The term ‘Impressionist’ was initially a criticism that became an accurate description for the unique attraction of the Impressionist group of artist’s work. It was precisely the artist’s personal, visual impression of contemporary France that they sought to communicate; they wanted to express the reality of modern life, within the contemporary landscape.

  • Travailleurs aux champs, c.1890

    by Claude-Emile Schuffenecker

    MEDIUM: Oil on canvas DIMENSIONS: (unframed) 32.3 x 40.2 ins/ 82 x 102.1 cm SIGNATURE: Signed lower left corner
  • landscape with a river next to a bank with green grass and pink trees on it. There is a bridge in the background

    Rivière Provençale

    by Henri Aurrens

    £18,500 £15,725
    Louis Henri Joseph Aurrens was a French painter, illustrator and caricaturist. Aurrens’ is best known for his paintings later in life of the surrounding landscapes in Marseille, his hometown. He was adept in pointillism, yet made it his own; a kind of controlled abandonment gives a charm to his free, fine and personal interpretation of luminist doctrines. His work is notable for his characteristic use of the colour pink, tinging the scenes with a rosy nostalgia, as we see in this beautiful landscape, Rivière Provençale, depicting a river running next to a bank where Aurrens has used vibrant colours of green and pink. MEDIUM: Oil on canvas DIMENSIONS: (unframed) 24.0 x 29.0 ins/ 61.0 x 73.7 cm SIGNATURE: Signed ‘H. Aurrens’ (lower right)
  • female figure with a green vest on sat with her feet on a blue stool in a colourful room by Jules Cavailles

    Jeune Fille au Gilet Vert, 1941

    by Jules Cavaillès

    £32,000 £27,200
    “Nothing should be ‘inhabited’ in a painting, no space should remain lifeless. Everything should conspire to enhance a painting’s harmonious balance. This is what invests a painting with its vibrancy.”- Jules Cavaillès Jules Cavaillès loved painting scenes evoking the pleasures of life, as we see here in Jeune Fille au Gilet Vert. The artist has juxtaposed vibrant yet harmonious touches of orange, yellow and green imbuing the painting with life and energy. DIMENSIONS: (unframed) 26.0 x 18.0 ins/ 66.0 x 45.7 cm SIGNATURE: Signed 'J. Cavailles' (lower right) MEDIUM: Oil on canvas
  • White boats on a harbour in summertime by Lucien Neuquelman

    Bateaux dans le port de Honfleur

    by Lucien Neuquelman

    Lucien Neuquelman was a French artist whose oeuvre was heavily influenced by Georges Seurat and Paul Signac, the forefunners of the pointillist technique. Neuquelman’s painting approach relies on the ability of the eye and mind of the viewer to blend his singular spots of colour into a fuller range of tones. Like with Seurat and Signac, Neuquelman does not mix colours on a palette but rather applies complimentary colours in close proximity to one another, often making the colours seem much brighter and more vivid. MEDIUM: Oil on canvas DIMENSIONS: (unframed) 28.8 x 36.0 ins/ 73.0 x 91.4 cm SIGNATURE: Signed ‘L. Neuquelman’ (lower right)
  • Louis Abel-Truchet was a major French painter, etcher and lithographer of his time. He is most well-known for his depictions of Paris and Venice, both cities which remained close to his heart throughout his life. This beautiful painting of the Venetian Grand Canal demonstrates a superb sensitivity of colour with the bright reflections and effects of light. MEDIUM: Oil on canvas DIMENSIONS: (unframed) 28.7 x 21.3 ins/ 73.0 x 54.0 cm SIGNATURE: Signed 'Abel Truchet' (lower left)
  • Depicting the port of Fécamp, in Seine-Maritime in Upper Normandy, the present work is a stunning and graceful testament to Boudin’s favourite subject and to his mature style. Following the Franco-Prussian war of 1870, there was a struggle to understand and define the new national identity within France, and this struggle very much informed Boudin’s artistic pursuits. DIMENSIONS: (unframed) 44.5 x 63.5 cm/ 17.5 x 25.0 ins SIGNATURE: Signed ‘E. Boudin’ (lower left) MEDIUM: Oil on canvas
  • A lady stands in gardens with a large house hidden amongst tress behind by Henri Lebasque

    Champigné, Le Verger, 1895

    by Henri Lebasque

    Henri Lebasque (French, 1865–1937) was a Post-Impressionist artist, known as the "painter of joy and light." Lebasque's works can be found in many important public and private institutions around the world, including the Thyssen-Bornemisza Museum in Spain, the National Museum of Western Art in Japan, and the Harvard University Art Museum. DIMENSIONS: (unframed) 37.6 x 45.7 cm/14.8 x 18.0 ins (framed) 61 x 71.1 cm/24 x 28 ins SIGNATURE: Signed ‘H. Lebasque’ and dated (lower right) MEDIUM: Oil on canvas
  • Park Avenue, New York, 1962

    by Johann Berthelsen

    This painting depicts the well-known view of Park Avenue in New York in a beautiful impressionistic manner. The larger building is currently the Met Life building but at the time this painting was created, it was the Pan Am building. The building was completed in 1963 so during this painting, it would have still been under construction. It’s a real New York Landmark. The painting is filled with tones of grey and brushes of white to demonstrate the scene filled with snow in the heart of winter. DIMENSIONS: (unframed) 24.0 x 18.o ins/ 60.9 x 45.7 cm SIGNATURE: Signed 'Johann Berthelsen' (lower right) and signed (verso) MEDIUM: Oil on panel
  • Boats on a river coming into a harbour with buildings stretching alongside and people on the dock by Gustave Loiseau
    Gustave Loiseau was a French Post-Impressionist painter, known for his landscape paintings and Parisian Street scenes. He was a great traveller, painting throughout France but was drawn primarily to the Normandy coast, including the locations Dieppe, Fécamp, and Étretat. The elemental beauty of this vibrant cityscape is created with several components of Loiseau’s signature style. The blend of foliage and the coursing river shows the predominance of the inhabitants of the French Brittany Coast for structuring their cities around the local waterways. At this coastal harbour entrance to the important port of Fécamp, halfway between Dieppe and Le Havre. Dimensions: (unframed) 46.3 x 55.1 cm/ 18.2 x 21.7 ins Signature: Signed 'G. Loiseau' (lower left) Medium: Oil on canvas
  • Sous Bois

    by Louis Valtat

    Valtat’s brushwork employs light strokes inspired by the Impressionists, combined with strong outlines influenced by his contemporaries. He is known as a member of the fauvists – sometimes translated as “wild beasts” for their aggressive use of colour. Dimensions: (unframed) 25.5 x 21.3 in Signature: Signed (lower left) Medium: Oil on canvas
  • Rue et Paysage Ensoleille

    by Henri Martin

    Henri Jean Guillaume Martin was a French painter known for his Neo-Impressionist paintings. Like the work of Pierre Puvis de Chavannes, Martin’s paintings merge Symbolist imagery with controlled Pointillist brushstrokes and pastel colours. The village of Collioure, situated in the foothills of the Pyrenees not far from the Spanish border, already boasted a rich artistic tradition by the time Henri Martin settled there in 1923. DIMENSIONS: (unframed) 36.3 x 30.0 ins/ 92.1 x 76.2 cm SIGNATURE: Signed 'Henri Martin' (lower right) MEDIUM: Oil on canvas
  • Impressionist Paintings

    Labastide-du-Vert, 1916

    by Henri Martin

    Henri Jean Guillaume Martin was a French painter known for his Neo-Impressionist paintings. Like the work of Pierre Puvis de Chavannes, Martin’s paintings merge Symbolist imagery with controlled Pointillist brushstrokes and pastel colours. In 1900 Martin’s career moved into the phase for which he is now justly renowned. He purchased ‘Marquayrol’ in Labastide-du-Vert in Lot where he lived and painted for the rest of his long life. Marquayrol, an old farmhouse with a beautiful garden and extensive views provided much of his subject matter over the years to come. DIMENSIONS: (unframed) 27.5 x 39.0 ins/ 69.9 x 99.1 cm SIGNATURE: Signed 'Henri Martin' (lower left) MEDIUM: Oil on canvas
  • Haystacks, 1907

    by Armand Guillaumin

    Noted for their intense colours, Guillaumin's paintings are represented in major museums around the world. He is best remembered for his landscapes of Paris, the Creuse département, and the area around Les Adrets-de-l'Estérel near the Mediterranean coast in the Provence-Alpes-Côte d'Azur region of France. Guillaumin was called the leader of the École de Crozant, a diverse group of painters who came to depict the landscape in the region of the Creuse around the village of Crozant. One of these depictions, titled Landscape in Crozant, is housed in the Art Institute of Chicago. His bust is in the square near the village church. Dimensions: (unframed) 21.3 x 28.5 ins/ 54.1 x 72.4 cm Signature: Signed 'Guillaumin' (lower left); dated (verso) Medium: Oil on canvas
  • Hotagen, Sweden 1928

    by Gottfrid Kallstenius

    This wonderful sunset painting is a charming and evocative rendition of an idyllic summer evening on a Swedish lake. It would make a lovely addition to any collection of Impressionist, Swedish Romantic or Landscape paintings.  Kallstenius is now represented at the National Museum in Stockholm, at the art museums in Gothenburg and Malmö and in a number of museum collections in Europe, South and North America. Dimensions: (unframed) 89.7 x 116.8 cm/35.3 x 46.0 ins Signature: Signed and dated 1928 lower right. Medium: Oil on canvas
  • Still Life, 1923

    by Jacques Martin-Ferrières

    Jacques Martin-Ferrières painted mostly still life works and landscape scenes, often travelling to a variety of places and painting everywhere he went. Dimensions: (unframed) 65.5 x 86.4 cm/25.8 x 34.0 ins Signature: Signed 'Martin Ferrieres' (lower right) Medium: Oil on canvas
  • Orvida Wearing a Turban, 1907

    by Lucien Pissarro

    Lucien Pissarro was a French born Neo-Impressionist painter that spent much of his life living in England as a British citizen. Employing short brushstrokes and a muted palette, Pissarro created light-filled depictions of the British countryside and stunning portraits. DIMENSIONS: (unframed) 18.0 x 15.0 in./ 45.7 x 38.1 cm SIGNATURE: Signed with a monogram and dated (lower right) MEDIUM: Oil on canvas
  • Au Bord de la Seine

    by Jean Dufy

    Dufy often depicted people enjoying themselves in a bright colourful manner and he became best-known for his panoramic views of modern Paris, capturing the architecture, activities and electricity of the city. The Place de la Concorde was one of the artist’s favourite subjects, appearing in dozens of canvases he created from the 1930s through the 1950s. Here, Dufy has depicted the quay running right by the square using his signature stylized figures capturing its energy while focusing on such national symbols as the Palais Bourbon and the Pont Alexandre III. DIMENSIONS: (unframed) 13.0 x 20.0 in. / 33.02 x 50.8 cm SIGNATURE: Signed (lower centre) MEDIUM: Watercolour on paper  
  • Henri Jean Guillaume Martin was a French painter known for his Neo-Impressionist paintings. Like the work of Pierre Puvis de Chavannes, Martin’s paintings merge Symbolist imagery with controlled Pointillist brushstrokes and pastel colours. Henri Martin purchased a house in Collioure in 1923, captivated in his old age by its beautiful and remote setting on the Mediterranean. Though he was familiar with the sleepy fishing village, having visited his artist friend many times, it was not until his sixties that Martin himself put roots down there. Located at the foot of the Pyréneés near the Spanish border, Collioure became a popular location for many artists to paint by the 1880s, serving as the backdrop for some of the most significant Fauve paintings by Henri Matisse, André Derain and Paul Signac in 1905. While renovating his new home Martin rented a studio overlooking the port, a scene which recurs in his most successful compositions from this time. DIMENSIONS: (unframed) 65.0 x 96.0 cm/25.6 x 37.8 ins SIGNATURE: Signed lower left MEDIUM: Oil on canvas
  • Henri Le Sidaner was a French painter best known for his Intimiste—or intimate portrayals of domestic interiors using Impressionist techniques—depictions of quiet street corners and gardens. Sidaner utilized uneven, dappled brushstrokes to create atmospheric and glowing light in his paintings. DIMENSIONS: (unframed) 28.75 x 36.25 in./73 x 92.1 cm SIGNATURE: Signed lower left MEDIUM: Oil on canvas
  • St-Raphaël

    by Jeanne Selmersheim-Desgrange

    Selmersheim-Desgrange lived and loved the area around St. Tropez –  and she replicated the relaxed atmosphere, the intense light, the brilliant earthen colors, dark tree silhouettes, and azure seas in her work as can be seen in this composition. Signac and Selmersheim-Desgrange lived in a small house in the South of France – “La Hune” and throughout her association with Signac, Jeanne was happy and most contented to stay in the shadows of “her great master.” DIMENSIONS: (unframed) 50.3 x 65.5 cm/19.8 x 25.8 ins SIGNATURE: Titled and dated 'St-Raphaël 1908' (lower right) MEDIUM: Oil on canvas
  • La Maison Bleue aux Environs de Giverny

    by Blanche Hoschede-Monet

    Most of Blanche's works were done in Giverny (where the family home was based) from 1883 to 1897. Here she painted alongside Claude Monet and became Monet's assistant and pupil, often carrying his easel and his canvases on a wheel barrow. Monet enquired in 1884, when Blanche was 19, "Has Blanche been painting, and has she been making progress?" She painted landscapes with trees such as pines and poplars, and meadows along the Risle river. In the 1920s, she also painted on several occasions at Georges Clemenceau's property in Saint-Vincent-sur-Jard (Vendée department) in the west of France - paintings of the garden, house and the Atlantic Ocean. After Monet's death, she remained in Giverny and continued painting. DIMENSIONS: (unframed)54.1 x 81.5 cm/21.3 x 32.1 ins SIGNATURE: Signed lower left MEDIUM: Oil on canvas
  • Port de Cherbourg, 1929

    by Achille Emile Othon Friesz

    This peaceful painting depicts Cherbourg Harbour with the blues and oranges of sunset covering the whole canvas. These muted colours lend an air of tranquillity to the piece denoting that the day is coming to a close. In his later years, Othon Friesz often portrayed this vista, fascinated by the comings and goings of the boats. One can almost imagine the artist sitting on the quay, painting the view before him. DIMENSIONS: (unframed) 15.0 x 18.1 in./38.0 x 46.0 cm SIGNATURE: Signed 'E. Othon Friesz' and dated (lower right) MEDIUM: Oil on canvas  
  • Portrait of Ida Nettleship, c.1900-05

    by Augustus John

    This sketch depicts Ida Nettleship, who was the artist’s wife. Ida was an art student at the Slade School of art. Towards the end of her time at Slade she met Augustus John and they married in 1901. A portrait of Ida by John from around 1901, while she was in her first pregnancy, is held by the National Museum of Wales. The family moved to London in 1903, where John co-founded Chelsea Art School with William Orpen.  Later in 1903, Nettleship's life with John was complicated when Dorelia McNeill became John's model and mistress. From 1903 to 1907, the three lived together, first at Matching Green in Essex and from 1905 in Paris. Nettleship had three further sons with John in quick succession. During this period, Dorelia also had children with John, in 1905 and 1906. Given John's limited income and the growing family, Nettleship eventually gave up painting to take care of the children and the housework. Although she found this wearisome and considered leaving John, she did not live long enough to do so. She died of puerperal fever in Paris in 1907 after the birth of her fifth son, Henry. DIMENSIONS: (unframed) 12.7 x 10.8 cm/5.0 x 4.3 ins MEDIUM: Pencil on paper
  • Portrait of a Woman

    by Paul César Helleu

    Paul César Helleu has created an exquisite drawing of a his eldest daughter, Ellen, at rest on her dainty chair. Ellen was born in 1887. Therefore date of this work is probably between 1905 and 1910. DIMENSIONS: (unframed) 20.5 x 30.25 ins / 52.07 x 76.84 cms SIGNATURE: Signed lower right MEDIUM: White, black and red pastel on buff paper
  • ‘Suzanne’, Étude de Cinq Têtes

    by Paul César Helleu

    This beautiful portrait study shows the artist’s skill and his mastery of the trios crayons technique of using just three colours of chalk, black red and white, to capture his sitters so brilliantly. DIMENSIONS: (unframed) 59.69 cms x 75.56 cms /23.50 ins x 29.75 ins SIGNATURE: Signed lower right and inscribed MEDIUM: Pencil on paper
  • Élégante

    by Paul César Helleu

    Referenced in the archives of the Amis de Paul-César Helleu under the n° 4338. Authenticated by Mrs. Howard-Johnston in 1988. In this elegant drawing, Paul César Helleu has rapidly drawn this stylishly attired woman using his signature loose gestural draughtmanship. This looseness and ease of depiction suggests that the work was finished in situ, rather than through a series of studies, which is how Helleu preferred to work. Although this drawing was clearly composed rapidly, Helleu has taken careful care in depicting the sitter’s fashionable furbelowed dress and  hat with jaunty feathers. Additionally, he has delicately rendered her up to date makeup and hairstyle by judicious application of colour. Paul César Helleu has created an exquisite drawing of a society lady; his trademark. DIMENSIONS: (unframed) 70.00 cms x 48.00 cms /27.56 ins x 18.90 ins x 0.0 ins SIGNATURE: Signed lower left MEDIUM: Crayon on paper
  • Portrait of a young woman

    by Paul César Helleu

    Paul César Helleu worked as a painter and an engraver in France at the turn of the century. His work epitomises the charm and elegance of French culture at the time – the belle époque – with all its verve and focus on fashion. Whilst he was renowned for his portraits of society ladies on commission, and those of his childhood sweetheart who later became his wife (Alice Guerin). DIMENSIONS: (unframed) 43.18 x 30.48 cm/ 17.00 x 12.00 ins (framed) 68.6 x 55.9 cm/ 27 x 22 ins SIGNATURE: Signed and inscribed 'To Alice' MEDIUM: Black and Sanguine Chalk  
  • Bateaux de pêche, Audierne, 1906

    by Henry Moret

    Although Moret and his family were from Normandy it was Brittany that held a life-long fascination for the artist.  Moret worked there and in the coastal villages and islands along the south coast of Brittany, painting in Douelan, Clohar and Belle Ile and on Graix and on the remote island of Ouessant on the western tip of Brittany. Moret sought out the local fisherman and farmers, painting the landscape and rocky coastline of this remote and desolate area. DIMENSIONS: (unframed) 54.4 x 81.0 cm/21.4 x 31.9 ins SIGNATURE: Signed 'Henry Moret' and dated (lower left); titled (verso) MEDIUM: Oil on canvas
  • Bassin, Lentilles Vertes

    by Henri Eugene Augustin Le Sidaner

    Le Sidaner said that no landscape was worth painting unless it was enhanced by some play of light. He experimented with all sources of light, including sunlight, sunset and the illuminating “clair de lune”. The son of a sea captain, he was drawn in particular to the play of light on water. DIMENSIONS: (unframed) 23.9 x 28.9 in./ 60.7 x 73.4 cm SIGNATURE: Signed (lower right) MEDIUM: Oil on canvas
  • The Dunes at Wimereux, Normandy, 1934

    by Edmund Blampied

    Blampied put his hand to a variety subjects, the most dear are his scenes of domestic idiosyncrasy that depict life on the farm and small town and those that show the bond that develops between people of a close knit community.  He was a keen observer of everyday life who clearly enjoyed the quirks of human nature, even within amusing stereotypes.  Blampied’s humor is as precise and delicate as his line work.  His charming depictions rendered in a flourish with a skillful hand, float in and out of existence on the page like a cherished memory. DIMENSIONS: (unframed) 8.0 x 11.5 in./ 20.32 x 29.21 cm SIGNATURE: Signed 'Blampied' and dated (lower right) MEDIUM: Oil on board
  • Falaises vers Etretat, 1906

    by Paul Madeline

    This splendid little painting is titled Falaises vers Etretat (Cliffs to Etretat) and depicts Etretat, a town on the north coast of France and its striking rock formations carved out of its white cliffs. DIMENSIONS: (unframed) 34.0 x 46.0 cm / 13.4 x 18.1 ins SIGNATURE: Signed lower left MEDIUM: Oil on canvas
  • Vent, Beau Temps, au Large (Deauville)

    by Andre Hambourg

    In 1970, Hambourg was sufficiently well-known to be granted a retrospective of five hundred paintings at the Maison de Culture in Bourges, and exhibitions and commissions continued all over the world until his death. The Normandy coastline remains one of the most collectable subjects of Hambourg’s career. Today his works can be found in the collections of museums such as the Musée National d’Art Moderne, the Musée National de la Marine, and the Musée des Arts d’Afrique et d’Océanie. DIMENSIONS: (unframed) 8.8 x 13.8 in./22.4 x 35.1 cm SIGNATURE: Signed 'A. Hambourg' (lower left); titled and inscribed (verso) MEDIUM: Oil on canvas
  • 5644-henri-Le-Sidaner-Le-chamber-bleu-Villefranche

    Le Chamber Bleu Villefranche Sur Mer, c 1927

    by Henri Eugene Augustin Le Sidaner

    Le Sidaner said that no landscape was worth painting unless it was enhanced by some play of light. He experimented with all sources of light, including sunlight, sunset and the illuminating “clair de lune”. The son of a sea captain, he was drawn in particular to the play of light on water. DIMENSIONS: (unframed) 18.0 x 21.0 in./ 45.7 x 53.3 cm SIGNATURE: Signed lower right MEDIUM: Oil on canvas
  • 5642-anshelm-Schultzberg-winter

    Winter Twilight

    by Anshelm Schultzberg

    DIMENSIONS: (unframed) 20.5 x 28 in./ 52.1 x 71.1 cm SIGNATURE: Signed lower right MEDIUM: Oil on canvas
  • Reflections c.1930

    by Jacques Martin-Ferrières

    DIMENSIONS: (unframed) 32 x 26 in./81.3 x 66 cm (framed) 39 x 33 in./99.1 x 83.8 cm SIGNATURE: Signed upper left MEDIUM: Oil on canvas Jacques Martin-Ferrières continually painted subjects of landscapes and nature within Southern regions of France, usually standing out for his vivid use of colours and excellent skill. He gradually became known for his technique of thick application of paint, applying layers to the canvas in a freer brushstroke, to create balanced compositions of animation and tantalising effects of light. We can see this in the painting Reflections, as he reflects the light off the water of a river, with subtle harmonies of ochre and green tones.
  • Market Scene

    by Alberto Zardo

    Although the Italian peasants on the market stall are in the forefront of this painting, they are not the focus. The work is seen as a whole; the figures are part of a landscape which describes rural life in Italy. This is painted in the Realist style, which was catalysed by Gustave Courbet in the 1870s, and became popular in France and Italy. DIMENSIONS: (unframed) 12.0 x 16.0 ins/ 30.5 x 40.6 cm SIGNATURE: Signed ‘Zardo’ (lower left) MEDIUM: Oil on canvas
  • The Flamboyant Tree

    by Frits Lucien Ohl

    DIMENSIONS: (unframed) 36.00 x 24.00 in./ 91.40 x 60.00 cm SIGNATURE: Signed lower right MEDIUM: Oil on canvas Frits Lucien Ohl (1904-1976) was a painter whose works were mostly of Indonesian landscapes and Asian panoramas. He was a skilled artiste, watercolourist, and draughtsman in the style reminiscent of the late of GP. Adolfs. He worked in a colourful and impressionistic manner, depicting Indonesian landscapes and culture, often using his palette knife.
  • La Cathédrale d’Auxerre, 1907

    by Gustave Loiseau

    The strong structure and free brush strokes of La Cathédrale d'Auxerre reveal the techniques the artist learned first-hand from Gauguin as well as his debt to Sisley and Pissarro. In 1890, after a period of pointillist experimentation, Loiseau moved to Pont-Aven where he re-found his pure landscape ideal painting in a Post-Impressionist manner directly from nature. He had a particular interest in the depiction of water within a landscape, exemplified by this painting. With a contract from Durand-Ruel, Loiseau was free to travel extensively in France, painting in Burgundy - as presented here in Auxerre's Gothic tour de force - in the Dordogne, Dieppe and on the banks of the Seine. DIMENSIONS: (unframed) 25.5 x 21.3 ins/ 64.8 x 54.1 cm SIGNATURE: Signed 'G. Loiseau' (lower left) MEDIUM: Oil on canvas
  • L’Arc de Triomphe, c. 1925-1930

    by Eugène Galien Laloue

    £24,000 £20,400
    DIMENSIONS: (unframed) 7.3 x 12 ins SIGNATURE: Signed 'E. Galien-Laloue' (lower left). MEDIUM: Gouache on paper This beautiful work shows the Arc de Triomphe in Paris on a crisp autumn evening. The sky is filled with the oranges of sunset, capturing the light and atmosphere of the scene.
  • On the Beach

    by Philip Wilson Steer

    DIMENSIONS: (unframed) 6.7 x 9.4 ins MEDIUM: Oil on panel
  • La Place de la République

    by Eugène Galien Laloue

    DIMENSIONS: (unframed) 7.3 x 12.0 in./18.5 x 30.5 cm SIGNATURE: Signed lower left MEDIUM: Gouache on paper
  • Coastal View

    by Hilda Clements Hassel

    DIMENSIONS: (unframed) 3.50 x 5.25 in./8.89 x 13.34 cm SIGNATURE: Signed HCH lower right MEDIUM: Watercolour
  • Harbour Corner, Ibiza, 1936

    by Hilda Clements Hassel

    DIMENSIONS: (unframed) 14.00 x 18.00 in./ 35.56 x 45.72 cm MEDIUM: Oil on panel
  • Les Falaises

    by Victor Vignon

    DIMENSIONS: (unframed) 21.63 x 17.63 in./54.9 x 44.7 cm SIGNATURE: Signed 'Vr. Vignon' lower right MEDIUM: Oil on canvas
  • Portrait of a Woman, C.1888

    by Giovanni Boldini

    DIMENSIONS: (unframed)8.0 x 6.0 ins/ 20.3 x 15.2 cm SIGNATURE: Signed lower right MEDIUM: Watercolour
  • Ville Portuaire

    by Jean Dufy

    DIMENSIONS: (unframed) 10.5 x 16.5 in./ 26.7 x 41.9 cm SIGNATURE: Stamped signature lower right MEDIUM: Pencil on paper
  • Bateaux au Port, 1924

    by Jean Dufy

    DIMENSIONS: (unframed)  17.5 x 25.0 in. / 44.5 x 63.5 cm SIGNATURE: Signed 'Jean Dufy' and dated lower right; Label from Herman C. Goldsmith, NY verso MEDIUM: Pencil on paper
  • Le Bassin de Toulon

    by Jean Dufy

    DIMENSIONS: (unframed) 21.5 x 28.0 in./ 54.6 x 71.1 cm SIGNATURE: Stamped signature lower right MEDIUM: Ink and pencil on paper
  • County Down

    by Julius Olsson

    DIMENSIONS: (unframed) 30.0 x 40.0 in./ 76.2 x 101.6 cm SIGNATURE: Signed lower left MEDIUM: Oil on canvas
  • Unloading the Catch

    by Eugène Galien Laloue

    DIMENSIONS: (unframed)13.50 x 18.0 in./34.29 x 45.72 cm SIGNATURE: Signed lower left MEDIUM: Oil on canvas
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