• Still Life

    by Georgius Jacobus Johannes van Os

    P.O.A.
    DIMENSIONS: (unframed) 22.5 x 18.5 in./ 57.1 x 47.0 cm SIGNATURE: Signed lower left MEDIUM: Oil on canvas   Georgius Jacobus Johannes van Os was a very prolific artist. Still life was his main subject, with a preference for floral compositions, fruit and feathered game, often in combination. The artist clearly favoured very saturated colours, which make his paintings very powerful.
  • DIMENSIONS: (unframed) 18.9 x 12.6 in./ 48.0 x 32.0 cm SIGNATURE: Signed lower left MEDIUM: Oil on panel   This charming work is by eminent turn of the century Genre painter Herman von Kern. The painting depicts an elderly man sitting alone at a pub table. He looks down, counting out coins presumably to pay for his drink. This work is beautifully executed; the weave of the man’s tweed trousers and the texture of his skin are laid down in fine detail. There may also be an intended moral lesson depicted here, which was common for genre scenes of its time.
  • DIMENSIONS: (unframed) 18.9 x 12.6 in./48.0 x 32.0 cm SIGNATURE: Signed lower right MEDIUM: Oil on panel   This charming work is by eminent turn of the century Genre painter Herman von Kern.  The painting depicts an elderly man in a wine cellar, surrounded by barrels, holding up a bottle of wine which he appears to be drinking. The subject is likely to be a friend of von Kern’s volunteering as a model. This work romanticises and creates comedy from the urban idea of rural life. The man is smiling and rosy cheeked, while the detailed background gives a warm and light-hearted atmosphere to the work. Genre scenes such as this are currently exceeding expectations at auction.
  • Street Scene

    by Charles Henri Joseph Leickert

    £55,000
    DIMENSIONS: (unframed) 22.5 x 19.0 in./ 57.1 x 48.3 cm SIGNATURE: Signed lower left MEDIUM: Oil on canvas   Naturally, Charles Henri Joseph Leickert specialised in landscapes. As with many of Leickert's works, what is noticeable in this piece is the dramatic lighting in the street as for Leickert figures were subservient to the landscape.
  • Street Scene, Amsterdam

    by Johannes Franciscus Spohler

    £25,000
    DIMENSIONS: (unframed) 44.5 x 35.6 cm/17.5 x 14.0 ins SIGNATURE: Signed 'Spohler' lower left MEDIUM: Oil on canvas   This beautiful painting portrays the vibrant city of Amsterdam, resplendent in the sunlight. Spohler has depicted the bricks of the building and paving on the ground to minute detail while ordinary citizens are seen going about their day.
  • Le Moulin de Marc

    by Marcel Dyf

    £18,500
    DIMENSIONS: (unframed) 23.0 x 28.8 ins/58.4 x 73.2 cm SIGNATURE: Signed lower right MEDIUM: Oil on canvas   Le Moulin de Marc (Marc’s Mill) was a pretty mill built before the revolution of 1789, used to make flour until the 1960s and located in Camps-Saint-Mathurin-Léobaze in the French region of Limousin. With the mill in the fore, the village church in the background and surrounded by trees, Dyf has skilfully captured the warmth of this beautiful landscape on a glorious day. Marcel Dyf is still increasingly popular in Europe and America and this striking work would be a lovely addition to any collection.
  • Sur La Plage, c.1940

    by Lucien Adrion

    P.O.A.
    Lucien Adrion was known for his depictions of the French countryside and beaches. Though his paintings were made after the heyday of Impressionism, Adrion’s work largely adhered to the movement’s aesthetic model. DIMENSIONS: (unframed) 24.0 x 32.0 ins/ 61.0 x 81.3 cm SIGNATURE: Signed 'Adrion' (lower left) MEDIUM: Oil on canvas
  • Olof Hermelin was one of the major Swedish landscape painters in the 19th century. The great love of his life was the landscape of central Sweden. After his education at the Art Academy of Stockholm, Hermelin traveled frequently to Paris between 1870-1875, the heart of European plein-air-painting. In France, he became familiar with the paintings of Jean-Baptiste Camille Corot and Charles-Francois Daubigny, the most famous landscape painters of the French "Barbizon School".  In Germany, Hermelin's works were firstly shown at the international exhibitions in Berlin and Munich Glass Palace from 1888 to 1900. The National Museum of Stockholm, the Art Museum in Gothenburg, the University of Uppsala and the Nordic Museum in Lund in Sweden bought works of Hermelin. In addition, among others, the University in Philadelphia has a work of the painter. DIMENSIONS: (unframed) 61.0 x 81.3 cm/24.0 x 32.0 ins SIGNATURE: Signed lower right and dated 1876 MEDIUM: Oil on canvas
  • Rudolf Bauer was a highly important artist in the non-objective art movement in Germany and the United States. “Non-objective art,” aimed to break ties with the external world and depict an internal expression of a spiritual nature, encouraging a Utopian goal for art. DIMENSIONS: (unframed) 14.2 x 10.7 ins/ 36.1 x 27.2 cm SIGNATURE: Signed ‘Rudolf Bauer’ (lower left) MEDIUM: Ink on paper
  • Bord De Mer

    by Charles Garabed Atamian

    P.O.A.
    Atamian's work has always been very popular and in high demand. He captures not only the luminosity of wet, sun-drenched sand, but also the charm of children playing. DIMENSIONS: (unframed) 15.0 x 21.8 ins/ 38.1 x 55.4 cm SIGNATURE: Signed lower left MEDIUM: Oil on canvas
  • Neiges dans les Abruzzes, 1921

    by Jacques Martin-Ferrières

    P.O.A.
    In this pointillist winter landscape, Martin-Ferrières depicts the monumental mountains located in the Italian region of Abruzzo, focusing on one of the mountain-tops with the snow swirling around what could be a castle or a church. The artist’s superb sensitivity of colour is demonstrated within the painting as at the forefront the subtle harmonies of blue and violet are contrasted with the lighter background hues of pinks and creams, creating a stunning composition of animation and the tantalising effects of light. DIMENSIONS: (unframed) 15.0 x 18.9 ins./ 38.1 x 45.7 cms SIGNATURE: Signed and dated lower right MEDIUM: Oil on board  
  • Rudolf Bauer was a highly important artist in the non-objective art movement in Germany and the United States. “Non-objective art,” aimed to break ties with the external world and depict an internal expression of a spiritual nature, encouraging a Utopian goal for art. The original ink proof drawing by Bauer used to create a series of lithographs. DIMENSIONS: (unframed) 13.4 x 6.1 ins/ 34.0 x 15.5 cm SIGNATURE: Signed 'Rudolf Bauer' (lower right) MEDIUM: Ink and pencil on paper
  • Rudolf Bauer was a highly important artist in the non-objective art movement in Germany and the United States. “Non-objective art,” aimed to break ties with the external world and depict an internal expression of a spiritual nature, encouraging a Utopian goal for art. DIMENSIONS: (unframed) 11.2 x 8.6 ins/ 28.4 x 21.8 cm SIGNATURE: Signed 'Rudolf Bauer' (lower left) MEDIUM: Gouache and ink on paper
  • In tamengeshellschaft, c.1916-25

    by Rudolf Bauer

    P.O.A.
    Rudolf Bauer was a highly important artist in the non-objective art movement in Germany and the United States. “Non-objective art,” aimed to break ties with the external world and depict an internal expression of a spiritual nature, encouraging a Utopian goal for art. DIMENSIONS: (unframed) 10.8 x 8.8 ins/ 27.4 x 22.4 cm SIGNATURE: Signed 'Rudolf Bauer' (lower left) MEDIUM: Watercolour, gouache, pastel and ink on paper
  • Untitled, c.1915-20

    by Rudolf Bauer

    P.O.A.
    Rudolf Bauer was a highly important artist in the non-objective art movement in Germany and the United States. “Non-objective art,” aimed to break ties with the external world and depict an internal expression of a spiritual nature, encouraging a Utopian goal for art. DIMENSIONS: (unframed) 12.0 x 6.0 ins/ 30.5 x 15.2 cm SIGNATURE: Signed 'Rudolf Bauer' (lower left) MEDIUM: Ink and pencil on paper
  • White Point, 1922-23

    by Rudolf Bauer

    P.O.A.
    Rudolf Bauer was a highly important artist in the non-objective art movement in Germany and the United States. “Non-objective art,” aimed to break ties with the external world and depict an internal expression of a spiritual nature, encouraging a Utopian goal for art. Bauer sought to arrange line, forms, shapes, and colour to create harmony for the eye, and viewing pieces would be similar to experiencing different melodies. DIMENSIONS: (unframed) 29.0 x 40.3 ins/ 73.7 x 102.4 cm SIGNATURE: Signed by Rudolf Bauer (verso) MEDIUM: Oil on masonite
  • Symphony, 1919-1923

    by Rudolf Bauer

    P.O.A.
    Rudolf Bauer was a highly important artist in the non-objective art movement in Germany and the United States. “Non-objective art,” aimed to break ties with the external world and depict an internal expression of a spiritual nature, encouraging a Utopian goal for art. Bauer sought to arrange line, forms, shapes, and colour to create harmony for the eye, and viewing pieces would be similar to experiencing different melodies. DIMENSIONS: (unframed) 37.5 x 43.5 ins/ 95.3 x 110.5 cm SIGNATURE: Signed ‘Rudolf Bauer Baut’ (lower left) MEDIUM: Oil on canvas
  • Rudolf Bauer was a highly important artist in the non-objective art movement in Germany and the United States. “Non-objective art,” aimed to break ties with the external world and depict an internal expression of a spiritual nature, encouraging a utopian goal for art. Bauer sought to arrange line, forms, shapes, and colour to create harmony for the eye, and viewing pieces would be similar to experiencing different melodies. DIMENSIONS: (unframed) 29.0 x 40.3 ins/ 73.7 x 102.4 cm SIGNATURE: Signed ‘R.Bauer’ (lower left) MEDIUM: Oil on masonite
  • Presto XI, 1917

    by Rudolf Bauer

    P.O.A.
    Rudolf Bauer was a highly important artist in the non-objective art movement in Germany and the United States. “Non-objective art,” aimed to break ties with the external world and depict an internal expression of a spiritual nature, encouraging a utopian goal for art. Fellow artist Hilla Rebay stated: “It is spirit, cosmic order, and creation of beauty which originates the work of art.” Their pursuit was akin to a visual musical composition: as notes could be composed to produce music for the ear, Bauer sought to arrange line, forms, shapes, and colour to create harmony for the eye, and viewing pieces would be similar to experiencing different melodies. DIMENSIONS: (unframed) 29.5 x 38.0 ins/ 74.9 x 96.5 cm SIGNATURE: Signed ‘R.Bauer’ (lower left) MEDIUM: Oil on board
  • Allegro, 1928

    by Rudolf Bauer

    P.O.A.
    Rudolf Bauer was a highly important artist in the non-objective art movement in Germany and the United States. "Non-objective art," aimed to break ties with the external world and depict an internal expression of a spiritual nature, encouraging a utopian goal for art. Fellow artist Hilla Rebay stated: "It is spirit, cosmic order, and creation of beauty which originates the work of art." Their pursuit was akin to a visual musical composition: as notes could be composed to produce music for the ear, Bauer sought to arrange line, forms, shapes, and colour to create harmony for the eye, and viewing pieces would be similar to experiencing different melodies. DIMENSIONS: (unframed) 30.0 x 40.0 ins/ 76.2 x 101.6 cm SIGNATURE: Signed 'R.Bauer' (lower right) MEDIUM: Oil on canvas
  • Right of Garden, Landscape

    by Hans Iten

    £9,850
    This charming painting depicts a curated garden in summer, and is by Hans Iten, the finest flower painter of his time. The garden is flooded in bright sunlight, while the trees in full leaf cause dappled shade. The composition makes the picture seem as though it is being viewed through a window, the tops of the trees projecting out of the picture plane. This gives the viewer the sense that they are experiencing the view through the trees in real life. DIMENSIONS: (unframed)53.3 x 67.3 cm / 21.0 x 26.5 ins SIGNATURE: Signed lower left MEDIUM: Oil on canvas
  • The Two Friends

    by Gustav Klimt

    P.O.A.
    This exquisite drawing is one of the most outstanding examples from the celebrated group of classic-sized sheets of drawings made by Gustav Klimt at the end of the first decade of the 20th century, his Golden Phase. Its striking quality lies in the rare surety and restraint of its line, the elegant balance, and sparsity of its composition, and the singular tenderness of its erotic subject matter. DIMENSIONS: (unframed) 21.7 x 13.7 in./ 55.0 x 34.9 cm SIGNATURE: Stamped and Inscribed lower right from the Estate of Gustav Klimt: ‘Nachlass meines Bruders Hermine Klimt’ MEDIUM: Graphite on paper
  • Still Life

    by Claude Venard

    P.O.A.
    DIMENSIONS: (unframed) 44.5 x 57.25 in./ 113.03 x 145.42 cm SIGNATURE: Signed'C. Venard' lower right MEDIUM: Oil on canvas  
  • View of Capri

    by Ivan Federovich Choultsé

    £52,000
    DIMENSIONS: (unframed) 21.5 x 25.75 in./ 55.0 x 65.6 cm SIGNATURE: Signed lower right ‘Iw. F Choultsé’ MEDIUM: Oil on canvas
  • Bathers on the Beach

    by Alexander Garbell

    P.O.A.
    DIMENSIONS: (unframed) 24 x 36 ins SIGNATURE: Signed MEDIUM: Oil on canvas
  • River at Twighlight

    by Per Ekstrom

    £12,500
    DIMENSIONS: (unframed) 11.00 x 16.25 in./27.94 x 41.28 cm SIGNATURE: Signed lower right MEDIUM: Oil on canvas
  • French Harbour

    by Emile Laborne

    £12,400
    DIMENSIONS: (unframed) 10.75 x 15.00 in./ 91.44 x 81.28 cm SIGNATURE: Signed lower right MEDIUM: Oil on canvas
  • A Woodland River Landscape

    by Leon Richet

    £4,200
    DIMENSIONS: (unframed) 15.75 x 19.75 in./40.0 x 50.17 cm SIGNATURE: Signed lower left MEDIUM: Oil on artist-board
  • Still Life fruit on a shelf

    by Giovanni Estienne

    £12,500
    DIMENSIONS: (unframed) 23.0 x 24.5 in./ 58.42 x 62. 23 cm SIGNATURE: Signed and dated on shelf MEDIUM: Oil on canvas
  • DIMENSIONS: (unframed) 22.0 x 32.0 in./ 55.88 x 81.28 cm SIGNATURE: Signed lower right MEDIUM: Oil on canvas
  • Evening Glow, Granville

    by Eugène Galien Laloue

    £15,000
    DIMENSIONS: (unframed) 13.50 x 16.00 ins (34.29 x 40.64 cms) SIGNATURE: Signed MEDIUM: Oil on canvas Galien-Laloue is known and widely collected as a School of Paris or Belle Epoque painter. Most people are familiar with his Parisian street scenes that are similar to those by Luigi Loir and Edouard Cortes. They are often works on paper done with watercolor and gouache, though he is known to have worked in a multitude of media including pen, pencil and ink, and oil. These street scenes have become highly collected and desired as they were even during his lifetime. Born in Paris in 1854, Galien-Laloue studied under Charles Laloue. Galien-Laloue made his debut at the Salon des Artistes Francais in 1877, and continued throughout his years to show his works there with great success. In recent years, his work has enjoyed an international resurgence in popularity. Yet Galien-Laloue had another side. As he was under contract to particular galleries and not allowed to show with others, he often painted under aliases. This allowed him to paint something other than the commercially salable street scenes and to have artistic freedom. An alias gave him the ability to sell his more serious works and to make sales outside his dealer's gallery. Thus, Galien-Laloue signed many oils with names such as Galiani and Lieven. Galien-Laloue was prolific and painted in many different styles throughout his career. He was a versatile painter and it should be noted that this was partially because he was such a superb and facile draftsman. Galien- Laloue was painting in an electrifying city, a city that was the artistic and cultural center of the world, a city in which ladies of high fashion paraded about streets that were for the first time being freshly populated by omnibuses and cabs. The entertainment and nightlife of Paris was unequalled by any other city in the world and Galien-Laloue captured that moment.
  • A Tory Victory

    by Antoine Drury

    £15,000
    DIMENSIONS: (unframed)18.5 x 32.75 in./46.99 x 83.19 cm SIGNATURE: Signed and dated 1874 MEDIUM: Oil on board
  • Eden XIIII

    by Astor Milan Salcedo

    P.O.A.
    DIMENSIONS: (unframed) 80 x 60 cm SIGNATURE: Signed verso and inscribed lower right MEDIUM: Oil on canvas
  • Eden III

    by Astor Milan Salcedo

    P.O.A.
    DIMENSIONS: (unframed) 100 x 100 cm SIGNATURE: Signed verso and inscribed lower right MEDIUM: Oil on canvas
  • Swans on Lake Geneva

    by Virgilio Costantini

    £9,500
    DIMENSIONS: (unframed) 36.00 x 32.00 ins 91.44 x 81.28 cms SIGNATURE: Signed MEDIUM: Oil on canvas Virgilio Costantini was an Italian artist known for his Impressionistic painting. Colour and light command Costantini’s works, and this piece is by no means an exception. Here we see how Costantini has captured the brilliant blue hues of Lake Geneva, which contrast perfectly with the bright white feathers of the swans in the foreground. The white of the swans is echoed in the snow topped mountains and clouds to the rear of the scene, adding a sense of harmony and balance to the composition. Costantini uses symmetry to emphasise this harmony, not only in the lake’s reflection, but also in the family of swans. [woocommerce_currency_converter currency_codes="GBP, USD, EUR"]