• Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method of “random” drawing that attempted to express the inner workings of the human psyche. Miró used colour and form in a symbolic rather than literal manner, his intricate compositions combining abstract elements with recurring motifs like birds, eyes, and the moon. “I try to apply colours like words that shape poems, like notes that shape music,” he said. MEDIUM: Lithograph DIMENSIONS:  (unframed) 20.5 x 14.5 ins/ 52.1 x 36.8 cm SIGNATURE: Signed and edition numbered to lower margin
  • Day of Showers

    by Marian Kratochwil

    P.O.A.
    Marian Kratochwil was a Polish painter most well-known for his beautiful landscapes of Scotland and Spain in an Impressionistic style, as well as scenes of city life in London. MEDIUM: Oil on panel DIMENSIONS: (unframed) 7.5 x 9.5 ins/ 19.1 x 24.1 cm SIGNATURE: Signed and inscribed (verso)
  • Winter Landscape

    by Harald Pryn

    £12,000
    This is a charming painting from the popular oeuvre of the Danish landscape artist Harald Pryn. He had an obsession for snowy countryside scenes, and is the most coveted artist for this particular genre. MEDIUM: Oil on canvas DIMENSIONS: (unframed) 27.6 x 39.8 ins/ 70.0 x 101.0 cm SIGNATURE: Signed ‘Harald Pryn’ (lower left)
  • Alpine Road, 1934

    by Harald Pryn

    £12,000
    This painting is a charming picture from the popular oeuvre of the Danish landscape artist Harald Pryn. He had an obsession for snowy countryside scenes, and is the most coveted artist for this particular genre. He painted a great number of these winter landscapes, and Alpine Road is a particularly fine example, in which the artist has managed to capture the uniqueness of the cold light on a bright day in Northern Europe. MEDIUM: Oil on canvas DIMENSIONS: (unframed) 28.0 x 39.5 ins/ 71.1 x 100.3 cm SIGNATURE: Signed ‘Harald Pryn’ (lower right)
  • Parlour Scene

    by Vittorio Reggianini

    P.O.A.
    Vittorio Reggianini was an Italian artist who, like so many of the Florentine artists of the time, specialised in historical genre pieces. Reggianini’s works frequently depict elegant scenes of modern bourgeois life, as exemplified in this painting. The two female subjects are dressed in very elegant clothing surrounded by a highly ornate and luxurious interior. MEDIUM: Oil on canvas DIMENSIONS: 19.7 x 15.7 ins/ 50.0 x 40.0 cm SIGNATURE: Signed ‘Reggianini’ (lower right)
  • Le nu au Médaillon

    by Marcel Dyf

    P.O.A.
    Dyf was famed for his impressionistic landscapes, still-lives, and portraits. His paintings had been exhibited throughout the world, with Shows in England, America, Canada, Germany and Algeria.  Today he is considered one of the last of the true Impressionist artists. Dyf died in September 1985. DIMENSIONS: (unframed) 18.3 x 21.8 ins/ 46.5 x 55.4 cm SIGNATURE: Signed 'Dyf' (lower right) MEDIUM: Oil on canvas
  • Une Rue Parisienne

    by Lucien Adrion

    P.O.A.
    Lucien Adrion was a French painter known for his depictions of the countryside and bustling street scenes. Though his paintings were made after the heyday of Impressionism, Adrion’s work largely adhered to the movement’s aesthetic model. There is a distinct shift in Adrion’s later style, when bored with his life in Paris he left his agent Chéron for Normandy and focused on painting landscapes. These were again successful and gained great popularity. His paintings are not only in French collections but throughout Europe and the United States. DIMENSIONS: (unframed) 34.0 x 41.0 ins/86.36 x 104.14 cm SIGNATURE: Signed ‘Adrion’ and dated (lower right) MEDIUM: Oil on canvas
  • Children in the Garden

    by Marcel Dyf

    £19,500
    Dyf was famed for his impressionistic landscapes, still-lives, and portraits. His paintings had been exhibited throughout the world, with Shows in England, America, Canada, Germany and Algeria.  Today he is considered one of the last of the true Impressionist artists. Dyf died in September 1985. DIMENSIONS: (unframed) 60.96 cms x 71.12 cms /24.00 ins x 28.00 ins SIGNATURE: Signed (lower right) MEDIUM: Oil on canvas
  • Bord De Mer

    by Charles Garabed Atamian

    £39,500
    Atamian's work has always been very popular and in high demand. He captures not only the luminosity of wet, sun-drenched sand, but also the charm of children playing. DIMENSIONS: (unframed) 15.0 x 21.8 ins/ 38.1 x 55.4 cm SIGNATURE: Signed lower left MEDIUM: Oil on canvas
  • Neiges dans les Abruzzes, 1921

    by Jacques Martin-Ferrières

    P.O.A.
    In this pointillist winter landscape, Martin-Ferrières depicts the monumental mountains located in the Italian region of Abruzzo, focusing on one of the mountain-tops with the snow swirling around what could be a castle or a church. The artist’s superb sensitivity of colour is demonstrated within the painting as at the forefront the subtle harmonies of blue and violet are contrasted with the lighter background hues of pinks and creams, creating a stunning composition of animation and the tantalising effects of light. DIMENSIONS: (unframed) 15.0 x 18.9 ins./ 38.1 x 45.7 cms SIGNATURE: Signed and dated lower right MEDIUM: Oil on board  
  • Right of Garden, Landscape

    by Hans Iten

    £9,850
    This charming painting depicts a curated garden in summer, and is by Hans Iten, the finest flower painter of his time. The garden is flooded in bright sunlight, while the trees in full leaf cause dappled shade. The composition makes the picture seem as though it is being viewed through a window, the tops of the trees projecting out of the picture plane. This gives the viewer the sense that they are experiencing the view through the trees in real life. DIMENSIONS: (unframed)53.3 x 67.3 cm / 21.0 x 26.5 ins SIGNATURE: Signed lower left MEDIUM: Oil on canvas
  • Still Life

    by Claude Venard

    P.O.A.
    DIMENSIONS: (unframed) 44.5 x 57.25 in./ 113.03 x 145.42 cm SIGNATURE: Signed'C. Venard' lower right MEDIUM: Oil on canvas  
  • 4143 - Juan Miro - Abstract - Framed 4143 - Juan Miro - Abstract - Unframed

    Abstract

    by Joan Miro

    P.O.A.
    Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method of “random” drawing that attempted to express the inner workings of the human psyche. Miró used colour and form in a symbolic rather than literal manner, his intricate compositions combining abstract elements with recurring motifs like birds, eyes, and the moon. “I try to apply colours like words that shape poems, like notes that shape music,” he said. DIMENSIONS: (unframed) 28.0 x 21.0 ins/ 71.12 x 53.34 cm SIGNATURE: Signed 'M' (lower right) in pencil MEDIUM: Lithograph
  • Une Parisienne

    by Jean Beraud

    P.O.A.
    Une Parisienne is a prime example of Béraud’s work; a vivid, elegant portrait of a Parisian society lady from the Belle Époque. His use of browns, greys and blacks make the smiling subject seem alive, as if the sitter were about to step out of the painting to meet the viewer. DIMENSIONS: (unframed) 21.9 x 15.2 ins / 55.5 x 38.5 cm SIGNATURE: Signed Jean Béraud (lower left) MEDIUM: Oil on canvas
  • Bathers on the Beach

    by Alexander Garbell

    P.O.A.
    DIMENSIONS: (unframed) 24 x 36 ins SIGNATURE: Signed MEDIUM: Oil on canvas
  • French Harbour

    by Emile Laborne

    £12,400
    DIMENSIONS: (unframed) 10.75 x 15.00 in./ 91.44 x 81.28 cm SIGNATURE: Signed lower right MEDIUM: Oil on canvas
  • A Woodland River Landscape

    by Leon Richet

    £4,200
    DIMENSIONS: (unframed) 15.75 x 19.75 in./40.0 x 50.17 cm SIGNATURE: Signed lower left MEDIUM: Oil on artist-board
  • Still Life fruit on a shelf

    by Giovanni Estienne

    £12,500
    DIMENSIONS: (unframed) 23.0 x 24.5 in./ 58.42 x 62. 23 cm SIGNATURE: Signed and dated on shelf MEDIUM: Oil on canvas
  • DIMENSIONS: (unframed) 22.0 x 32.0 in./ 55.88 x 81.28 cm SIGNATURE: Signed lower right MEDIUM: Oil on canvas
  • Dancers in the dressing room, c. 1895

    by Arnaldo Ferraguti

    P.O.A.
    Depicting five young ballerinas, Dancers in the dressing room, c.1895 is a prime example of Arnaldo Ferraguti painting a subject he loved. This soft yet vibrant piece shows the young girls getting ready to dance, concentrating hard on their actions. Ferraguti’s use of bright colours lends a lovely sense of warmth to the composition. The dressing room is drawn softly and hazily to direct attention to the figures, who have been outlined faintly in black. The central figure helps one of the other girls to get dressed, inviting the viewer to question the relationship between these children and imbuing the scene with a comforting quality. DIMENSIONS: (unframed) 17.50 x 25.12 in./44.45 x 63.80 cm SIGNATURE: Signed 'A. Ferraguti' (lower right) MEDIUM: Chalk and pastel on paper laid down on card
  • Eden XIIII

    by Astor Milan Salcedo

    P.O.A.
    DIMENSIONS: (unframed) 80 x 60 cm SIGNATURE: Signed verso and inscribed lower right MEDIUM: Oil on canvas
  • Eden III

    by Astor Milan Salcedo

    P.O.A.
    DIMENSIONS: (unframed) 47.2 x 47.2 in./ 120 x 120 cm SIGNATURE: Signed and titled (verso) MEDIUM: Oil on canvas
  • Swans on Lake Geneva

    by Virgilio Costantini

    £9,500
    DIMENSIONS: (unframed) 36.00 x 32.00 ins 91.44 x 81.28 cms SIGNATURE: Signed MEDIUM: Oil on canvas Virgilio Costantini was an Italian artist known for his Impressionistic painting. Colour and light command Costantini’s works, and this piece is by no means an exception. Here we see how Costantini has captured the brilliant blue hues of Lake Geneva, which contrast perfectly with the bright white feathers of the swans in the foreground. The white of the swans is echoed in the snow topped mountains and clouds to the rear of the scene, adding a sense of harmony and balance to the composition. Costantini uses symmetry to emphasise this harmony, not only in the lake’s reflection, but also in the family of swans.
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