• Moonlight Over The Promenade

    by Wilhelm von Gegerfelt

    P.O.A.
    A deep blue from the evening sky peeps into view from the top left corner of the composition and dances over the water's surface along with flecks of yellow and orange. MEDIUM: Oil on canvas DIMENSION: (unframed) 27 x 45 inches. (framed) 39 x 57 inches. SIGNATURE: Signed (lower right)
  • Landscape at Sunset, 1894

    by Henri Joseph Harpignies

    P.O.A.
    This painting was completed in the later years of Harpignies’ artist career and life. The influence of Corot as a source of inspiration is visible here and throughout Harpignies’ portfolio – they share a typically green and brown palate; a soft, often indirect light; and the delicate, wispy bristling of foliage. MEDIUM: Oil on canvas DIMENSIONS: (unframed) 32.0 x 23.3 ins/ 81.3 x 59.2 cm SIGNATURE: Signed 'Harpignies' and dated (lower left)
  • Dame mit Tomate, 1930

    by Paul Klee

    P.O.A.
    Dame mit Tomate is likely a recollection of Klee’s visits to Italy in January 1929 and in the summer of 1930. Klee contrasts the bright red shape of the sun-ripened tomato against the darker attire of the woman, focusing on the fruit as a symbol of fertility and the living intensity of the timeless life-force inherited from ancient Mediterranean cultures. MEDIUM: Watercolour on paper laid down by the artist on board DIMENSIONS: (unframed) 25.6 x 19.8 ins/ 65.0 x 50.3 cm SIGNATURE: Signed ‘Klee’ (lower right); dated, numbered, and titled ‘1930 G.6 Dame mit Tomate’ (on mount)  
  • Gathering Water, 1890

    by Emile Munier

    £115,000
    MEDIUM: Oil on canvas DIMENSIONS: (unframed) 29.8 x 16.8 ins/ 75.7 x 42.7 cm (framed) 43 x 32 ins/ 109.2 x 81.3 cm SIGNATURE: Signed 'E. Munier' and dated (lower left)
  • Among the most striking testaments to the enduring popularity of Modigliani and his work is the extraordinary record of exhibitions in which he participated during his lifetime; it is a record that also underscores his international acclaim. In a span of only 12 years, from 1907 to 1919 – for all intents and purposes fundamentally all of Modigliani’s working life – he participated in a confirmed 18 exhibitions. These exhibitions which included on a number of occasions participation in the famed Salon d’Automne and the Salon des Indépendents as well as exhibitions abroad in London, Zurich and as far reaching as New York [1916, the Modern Gallery, satellite to Steiglitz’s famed gallery ‘291’] represent an astonishing affirmation for any artist. MEDIUM: Black crayon on paper DIMENSIONS: (unframed) 16.5 x 10 ins/ 41.9 x 25.4 cm SIGNATURE: Signed and stamped (lower left)
  • Rose, 2017

    by Jean-Pierre Cassigneul

    P.O.A.
    DIMENSIONS: (unframed) 25.8 x 21.5 ins/ 65.5 x 54.6 cm (framed) 34 x 30 ins/ 86.4 x 76.2 cm SIGNATURE: Signed ‘Cassigneul' (lower right) MEDIUM: Oil on canvas
  • Les Pigeons, 2014

    by Jean-Pierre Cassigneul

    P.O.A.
    DIMENSIONS: (unframed) 51.3 x 38.3 ins/ 130.3 x 97.3 cm (framed) 61 x 48 ins/ 154.9 x 121.9 cm SIGNATURE: Signed ‘Cassigneul' (lower right) MEDIUM: Oil on canvas
  • Les tulipes mauves, 1975

    by Jean-Pierre Cassigneul

    P.O.A.
    DIMENSIONS: (unframed) 28.8 x 21 ins/ 73.2 x 53.3 cm (framed) 37.5 x 29.5 ins/ 95.3 x 74.9 cm SIGNATURE: Signed ‘Cassigneul' (lower right) MEDIUM: Oil on canvas
  • Men fighting on foot by a burning building Battle scene men fighting on foot alongside a burning building

    Skirmish at Mesnil Les Hurlus

    by Eugène Galien Laloue

    P.O.A.
    Galien-Laloue was prolific and painted in many different styles throughout his career. He was a versatile painter and it should be noted that this was partially because he was such a superb and facile draftsman. DIMENSIONS: (unframed) 13.0 x 16.0 ins/ 33.0 x 40.6 cm SIGNATURE: Signed 'E. Galien-Laloue' and inscribed (lower left) MEDIUM: Gouache on paper
  • Seaside View

    by Algernoon Talmage

    P.O.A.
    DIMENSIONS: (unframed) 36 x 50 in./ 91.4 x 127 cm (framed) 43.5 x 56.5 in./ 110.5 x 143.5 cm SIGNATURE: Signed 'A. Talmage' and dated '1922' (lower right) MEDIUM: Oil on canvas
  • The Top of the Hill

    by William Kay Blacklock

    P.O.A.
    MEDIUM: Oil on canvas DIMENSIONS: (unframed) 22 x 30.5 ins/ 55.9 x 77.5 cm (framed) 29.5 x 37 ins/ 74.9 x 94 SIGNATURE: Signed ‘W.K. Blacklock’ (lower left)
  • Man in Turkish Costume

    by Alexandre Marie Colin

    P.O.A.
    DIMENSIONS: (unframed) 6.3 x 3.7 ins/ 15.9 x 9.5 cm SIGNATURE: Stamped with the artist's initials (lower left) MEDIUM: Pencil on paper
  • Portrait of Lord Abercorn

    by / attributed to Sir Thomas Lawrence

    P.O.A.
    MEDIUM: Oil on canvas DIMENSIONS: (unframed) 36 x 28 ins/ 91.4 x 101.6 cm
  • a group of well dressed men play a game around a table five men playing a table game

    End Game

    by Adolphe Alexandre Lesrel

    £85,000
    During the 19th century people developed a vivid fascination for the past. This was particularly true in France where memories of the recently deposed monarchy were still strong and the political situation was volatile. Paintings emphasized the human qualities of the subjects and in Lesrel's works he alludes to the paternal qualities of the monarchy by painting the King's men at ease in their domestic situations. MEDIUM: Oil on panel DIMENSIONS: (unframed) 23 x 14.25 ins/ 58.42 x 36.20 cm
  • A Dashing Cavalier

    by Adolphe Alexandre Lesrel

    £15,000
    During the 19th century people developed a vivid fascination for the past. This was particularly true in France where memories of the recently deposed monarchy were still strong and the political situation was volatile. Paintings emphasized the human qualities of the subjects and in Lesrel's works he alludes to the paternal qualities of the monarchy by painting the King's men at ease in their domestic situations. MEDIUM: Oil on panel DIMENSIONS: (unframed) 23 x 14.25 ins/ 58.42 x 36.20 cm
  • A beach with sand, blue sky, people on the beach and a few boats in the background A beach on a bright day with sand and blue sky

    À la Plage

    by Alfred Stevens

    P.O.A.
    In this painting, Alfred Stevens has created an incredibly atmospheric seascape, capturing the busyness of the area with the depiction of many ships, and people swimming. MEDIUM: Oil on canvas DIMENSIONS: (unframed) 14.0 x 10.0 ins/ 35.6 x 25.4 cm SIGNATURE: Signed ‘A Stevens’ (lower left)
  • Nude bathing scene with a woman about to go into the sea by Serge Mendjisky Nude bathing scene with a woman about to go into a lake using a pointillist technique by Serge Mendjisky

    Nu

    by Serge Mendjisky

    £12,000
    Serge Mendjisky was a French contemporary artist known for his brightly coloured works. In this beautiful scene  Mendjisky uses tight block-like brushstrokes to create a mosaic of bright shades of blue and green combines with  lovely light tones of apricots whites and pink to depict a female figure about to go swimming in a lake, demonstrating a superb sensitivity of colour. Influenced by Vincent Van Gogh and Georges Seurat, Mendjisky employed complementary colours to create the vibratory effect of shimmering light MEDIUM: Oil on Canvas DIMENSIONS: (unframed) 32.0 x 23.0 ins/ 81.3 x 58.4 cm SIGNATURE: Signed ‘S. Mendjisky’ (lower right)
  • Moonlit landscape looking over water with the light reflecting off it and mountains in the background Moonlit landscape looking over water with the light reflecting off it and mountains in the background

    Tranquil Waters, 1924

    by Ivan Choultse

    P.O.A.
    Choultse loved creating scenes of the landscape, sky, moon and plants. He was a 'singer of nature' and undoubtedly worshipped the snow and water most of all. His artistic world is without people or animals. Like this piece, his preferred landscape is a winter view. Thanks to his lengthy trip to Europe during the uncertainty of the revolutionary years, his pieces frequently depict the Swiss Alps, southern France and northern Italy. He was called a "magician of light" because of an almost magic realism of his paintings. DIMENSIONS: (unframed) 20.0 x 23.8 ins / 50.8 x 60.5 cm SIGNATURE: Signed ‘Iw. F Choultsé’ (lower right) MEDIUM: Oil on canvas  
  • Farmers harvesting a corn field by hand near to a small house and a rough track

    La Fenaison

    by Leon LHermitte

    P.O.A.
    Lhermitte’s innovative use of pastels won him the admiration of his contemporaries. Vincent van Gogh wrote that "If every month Le Monde Illustré published one of his compositions ... it would be a great pleasure for me to be able to follow it. It is certain that for years I have not seen anything as beautiful as this scene by Lhermitte ... I am too preoccupied by Lhermitte this evening to be able to talk of other things." DIMENSIONS: (unframed) 26.2 x 20.0 in. / 48.3 x 61.0 cm SIGNATURE: Signed MEDIUM: Pastel
  • Shepherds looking after sheep on a hillside by Bloeman Italian vedute with shepherds by Bloeman
    Van Bloeman was nicknamed Orizonte or Horizonti, on account of the distance he painted in his classical landscapes. He was greatly inspired by Gaspar Poussin where he gained his ideas of colour, technique and composition. His works were regarded highly by his contemporaries and the travellers to Rome during the first half of the 18th Century were always seeking to purchase his works. DIMENSIONS: (unframed) 26.2 x 20.0 in. / 66.5 x 50.8 cm SIGNATURE: Unsigned MEDIUM: Oil on canvas
  • A group of racehorses gathered on a racetrack with autumnal trees in the background by Maurice Brianchon

    Races at Auteuil, 1951

    by Maurice Brianchon

    £80,000
    Maurice Brianchon was an influential French Impressionist and Modern painter who is best known for his luminous canvasses often depicting nudes, still lifes and scenes at the French horse race courses, including St. Cloud, Longchamps and Auteuil. This vibrant painting, Races at Auteuil, depicts a moment of calm at the racecourse in Auteuil, in the Bois de Boulogne, Paris iand is characteristic of Brianchon’s later style. The artist’s simplification of the forms blurs the distinction between figures and setting. MEDIUM: Oil on canvas DIMENSIONS: (unframed) 19.7 x 16.1 ins/ 50.0 x 41.0 cm SIGNATURE: Signed ‘Brianchon’ (lower right)
  • Flower seller on the bridge by Windsor Castle with socialites strolling past by Francois Flemeng

    The Flower Seller at Windsor

    by Francois Flameng

    £60,000
    Francois Flameng was a French painter who lived and worked between the 19th and 20th centuries. He had an incredibly varied and masterful repertoire, from portraits to bustling historic scenes to vivid depictions of war. He was a friend of John Singer Sargent, who painted his portrait alongside Paul Helleu. DIMENSIONS: (unframed) 25 x 32 ins/ 63.5 x 81.3 cm SIGNATURE: Signed lower right MEDIUM: Oil on panel
  • Discretion, the Better Part of Valour

    by Federico Andreotti

    £50,600
    Andreotti's style was the result of technical anatomy training at the Academy, and an interest in the Impressionist's use of colour and brushstroke. The combination of these influences results in a vivid, lively quality to his brushwork, but without any element or likeness lost. Each figure exudes a unique character to the other, flaunting Andreotti's skill for detailed compositions. DIMENSIONS: (unframed) 26 x 36 ins/ 66 x 91.4 cm SIGNATURE: Signed lower right MEDIUM: Oil on canvas
  • A woman sits on a rocky beach with her black dog by Vicente Palmaroli

    On The Beach

    by Vicente Palmaroli

    £50,600
    Vicente Palmaroli, born in 1834, was the son of painter and lithographer Gaetano Palmaroli, who was also his first tutor. He later moved to Rome and there became part of a collective of Spanish painters including Maria Fortuny, Alejo Vera, and Luis Alvarez Catala. With works created in Italy he won multiple First-Class medals for his participation in National Exhibitions in Spain. He progressed into a renowned portrait artist and an academic. His work then specialised in 'tableautins', which were small compositions depicting light and amusing themes designed for the home. Eventually he was appointed Director of the Museo del Prado - he held this position until his death in 1896. DIMENSIONS: (unframed) 30 x 19 ins/ 76.2 x 48.3 cm SIGNATURE: Signed in the bottom right corner MEDIUM: Oil on canvas
  • A portraitist stands by a frame whilst two women and two men look on by Arturo Ricci

    In The Artist’s Studio

    by Arturo Ricci

    £63,000
    Ricci was a Florentine artist, born in 1854, who typically painted anecdotal scenes of upper-class family life, with a particularly skilled hand for shimmering silks and satins. Collectors across Europe and the United States found Ricci's historical genre appealing, depicting what stood in stark contrast to the harsh realities of the Industrial Revolution: the perceived height of sophistication, decadence, and taste. DIMENSIONS: (unframed) 27 x 36 ins/ 68.6 x 91.4 cm SIGNATURE: Signed in the bottom right corner MEDIUM: Oil on canvas
  • A couple dance in the middle of a public house with ducks in the foreground and people looking on by Francesco Vinea

    The Dance

    by Francesco Vinea

    £63,000
    MEDIUM: Oil on canvas DIMENSIONS: (unframed) 73.7 x 106.7 cm/ 29 x 42 ins SIGNATURE: Signed and dated, with location Francesco Vinea (1845 - 1902) was an Italian painter recognised for his period costume genre subjects. He preferred dynamic, imaginative, and often witty depictions of dramas over more classical historical or landscape painting. The Dance is, as the name implies, a merry scene; a couple dances at its centre, encircled by jovial music players and characters drinking together. There are several curiosities about this composition - the dancer appears to be blindfolded, and a family of ducks strolls by as if part of a different narrative altogether. 6183
  • A lady in a large pink dress plays a lute guitar by Eduardo Garrido

    Lady with a Lute

    by Eduardo Leon Garrido

    £52,000
    DIMENSIONS: (unframed) 41 x 26.5 ins./ 104.1 x 67.3 cm SIGNATURE: Signed lower left MEDIUM: Oil on panel Eduardo Leon Garrido was a Spanish artist born in Madrid in 1856, who went on to spend his adult life across Italy and France. His style was influenced by impressionism and romanticism, and artists he met such as Mariano Fortuny and Martin Rico. Garrido specialised in dance scenes and portraits of women, often in decadent Rococo rooms. 6182
  • Three ladies in dresses sit aboard a small rowing boat on a lake with a gentleman reading from a book by Leon Girardet

    A Captive Audience

    by Leon Girardet

    £50,600
    DIMENSIONS: (unframed) 24 x 32 ins/ 60.96 x 81.28 cm SIGNATURE: Signed lower right MEDIUM: Oil on canvas This painting is also known as The Poet, and is one of Girardet's most famous works. It exemplifies his ability to portray character: note each figure's unique and expressive posture.
  • Joan Miró rejected the constraints of traditional painting, creating works “conceived with fire in the soul but executed with clinical coolness,” as he once said. Widely considered one of the leading Surrealists, though never officially part of the group, Miró pioneered a wandering linear style of Automatism—a method of “random” drawing that attempted to express the inner workings of the human psyche. Miró used colour and form in a symbolic rather than literal manner, his intricate compositions combining abstract elements with recurring motifs like birds, eyes, and the moon. “I try to apply colours like words that shape poems, like notes that shape music,” he said. MEDIUM: Lithograph DIMENSIONS:  (unframed) 20.5 x 14.5 ins/ 52.1 x 36.8 cm SIGNATURE: Signed and edition numbered to lower margin
  • Day of Showers

    by Marian Kratochwil

    P.O.A.
    Marian Kratochwil was a Polish painter most well-known for his beautiful landscapes of Scotland and Spain in an Impressionistic style, as well as scenes of city life in London. MEDIUM: Oil on panel DIMENSIONS: (unframed) 7.5 x 9.5 ins/ 19.1 x 24.1 cm SIGNATURE: Signed and inscribed (verso)
  • Winter Landscape

    by Harald Pryn

    £12,000
    This is a charming painting from the popular oeuvre of the Danish landscape artist Harald Pryn. He had an obsession for snowy countryside scenes, and is the most coveted artist for this particular genre. MEDIUM: Oil on canvas DIMENSIONS: (unframed) 27.6 x 39.8 ins/ 70.0 x 101.0 cm SIGNATURE: Signed ‘Harald Pryn’ (lower left)
  • Alpine Road, 1934

    by Harald Pryn

    £12,000
    This painting is a charming picture from the popular oeuvre of the Danish landscape artist Harald Pryn. He had an obsession for snowy countryside scenes, and is the most coveted artist for this particular genre. He painted a great number of these winter landscapes, and Alpine Road is a particularly fine example, in which the artist has managed to capture the uniqueness of the cold light on a bright day in Northern Europe. MEDIUM: Oil on canvas DIMENSIONS: (unframed) 28.0 x 39.5 ins/ 71.1 x 100.3 cm SIGNATURE: Signed ‘Harald Pryn’ (lower right)
  • Parlour Scene

    by Vittorio Reggianini

    P.O.A.
    Vittorio Reggianini was an Italian artist who, like so many of the Florentine artists of the time, specialised in historical genre pieces. Reggianini’s works frequently depict elegant scenes of modern bourgeois life, as exemplified in this painting. The two female subjects are dressed in very elegant clothing surrounded by a highly ornate and luxurious interior. MEDIUM: Oil on canvas DIMENSIONS: 19.7 x 15.7 ins/ 50.0 x 40.0 cm SIGNATURE: Signed ‘Reggianini’ (lower right)
  • Le nu au Médaillon

    by Marcel Dyf

    P.O.A.
    Dyf was famed for his impressionistic landscapes, still-lives, and portraits. His paintings had been exhibited throughout the world, with Shows in England, America, Canada, Germany and Algeria.  Today he is considered one of the last of the true Impressionist artists. Dyf died in September 1985. DIMENSIONS: (unframed) 18.3 x 21.8 ins/ 46.5 x 55.4 cm SIGNATURE: Signed 'Dyf' (lower right) MEDIUM: Oil on canvas
  • Children in the Garden

    by Marcel Dyf

    £19,500
    Dyf was famed for his impressionistic landscapes, still-lives, and portraits. His paintings had been exhibited throughout the world, with Shows in England, America, Canada, Germany and Algeria.  Today he is considered one of the last of the true Impressionist artists. Dyf died in September 1985. DIMENSIONS: (unframed) 60.96 cms x 71.12 cms /24.00 ins x 28.00 ins SIGNATURE: Signed (lower right) MEDIUM: Oil on canvas
  • Bord De Mer

    by Charles Garabed Atamian

    £39,500
    Atamian's work has always been very popular and in high demand. He captures not only the luminosity of wet, sun-drenched sand, but also the charm of children playing. DIMENSIONS: (unframed) 15.0 x 21.8 ins/ 38.1 x 55.4 cm SIGNATURE: Signed lower left MEDIUM: Oil on canvas
  • Neiges dans les Abruzzes, 1921

    by Jacques Martin-Ferrières

    P.O.A.
    In this pointillist winter landscape, Martin-Ferrières depicts the monumental mountains located in the Italian region of Abruzzo, focusing on one of the mountain-tops with the snow swirling around what could be a castle or a church. The artist’s superb sensitivity of colour is demonstrated within the painting as at the forefront the subtle harmonies of blue and violet are contrasted with the lighter background hues of pinks and creams, creating a stunning composition of animation and the tantalising effects of light. DIMENSIONS: (unframed) 15.0 x 18.0 ins./ 38.1 x 45.7 cm (framed) 22 x 25 ins./ 55.9 x 63.5 cm SIGNATURE: Signed and dated lower right MEDIUM: Oil on board  
  • Right of Garden, Landscape

    by Hans Iten

    £9,850
    This charming painting depicts a curated garden in summer, and is by Hans Iten, the finest flower painter of his time. The garden is flooded in bright sunlight, while the trees in full leaf cause dappled shade. The composition makes the picture seem as though it is being viewed through a window, the tops of the trees projecting out of the picture plane. This gives the viewer the sense that they are experiencing the view through the trees in real life. DIMENSIONS: (unframed)53.3 x 67.3 cm / 21.0 x 26.5 ins SIGNATURE: Signed lower left MEDIUM: Oil on canvas
  • Still Life

    by Claude Venard

    P.O.A.
    DIMENSIONS: (unframed) 44.5 x 57.25 in./ 113.03 x 145.42 cm SIGNATURE: Signed'C. Venard' lower right MEDIUM: Oil on canvas  
  • View of Capri

    by Ivan Federovich Choultsé

    £85,000
    DIMENSIONS: (unframed) 21.5 x 25.75 in./ 55.0 x 65.6 cm SIGNATURE: Signed lower right ‘Iw. F Choultsé’ MEDIUM: Oil on canvas
  • Bathers on the Beach

    by Alexander Garbell

    £12,000
    DIMENSIONS: (unframed) 24 x 36 ins SIGNATURE: Signed MEDIUM: Oil on canvas
  • French Harbour

    by Emile Laborne

    £12,400
    DIMENSIONS: (unframed) 10.8 x 15.0 in./ 27.4 x 38.1 cm SIGNATURE: Signed 'Emile Laborne' (lower right) MEDIUM: Oil on canvas
  • A Woodland River Landscape

    by Leon Richet

    £4,200
    DIMENSIONS: (unframed) 15.75 x 19.75 in./40.0 x 50.17 cm SIGNATURE: Signed lower left MEDIUM: Oil on artist-board
  • Still Life fruit on a shelf

    by Giovanni Estienne

    £12,500
    DIMENSIONS: (unframed) 23.0 x 24.5 in./ 58.42 x 62. 23 cm SIGNATURE: Signed and dated on shelf MEDIUM: Oil on canvas
  • DIMENSIONS: (unframed) 22.0 x 32.0 in./ 55.88 x 81.28 cm SIGNATURE: Signed lower right MEDIUM: Oil on canvas
  • Dancers in the dressing room, c. 1895

    by Arnaldo Ferraguti

    P.O.A.
    Depicting five young ballerinas, Dancers in the dressing room, c.1895 is a prime example of Arnaldo Ferraguti painting a subject he loved. This soft yet vibrant piece shows the young girls getting ready to dance, concentrating hard on their actions. Ferraguti’s use of bright colours lends a lovely sense of warmth to the composition. The dressing room is drawn softly and hazily to direct attention to the figures, who have been outlined faintly in black. The central figure helps one of the other girls to get dressed, inviting the viewer to question the relationship between these children and imbuing the scene with a comforting quality. DIMENSIONS: (unframed) 17.50 x 25.12 in./44.45 x 63.80 cm SIGNATURE: Signed 'A. Ferraguti' (lower right) MEDIUM: Chalk and pastel on paper laid down on card
  • Swans on Lake Geneva

    by Virgilio Costantini

    £9,500
    DIMENSIONS: (unframed) 36.00 x 32.00 ins 91.44 x 81.28 cms SIGNATURE: Signed MEDIUM: Oil on canvas Virgilio Costantini was an Italian artist known for his Impressionistic painting. Colour and light command Costantini’s works, and this piece is by no means an exception. Here we see how Costantini has captured the brilliant blue hues of Lake Geneva, which contrast perfectly with the bright white feathers of the swans in the foreground. The white of the swans is echoed in the snow topped mountains and clouds to the rear of the scene, adding a sense of harmony and balance to the composition. Costantini uses symmetry to emphasise this harmony, not only in the lake’s reflection, but also in the family of swans.
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