-
DIMENSIONS: (unframed) 13 x 18 inches (33 x 45.7 cm) MEDIUM: Oil on canvas SIGNATURE: Signed 'Guy Wiggins, N.A' (lower right) Guy Carleton Wiggins was an American artist who was best known for his paintings of New York City's snowy streets, landmarks and towering skyscrapers during winter. MAKE AN ENQUIRY -
Dimensions: (unframed) 24 x 36 inches. (framed) 32 x 44 inches. Signature: Signed (lower left) Medium: Oil on canvas Throughout his career, Gisson developed and refined the style and technique of impressionism, with its small broken brushwork and soft, vibrant colours. MAKE AN ENQUIRY -
MEDIUM: Oil on canvas DIMENSION: (unframed) 23.0 x 19.0 ins/ 58.4 x 48.3 cm SIGNATURE: Signed 'A. Tucker' and dated (lower right) Allen Tucker was often called “the American Van Gogh.” His closest friend, critic Forbes Watson, described him as “brilliantly communicative, passionately in love with art in all its forms, with an ear for music, an eye for painting … genial and provocative in talk.” (Goley, in The Vibrant Landscape, 1997). MAKE AN ENQUIRY -
MEDIUM: Oil on board DIMENSIONS: (unframed) 29.5 x 33.8 ins/ 74.9 x 85.9 cm SIGNATURE: Signed 'Kronber'" (lower right); signed, titled and inscribed (verso) Louis Kronberg was an American figure painter who is often referred to as ‘the American Degas’. MAKE AN ENQUIRY -
DIMENSIONS: (unframed) 15.0 x 18.0 ins/ 38.1 x 45.7 cm SIGNATURE: Signed ‘Tillman Crane’ (lower right); numbered edition 4 of 25 (lower left) MEDIUM: Photograph, archival print on photography paper Tillman Crane is an American photographer who specialise in the creation of platinum and palladium photographs. His works focus on the elusive qualities of light, texture and space to bring the spirit of the ordinary in everyday locations where he lives and teaches into extraordinary in his photographs. In particular, he concentrates on the unique sense of each place, calling himself a reactionary photographer. MAKE AN ENQUIRY -
DIMENSIONS: (unframed) 55.9 x 55.9 cm/22.0 x 22.0 ins SIGNATURE: Signed (verso) MEDIUM: Acrylic and collage on canvas A pioneer in the perceptual art movement, painter Julian Stanczak built his life around seeking answers to questions about color, light, form and the way the expression of those things affected the human eye and emotions. Over the decades, Stanczak delved deeply into studies of light waves and the effects that colors had on each other in juxtaposition. With help from his father-in-law, he built a machine to cut rolls of tape to any width so he could mask off portions of his canvases to achieve edge precision. His studio was a festival of colors mixed with great care, allowing him as much control as possible over the experience of light and feeling on the part of the viewer. MAKE AN ENQUIRY
