Winaretta Singer, Princesse Edmond de Polignac

by Paul César Helleu

£35,000

Out Of Stock

DIMENSIONS: (unframed) 30.0 x 22.0 ins/ 76.2 x 55.9 cm
SIGNATURE: Signed ‘Helleu’ (lower right)
MEDIUM: Chalk on paper

The daughter of Singer sewing machine magnate Issac Singer, Winaretta Singer (1865–1943) was a prominent arts and music patron. She established a salon in the Paris home she shared with her second husband, Prince Edmond de Polignac (1834–1901), which was frequented by Marcel Proust, Isadora Duncan, Jean Cocteau, and Claude Monet. After her husband’s death she used her fortune to benefit the arts and especially music, commissioning several works. She was also an artist in her own right, exhibiting her paintings in the Académie des Beaux-Arts.

 

Out Of Stock

Catalogue No: 6343 Categories: , ,

Paul César Helleu worked as a painter and an engraver in France at the turn of the century. His work epitomises the charm and elegance of French culture at the time – the belle époque – with all its verve and focus on fashion. Whilst he was renowned for his portraits of society ladies on commission, and those of his childhood sweetheart who later became his wife (Alice Guerin), this sitter is his eldest daughter Ellen, born in 1887. Therefore date of this work is probably between 1905 and 1910.

The daughter of Singer sewing machine magnate Issac Singer, Winaretta Singer (1865–1943) was a prominent arts and music patron. She established a salon in the Paris home she shared with her second husband, Prince Edmond de Polignac (1834–1901), which was frequented by Marcel Proust, Isadora Duncan, Jean Cocteau, and Claude Monet. After her husband’s death she used her fortune to benefit the arts and especially music, commissioning several works. She was also an artist in her own right, exhibiting her paintings in the Académie des Beaux-Arts.

The Princess, notes Frédérique de Watrigant in her recent monograph, “seriously considered having Helleu paint the portraits of all her friends.  Her union with the prince was set up by the Countess Greffulhe and Robert de Montesquiou (her previous marriage, which very briefly bestowed on her the title of Princess Louis de Scey-Montbéliard, was annulled)” [de Watrigant, p. 34].

Private Collection, Pennsylvania

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Paul César Helleu worked as a painter and an engraver in France at the turn of the Century. His work epitomises the charm and elegance of French culture at the time – the belle Époque. He gained renown for his portraits of society ladies on commission, but a true graceful sensitivity arises out of his portraits of his wife, Alice. He met Alice Guerin when she was only fourteen, and obeyed her parents’ wishes to wait for her to turn 16 to get married and live at home two years after that.

Though he moved to Paris when he was a young man, Helleu was born in Vannes in 1859. His first job was painting on ceramics. He later became a pupil of Jean Leon Gérome at the École Nationale des Beaux-Arts and befriended fellow student John Singer Sargent. Gérome was to buy his first painting. The Second Impressionist Exhibition of 1876 profoundly impacted Helleu and Sargent. It went so far that Helleu applied to the group and was accepted as one of them. However in 1886 when he was invited to the eighth exhibition, he was advised not to exhibit by his friend, Impressionist Claude Monet.

Helleu earned a living that enabled him to enjoy yachts and sailing – a pleasure he inherited from his father, a naval officer. He mixed with English and French society at Deauville and Cowes which served to increase his popularity. His wife enjoyed entertaining on their boat L’Etoile and Helleu painted many canvasses of life on board and other harbour scenes

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    Frédérique de Watrigant, Paul-César Helleu, Paris, 2014, pp. 116-7, illustrated

    This work is registered in the archives of the Association of Les Amis de Paul-César Helleu. We are grateful for the assistance of Madame Frédérique de Watrigant for her assistance in the cataloguing of this work.

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