultzberg

    £14,000
    DIMENSIONS: (unframed) 20.5 x 28 in./ 52.1 x 71.1 cm SIGNATURE: Signed lower right MEDIUM: Oil on canvas
  • Market Scene

    by Alberto Zardo

    £8,500
    Although the Italian peasants on the market stall are in the forefront of this painting, they are not the focus. The work is seen as a whole; the figures are part of a landscape which describes rural life in Italy. This is painted in the Realist style, which was catalysed by Gustave Courbet in the 1870s, and became popular in France and Italy. DIMENSIONS: (unframed) 12.0 x 16.0 ins/ 30.5 x 40.6 cm SIGNATURE: Signed ‘Zardo’ (lower left) MEDIUM: Oil on canvas
  • The Flamboyant Tree

    by Frits Lucien Ohl

    £18,000
    DIMENSIONS: (unframed) 36 x 24 in. / 91.4 x 60 cm SIGNATURE: Signed (lower right) MEDIUM: Oil on canvas Frits Lucien Ohl (1904-1976) was a painter whose works were mostly of Indonesian landscapes and Asian panoramas. He was a skilled artiste, watercolourist, and draughtsman in the style reminiscent of the late of GP. Adolfs. He worked in a colourful and impressionistic manner, depicting Indonesian landscapes and culture, often using his palette knife.
  • La Cathédrale d’Auxerre, 1907

    by Gustave Loiseau

    £50,500
    The strong structure and free brush strokes of La Cathédrale d'Auxerre reveal the techniques the artist learned first-hand from Gauguin as well as his debt to Sisley and Pissarro. In 1890, after a period of pointillist experimentation, Loiseau moved to Pont-Aven where he re-found his pure landscape ideal painting in a Post-Impressionist manner directly from nature. He had a particular interest in the depiction of water within a landscape, exemplified by this painting. With a contract from Durand-Ruel, Loiseau was free to travel extensively in France, painting in Burgundy - as presented here in Auxerre's Gothic tour de force - in the Dordogne, Dieppe and on the banks of the Seine. DIMENSIONS: (unframed) 25.5 x 21.3 ins/ 64.8 x 54.1 cm SIGNATURE: Signed 'G. Loiseau' (lower left) MEDIUM: Oil on canvas
  • On the Beach

    by Philip Wilson Steer

    £80,000
    DIMENSIONS: (unframed) 6.7 x 9.4 ins MEDIUM: Oil on panel
  • La Place de la République

    by Eugène Galien-Laloue

    £24,000
    DIMENSIONS: (unframed) 7.3 x 12 in. /18.5 x 30.5 cm SIGNATURE: Signed (lower left) MEDIUM: Gouache on paper
  • Coastal View

    by Hilda Clements Hassel

    £1,800
    DIMENSIONS: (unframed) 3.50 x 5.25 in./8.89 x 13.34 cm SIGNATURE: Signed HCH lower right MEDIUM: Watercolour
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