The 19th century was a period of huge growth in Britain, which had a profound effect on art. The Enlightenment and the Industrial Revolution in both Britain and France saw artists develop a curiosity in social change and newly industrialised towns and cities.

  • harbour scene with large ships to the right

    An Old Southern Port, 1901

    by Benjamin Williams Leader

    P.O.A.
    MEDIUM: Oil on canvas DIMENSIONS: (unframed) 44 x 72 inches (111.8 x 182.9 cm) SIGNATURE: Signed and dated (lower left); inscribed (verso) 'An Old Southern Port' depicts Littlehampton harbour, populated with vessels from small rowboats to full-rigged sailing ships which float along the River Arun.  
  • Harbour at night with lights glowing in shops A harbour at night with lights in nearby shops by Grimshaw

    Greenock Harbour at Night, 1893

    by John Atkinson Grimshaw

    P.O.A.
    DIMENSIONS: (unframed) 12 x 18 inches (30.48 x 45.72 cm) SIGNATURE: Signed and inscribed (lower right and verso) MEDIUM: Oil on canvas In this work the cobweb of the ships rigging is silhouetted against the darkened sky, and a horse drawn carriage makes its way along the wet cobbled road.
  • The Silent Restfulness of Eve, 1898

    by Benjamin Williams Leader

    P.O.A.
    MEDIUM: Oil on canvas DIMENSIONS: (unframed) 36 x 60 inches (91.4 x 152.4 cm) SIGNATURE: Signed and dated (lower right) In 'The Silent Restfulness of Eve' Leader depicts a quiet, tranquil moment as the sunlight fades at dusk. A church rests to the right of the centre, and looks out onto a lush green landscape of what appears to be marshland. A small hamlet is visible, over which the artist has delicately incorporated a flock of birds.  
  • MEDIUM: Chalk on paper DIMENSION: (unframed) 23.0 x 17.0 ins/ 58.4 x 43.2 cm SIGNATURE: Monogrammed and dated (lower right) and watermarked (upper right)
  • Rudolf, 1910

    by Charles Spencelayh

    P.O.A.
    MEDIUM: Oil on canvas DIMENSIONS: (unframed) 16.0 x 12.0 in. / 40.6 x 30.5 cm SIGNATURE: Signed and dated (lower right)
    Acclaimed by one critic as ‘the modern Meissonier of British Domestic life’, Charles Spencelayh was a painter of figure subjects, genre scenes and portraits. He has also been compared to William Powell Frith in his skilful evocation of sentiment and meticulous rendering of detail. Here Spencelayh has delicately depicted a fresh-faced boy sitting on a bench in scenic surroundings. The subject’s rosy cheeks and vibrant hair reflect the boy’s youth and innocence.
  • DIMENSIONS: (unframed) 13 x 18 ins/ 33.0 x 45.7 cm (framed) 19 x 24 ins/ 48.3 x 61 cm SIGNATURE: Signed 'Edouard Cortes' (lower right) MEDIUM: Oil on canvas Though Cortès painted this area time and time again, each depiction remains unique and portrays the changes brought by time and the seasons. In response to a question asking him why he painted Paris so much, Cortès replied, “Because I adore Paris, and because wherever one turns there is something to put on canvas.” This admiration is seen in his vibrant depictions of the capital, like here, full of life and light.  
  • The Top of the Hill

    by William Kay Blacklock

    P.O.A.
    MEDIUM: Oil on canvas DIMENSIONS: (unframed) 22 x 30.5 ins/ 55.9 x 77.5 cm (framed) 29.5 x 37 ins/ 74.9 x 94 SIGNATURE: Signed ‘W.K. Blacklock’ (lower left)
  • a group of well dressed men play a game around a table five men playing a table game

    End Game

    by Adolphe Alexandre Lesrel

    £85,000
    MEDIUM: Oil on panel DIMENSIONS: (unframed) 23 x 14.25 ins/ 58.42 x 36.20 cm During the 19th century people developed a vivid fascination for the past. This was particularly true in France where memories of the recently deposed monarchy were still strong and the political situation was volatile. Paintings emphasized the human qualities of the subjects and in Lesrel's works he alludes to the paternal qualities of the monarchy by painting the King's men at ease in their domestic situations.  
  • A Dashing Cavalier

    by Adolphe Alexandre Lesrel

    £15,000
    MEDIUM: Oil on panel DIMENSIONS: (unframed) 23 x 14.25 ins/ 58.42 x 36.20 cm During the 19th century people developed a vivid fascination for the past. This was particularly true in France where memories of the recently deposed monarchy were still strong and the political situation was volatile. Paintings emphasized the human qualities of the subjects and in Lesrel's works he alludes to the paternal qualities of the monarchy by painting the King's men at ease in their domestic situations.  
  • Flower seller on the bridge by Windsor Castle with socialites strolling past by Francois Flemeng

    The Flower Seller at Windsor

    by Francois Flameng

    £60,000
    DIMENSIONS: (unframed) 25 x 32 ins/ 63.5 x 81.3 cm SIGNATURE: Signed lower right MEDIUM: Oil on panel Francois Flameng was a French painter who lived and worked between the 19th and 20th centuries. He had an incredibly varied and masterful repertoire, from portraits to bustling historic scenes to vivid depictions of war. He was a friend of John Singer Sargent, who painted his portrait alongside Paul Helleu.  
  • Discretion, the Better Part of Valour

    by Federico Andreotti

    £50,600
    DIMENSIONS: (unframed) 26 x 36 ins/ 66 x 91.4 cm SIGNATURE: Signed lower right MEDIUM: Oil on canvas Andreotti's style was the result of technical anatomy training at the Academy, and an interest in the Impressionist's use of colour and brushstroke. The combination of these influences results in a vivid, lively quality to his brushwork, but without any element or likeness lost. Each figure exudes a unique character to the other, flaunting Andreotti's skill for detailed compositions.  
  • A woman sits on a rocky beach with her black dog by Vicente Palmaroli

    On The Beach

    by Vicente Palmaroli

    £50,600
    DIMENSIONS: (unframed) 30 x 19 ins/ 76.2 x 48.3 cm SIGNATURE: Signed in the bottom right corner MEDIUM: Oil on canvas Vicente Palmaroli, born in 1834, was the son of painter and lithographer Gaetano Palmaroli, who was also his first tutor. He later moved to Rome and there became part of a collective of Spanish painters including Maria Fortuny, Alejo Vera, and Luis Alvarez Catala. With works created in Italy he won multiple First-Class medals for his participation in National Exhibitions in Spain. He progressed into a renowned portrait artist and an academic. His work then specialised in 'tableautins', which were small compositions depicting light and amusing themes designed for the home. Eventually he was appointed Director of the Museo del Prado - he held this position until his death in 1896.  
  • A portraitist stands by a frame whilst two women and two men look on by Arturo Ricci

    In The Artist’s Studio

    by Arturo Ricci

    £63,000
    DIMENSIONS: (unframed) 27 x 36 ins/ 68.6 x 91.4 cm SIGNATURE: Signed in the bottom right corner MEDIUM: Oil on canvas Ricci was a Florentine artist, born in 1854, who typically painted anecdotal scenes of upper-class family life, with a particularly skilled hand for shimmering silks and satins. Collectors across Europe and the United States found Ricci's historical genre appealing, depicting what stood in stark contrast to the harsh realities of the Industrial Revolution: the perceived height of sophistication, decadence, and taste.  
  • A couple dance in the middle of a public house with ducks in the foreground and people looking on by Francesco Vinea

    The Dance

    by Francesco Vinea

    £63,000
    MEDIUM: Oil on canvas DIMENSIONS: (unframed) 73.7 x 106.7 cm/ 29 x 42 ins SIGNATURE: Signed and dated, with location Francesco Vinea (1845 - 1902) was an Italian painter recognised for his period costume genre subjects. He preferred dynamic, imaginative, and often witty depictions of dramas over more classical historical or landscape painting. The Dance is, as the name implies, a merry scene; a couple dances at its centre, encircled by jovial music players and characters drinking together. There are several curiosities about this composition - the dancer appears to be blindfolded, and a family of ducks strolls by as if part of a different narrative altogether. 6183
  • A lady in a large pink dress plays a lute guitar by Eduardo Garrido

    Lady with a Lute

    by Eduardo Leon Garrido

    £52,000
    DIMENSIONS: (unframed) 41 x 26.5 ins./ 104.1 x 67.3 cm SIGNATURE: Signed lower left MEDIUM: Oil on panel Eduardo Leon Garrido was a Spanish artist born in Madrid in 1856, who went on to spend his adult life across Italy and France. His style was influenced by impressionism and romanticism, and artists he met such as Mariano Fortuny and Martin Rico. Garrido specialised in dance scenes and portraits of women, often in decadent Rococo rooms. 6182
  • Three ladies in dresses sit aboard a small rowing boat on a lake with a gentleman reading from a book by Leon Girardet

    A Captive Audience

    by Leon Girardet

    £50,600
    DIMENSIONS: (unframed) 24 x 32 ins/ 60.96 x 81.28 cm SIGNATURE: Signed lower right MEDIUM: Oil on canvas This painting is also known as The Poet, and is one of Girardet's most famous works. It exemplifies his ability to portray character: note each figure's unique and expressive posture.
  • The Young Gamekeeper

    by Charles Hunt

    £12,000
    MEDIUM: Oil on canvas DIMENSIONS: (unframed) 36.0 x 28.0 ins/ 91.4 x 71.1 cm SIGNATURE: Signed and dated Charles Hunt Snr. was an engraver and painter of contemporary genre scenes, often being humorous, as well as historical subjects, although he is most well-known for these charming interior scenes with mischievous little children.  
  • Hills and Valleys

    by Samuel John Lamorna Birch

    £12,500
    MEDIUM: Oil on canvas DIMENSIONS: (unframed) 19.3 x 23 in. / 49 x 58.5 cm (framed) 27.5 x 31.5 in. / 69.8 x 80 cm SIGNATURE: Signed 'S.J. Lamorna Birch' (lower right) This painting beautifully depicts Birch’s favourite idyll, Lamorna Valley. It is a later work by the artist and potentially one of his last of this tranquil and much loved place.  
  • Southwold Harbour

    by Edwin Hayes

    £7,950
    DIMENSIONS: (unframed) 7.0 x 11.5 ins/ 17.8 x 29.2 cm SIGNATURE: Signed ‘Edwin Hayes’ (lower right) MEDIUM: Oil on board Hayes painted a large number of marine seascapes and landscapes , as well as ships and boats of all types. Locations for his plein-air-painting included the shores and harbours of the English coast, as well as the coasts of France, Spain and Italy. His vast knowledge of and 'eye for' the sea allowed him to capture all aspects of marine activity and scenery, and he is considered one of the outstanding exponents of marine visual art in Ireland.  
  • The Old Barn, 1896

    by Sir George Clausen

    £90,000
    DIMENSIONS: (unframed) 42.3 x 34 in. / 107.5 x 86.4 cm (framed) 51 x 42 in. / 129.5 x 106.7 cm SIGNATURE: Signed 'G Clausen' and dated (lower right); signed and dated 'G. CLAUSEN.1897' (lower left) MEDIUM: Oil on canvas George Clausen presents us with an interior view of an old wooden barn, with glorious daylight pouring in from a doorway as well as between slats in the walls and roof. Three men labour with farming tools, in various poses, over heaped straw. Barn and stable interiors appear in Clausen’s sketchbooks as early as 1884, but it was not until 1897 that the first in a long series of such subjects was exhibited at the Royal Academy. This painting, The Old Barn, contrasts a farmer leaning on a stick in the middle distance with a man working in the background.
  • Portrait of a Boy

    by Eva Koos

    £10,000
    DIMENSIONS: (unframed) 50.0 x 50.0 cm (Oval)19.7 x 19.7 ins SIGNATURE: Signed 'Eva Koos' (lower left) MEDIUM: Oil on canvas
  • Bridge of Sighs

    by / attributed to Gaston la Touche

    £12,500
    DIMENSIONS: 10.5 x 15.3 inches (26.7 x 38.7 cm) SIGNATURE: Signed ‘Gaston La Touche' and annotated 'Venezia’ (lower left) MEDIUM: Oil on panel The Bridge of Sighs is one of the most known bridges in the world, however it can it only be seen be seen from two places: Canonica Bridge and Ponte della Paglia. It connects the New Prison to the Doge’s Palace and the view from the bridge was the very last view that convicts would have seen before their imprisonment, being allowed one final glimpse of Venice’s beauty.  
  • Street Scene, Amsterdam

    by Johannes Franciscus Spohler

    £25,000
    DIMENSIONS: 17.5 x 14.0 ins/ 44.5 x 35.6 cm SIGNED: Signed ‘J. F. Spohler’ (lower left) MEDIUM: Oil on canvas This beautiful painting portrays the vibrant city of Amsterdam, respledent in the sunlight. Spohler has depicted the bricks of the building and paving on the ground to minute detail while ordinary citizens are seen going about their day.  
  • Returning Home

    by Adrianus Eversen

    £30,000
    DIMENSIONS: (unframed) 8.8 x 11.3 ins/ 22.4 x 28.7 cm SIGNATURE: Signed 'A. Eversen' (lower left) MEDIUM: Oil on panel This charming painting depicts a street in Holland, by the leading Dutch townscape painter of the time, Adrianus Eversen. Peasants mingle in the street, and are depicted very much as part of the landscape, rather than being the subject of it. The artist has also chosen a distinctly unusual and modern composition for this work.  
  • Portrait of the Artist’s Wife, 1873

    by Ellen Stevens Bromley Phillips

    £6,500
    DIMENSIONS: (unframed) 40.0 x 34.5 ins/ 101.6 x 87.6 cm SIGNATURE: Signed ‘Phillips’ and dated (lower right) MEDIUM: Oil on canvas This beautiful portrait depicts a lady of American society resplendent in her finery. Using a very thin layer of paint, the artist has artfully captured the sheen of her green silk dress and the delicate lace at her throat and wrists.      
  • Lady Worsley, Wife of Sir Robert Worsley

    by Sir Godfrey Kneller

    £45,000
    DIMENSIONS: (unframed) 49.0 x 40.0 in./ 124.5 x 101.6 cm SIGNATURE: Titled (lower left) and labelled from Scott and Fowles and Co, NY (verso) MEDIUM: Oil on canvas This beautiful portrait depicts Frances Thynne, daughter of Viscount Weymouth and wife of Sir Robert Worsley, 4th Baronet. The couple married in 1690 and resided at Apuldurcombe on the Isle of Wight.  
  • Dimensions: (unframed)9.50 x 13.5 ins / 24.13 x 34.29 cms (each) Signature: Each signed and dated 1848, both with artist’s seal verso Medium: Oil on board As a marine artist, Cooke worked under the painter Clarkson Stanfield making drawings of nautical details and studied onboard the West Indiaman Thetis and HMS Agamemnon.  In 1833 Cooke began painting in oils. He took formal lessons from James Stark in 1834. He emulated nature and the works of Richard Parkes Bonington and began exhibiting at the Royal Academy and the British Institution from 1835. He was elected an Associate of the Royal Academy in 1851 and was made a Royal Academician in 1863.  
  • DIMENSIONS: (unframed) 27.8 x 39.8 in. / 70.6 x 101.1 cm SIGNATURE: Signed (lower left) MEDIUM: Oil on canvas This beautiful work transports the beholder to a fantastical winter landscape, showing figures interacting with the coldness each in their own way. Some are fishing, others are gathering wood, riding a sleigh or leading a wagon through the snow. The church in the background fits perfectly in the serene atmosphere.  
  • North Stack Lighthouse, Anglesey

    by Augustus Morton Hely-Smith

    £25,000
    DIMENSIONS: (unframed) 34 x 44 in. / 86.36 x 111.76 cms SIGNATURE: Signed (lower right) MEDIUM: Oil on canvas Augustus Morton Hely-Smith was a painter of marine subjects, portraits, and flower studies in oil and watercolour. This piece captures the effect of sunlight and reflection on the crashing waves of the Irish Sea, with North Stack lighthouse looking out from a rocky outcrop far in the distance.
  • Pondering

    by Edgar Hunt

    £21,250
    Dimensions: (unframed) 27.9 x 38.1 cm/11.0 x 15.0 ins Signature: Signed 'E. Hunt' and dated 1924 (lower right) Medium: Oil on canvas This painting is a charming farmyard scene from the well-known oeuvre of animal painter Edgar Hunt. It is a perfect image of idyllic country life, and would have been very appealing to wealthy city-dwellers of the early Twentieth Century, who yearned for the peaceful country life that existed before industrialisation.  
  • Dimensions: (unframed) 27.9 x 47.0 cm/11.0 x 18.5 ins Signature: Signed & dated 1898 Medium: Oil on canvas The son of the artist John Atkinson Grimshaw (1836-1893), Louis Grimshaw was born in Leeds and brought up at the family home, Knostrop Hall, a subject depicted here. Louis studied as a pupil of his father, collaborating with him on a number of works.    
  • Golden Light

    by Antoine Bouvard

    £12,500
    DIMENSIONS: (unframed) 38.1 x 45.7 cm/15.0 x 18.0 ins SIGNATURE: Signed lower right MEDIUM: Oil on canvas Antoine Bouvard was a French landscape artist who notably often painted under the pseudonym Marc Aldine. Bouvard remains best known for his exquisite renderings of Venetian canal scenes. He trained as an architect and studied art and architecture under Constant-Dufeus, at the Ecole des Beaux-Arts in Paris. He became the Director of Architectural Services for the Seine, and was responsible for the construction of the Bourse du Travail and the Boulevard Morland in Paris.  
  • Paris in Winter

    by Eugène Galien-Laloue

    £24,000
    DIMENSIONS: (unframed) 7.3 x 12.3 in. / 18.5 x 31.2 cm SIGNATURE: Signed (lower left) MEDIUM: Gouache Galien-Laloue was painting in an electrifying city, a city that was the artistic and cultural centre of the world, a city in which ladies of high fashion paraded about streets that were for the first time being freshly populated by omnibuses and cabs. The entertainment and nightlife of Paris was unequalled by any other city in the world and Galien-Laloue captured that moment.
  • Les Grands Boulevards sous la Neige

    by Eugène Galien-Laloue

    £24,000
    DIMENSIONS: (unframed) 7 x 12 in. / 17.8 x 30.5 cm SIGNATURE: Signed (lower left) MEDIUM: Gouache Galien-Laloue was painting in an electrifying city, a city that was the artistic and cultural centre of the world, a city in which ladies of high fashion paraded about streets that were for the first time being freshly populated by omnibuses and cabs. The entertainment and nightlife of Paris was unequalled by any other city in the world and Galien-Laloue captured that moment.
  • Paris, Porte St Dennis

    by Eugène Galien-Laloue

    £24,000
    DIMENSIONS: (unframed) 7.8 12.5 in. / 19.8 x 31.8 cm SIGNATURE: Signed (lower left) MEDIUM: Gouache
  • Sorti du Theatre du Gymnase

    by Eugène Galien-Laloue

    £24,000
    DIMENSIONS: (unframed) 5.3 x 8.3 in. / 13.5 x 21.1 cm SIGNATURE: Signed (lower left) MEDIUM: Gouache  
  • The Fisherman

    by Walter Langley

    £18,500
    DIMENSIONS: (unframed) 38.1 x 48.3 cm/15.0 x 19.0 ins SIGNATURE: Signed and dated '91 MEDIUM: Watercolour Politically left wing for his era, Langley was noted for his social realist portrayals of working class figures, particularly fishermen and their families. He was a supporter of Charles Bradlaugh, a radical socialist politician. His own working-class background enabled him to identify with the villagers and the hardships they endured, many of his paintings reflect this sympathy with the working-class fisher-folk amongst whom he lived.  
  • Broadway

    by Charles Thomas Cox

    £9,500
    DIMENSIONS: (unframed) 15.50 ins x 19.50 ins SIGNATURE: Signed lower left MEDIUM: Oil on canvas This work would have been painted circa 1890 & illustrates the left hand side of the road when travelling up the high street.  These cottages have been preserved & can still be visited .  
  • British Men-o-War Coastal Scene

    by John Thomas Serres

    £9,850
    DIMENSIONS: (unframed) 10.0 x 14.0 inches/ 25.5 x 35.5 cm SIGNATURE: Signed lower right MEDIUM: Watercolour Both son and pupil of the prolific maritime painter Dominic Serres (1722–1793), John T. Serres benefited from his father’s artistic connections and exhibited regularly at the Royal Academy between 1780 and 1825. His reputation for draughtsmanship was rewarded with the appointment of Master of Drawing at the Royal Naval College in Chelsea. Further recognition followed as he replaced his father as Marine Painter to the King, while in 1800 he became Marine Draughtsman to the Admiralty. John Thomas Serres was soon travelling by sea throughout the expanding empire, particularly in the Mediterranean, recording coastlines and documenting enemy positions.  
  • 335-John-Wilson-Carmichael-Dutch-Shipping-on-the-Scheldt

    Dutch Shipping on the Scheldt, 1834.

    by James Wilson Carmichael

    P.O.A.
    DIMENSIONS: (unframed) 63.5 x 98.5 cms / 25 x 38.8 inches SIGNATURE: Signed lower left and dated 1834. MEDIUM: Oil on canvas
  • 5637-gustave-Jacquet-the-french-coquette

    The French Coquette

    by Gustave Jean Jacquet

    P.O.A.
    DIMENSIONS: (unframed) 10.3 x 8.0 ins/ 26.2 x 20.3 cm SIGNATURE: Signed and artist stamp on stretcher verso MEDIUM: Oil on canvas Here Jacquet has used fine brush stokes to capture the muse's delicate features and translucent skin. He has added a splash of colour with her yellow dress, blue neck tie and flowers in her hair. He has skilfully captured this elegant ladies beauty.  
  • 5619-Constantini-the-green-hat

    Rendez-vous

    by Virgilio Costantini

    P.O.A.
    DIMENSIONS: (unframed) 50 x 31 in. / 127 x 78.7 cm (framed) 63.3 x 44 in. / 160.8 x 111.8 cm SIGNATURE: Signed 'V. Costantini' (lower left) MEDIUM: Oil on canvas Costantini began his artistic career in 1904 undertaking studies at the Academy of Fine Arts of Palermo under the guidance of the sculptor Mario Rutelli. There are numerous exhibitions in which he participated: in 1905 in Turin, in 1906 at the Universal Exposition in Florence and again in Florence in 1907 where he exhibited 'Fiore di Campo' and 'On the beach', shortly before moving to France. In 1908 he made his debut at the Paris Independent Living Show with two works and became a member of the French National Fine Arts Society. He returned to Italy in 1910 and participated in the IX Venice Biennale with 'Breton' and 'La cucitrice'.  
  • 5654-antonietta-bradeis-A view of Posillipo, Naples

    A view of Posillipo, Naples

    by Antonietta Brandeis

    £19,500
    DIMENSIONS: (unframed) 6.9 x 9.4 in./17.5 x 24.0 cm SIGNATURE: Signed 'ABrandeis' (lower right); inscribed (verso) MEDIUM: Oil on board 'Antonietta Brandeis lived in Venice for many years. She devoted herself mostly to landscapes of the city and its surrounding countryside.  
  • Pair of European Landscapes

    by François Louis Thomas Francia

    P.O.A.
    DIMENSIONS: (unframed) 3.3 x 5.0 in./ 8.4 x 12.7 cm SIGNATURE: N/A MEDIUM: Watercolour  
  • Mischievous

    by Charles Sims

    £62,500
    DIMENSIONS: (unframed) 29.00 x 36.00 in./73.7 x 91.4 cm SIGNATURE: Signed lower right MEDIUM: Oil on canvas This beautiful painting sees Charles Sims demonstrating his incredible talent, depicting two young children frolicking on the beach. He was a highly regarded artist having won the Royal Academy Schools Silver Medal in 1893 and the Landseer Scholarship in 1895.
  • Montague Dawson tea clipper
    DIMENSIONS: (unframed)19.0 x 20.0 in./48.3 x 50.8 cm SIGNATURE: Signed and dated lower right MEDIUM: Gouache on paper
  • Laurenskertk, Rotterdam

    by Adrianus Eversen

    £22,000
    DIMENSIONS: (unframed) 9.0 x 7.0 ins/ 22.9 x 17.8 cms SIGNATURE: Signed lower right MEDIUM: Oil on canvas
  • 4603 Henry Stannard - Broadway Village Green - Unframed

    Broadway Village Green

    by Henry John Sylvester Stannard

    £2,950
    DIMENSIONS: (unframed) 10.2 x 14.6 in/ 26.0 x 37.0 cm SIGNATURE: Signed lower left MEDIUM: Watercolour
  • 4602 - Henry Stannard - Lower Slaughter Post Office, Gloucestershire - Unframed

    Lower Slaughter Post Office, Gloucestershire

    by Henry John Sylvester Stannard

    £2,950
    DIMENSIONS: (unframed) 10.2 x 14.6 in/26.0 x 37.0 cm SIGNATURE: Signed lower left MEDIUM: Watercolour
  • 4632 Petrus van Schendel - The Night Market - Framed 4632 Petrus van Schendel - The Night Market - Unframed

    The Night Market

    by Petrus Van Schendel

    £85,000
    DIMENSIONS: (unframed) 26.0 x 20.0 inches (66.04 x 50.80 cm) MEDIUM: Oil on canvas
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