Vierge à l’enfant sur une colonne devant la façade de Marquayrol, c.1915

by Henri Martin

P.O.A.

DIMENSIONS: (unframed) 43.5 x 35.8 inches (110.5 x 90.9 cm)
SIGNATURE: Signed ‘Henri Martin’ (lower left)
MEDIUM: Oil on canvas

 

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    Marie-Anne Destrebecq-Martin will include this work in her forthcoming Henri Martin catalogue raisonné.

    Marquayrol, the 17th century farmhouse depicted in this work, was Henri Martin’s summer home in the commune of Labastide-du-Vert in south-western France. He purchased the house in 1900 when he was 40 years old. Situated amongst lush rolling hills and proud cyprus trees, Martin took fondly to the idyllic location and would paint there for more than 40 years of his life. The house itself, with its beautiful gardens and large terrace which overlooked the village and valley beyond, captured the artist’s imagination and he depicted it in every detail. The round pool and its statue, the terrace, the pergola, the vineyard, the gate and even his pots of geraniums became recurring themes in his work.

    In the early years of his career Martin was awarded a scholarship which took him to Italy, where Martin discovered the beauty of colour and light, both in nature and in the works of the great masters, such as Giotto and Masaccio. Inspired by what he saw he abandoned the academic style of his earlier works and adopted a style that utilised radically short brush strokes and divided the picture into a mass of small and visible strokes. In many ways this technique was reminiscent of the works of Georges Seurat.

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    Henri-Jean Guillaume Martin was born in Toulouse, France in 1860. He studied art formally under Jules Garipuy at the Ecole des Beaux-Arts in Toulouse before moving to Paris in 1879 to work in the studio of Jean-Paul Laurens. His academic career was built around the annual Salon des Artistes Francais in Paris where he exhibited from 1880 onwards.

    Later on Martin was awarded a travel grant which took him to Italy and marked a turning point in his artistic style, moving away from early realism and historical subjects as he discovered the beauty of colour and light, both in nature and in the works of the great masters, such as Giotto and Masaccio. On return to Paris, he began to experiment with the pointillist technique but instead using spontaneous short brush marks rather than dots, to build up the colour and form. Although, Martin continued to paint religious and narrative works, compared to other Neo-Impressionists. His technique became well-known, using visible brushstrokes and a bold use of colour to demonstrate the effect of light and gradually his paintings developed a distinct texture and became unusually large. His works started to receive great acclaim after exhibiting them in a solo show at the Mancini Gallery in 1895, and he received his first gold medal at the Salon in 1889, also later becoming a member of the Legion of Honour. Furthermore, he won the Grand Prize at the World Fair in 1900.

    In the same year, Martin moved to La Bastide-du-Vert, after purchasing a large farmhouse in Marquayrol which had extensive views over the surrounding area and provided him with a large amount of subject-matter for the following years. In this relaxed and tranquil setting Martin began painting the countryside around his home almost exclusively and found a style and technique with which he was comfortable. He became the true painter of Southern France, living there for the rest of his life, reflecting the clarity of light and vivid colouring of the landscapes of Marquayrol, which are widely considered his most successful works.

    Private collection, France, (acquired from the artist)
    Private collection, France, (by descent from above)
    (with) Waterhouse & Dodd, London.
    Simone & Jean Tiroche, Tel Aviv, (acquired from above, 2003)
    Private collection, France, (by descent from above)
    Private collection, United States

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