DIMENSIONS: (unframed) 25.5 x 32.5 ins/ 64.8 x 82.5 cm
(framed) 33.5 x 40.5 ins/ 85.1 x 102.9 cm
SIGNATURE: Signed ‘Adrion’ (lower left)
MEDIUM: Oil on canvas
MAKE AN ENQUIRY
Une Journée Sur La Marne
P.O.A.
This painting is a bustling hub of activity – from the clouds in the sky which look as though they’re whistling over the trees, to the many dynamic figures below. Adrion was especially appreciated for his crowded scenes of Parisian life. The critic Galtier-Boissiére wrote about his work, ‘Il a le sense du movement des foules, du movement de la vie (He has a feeling for the movement of crowds, the movement of life).
In this painting ‘Une Journée Sur La Marne’, Adrion captures a snapshot from a leisurely day spent beside the Marne river, a tributary of the Seine which stretches southeast of Paris. Adrion uses short brushstrokes of thicker paint to define the figures and trees. The river, meanwhile, is what brings so much motion to the piece; Adrion has used varied, wispy streaks of oil to present a dancing, rippling mirror of the painting’s other elements. Vibrant colours perfectly capture the lively atmosphere of the scene.
This piece is a wonderful example of Adrion’s work in general, but also an insight into modern life in Paris in the early 1900’s, as he demonstrates the movement and transience of urban life.
Private Collection, New York
The Private Collection of Mr. Alexander Avenard
Buy with confidence: our assurance to you
Professional Associations
We have built up a strong reputation for the quality of the paintings, drawings and sculpture that we curate, exhibit and sell. Our professional associations with bodies such as The British Antique Dealers’ Association (BADA) and the Association of Art & Antique Dealers (LAPADA) are as a result of our reputation for integrity, our wide knowledge of fine arts and the high quality of our stock. Our business standards and expertise are reviewed regularly to adhere vigorously to enforced Codes. Our memberships and commitment to its Code of Conducts gives our buyers confidence when purchasing a work from us.
Authenticity
Condition reports and certificates of authenticity vary in their nature by artwork, for more information on your pieces of interest, please enquire with the gallery.
Artwork images
We take pride in the attention we give to our images of the artworks for purchase and invest in these to ensure outputs are aligned as closely as possible to the item in reality. We do not apply filters or modify images, we provide high-quality images to reflect the high quality of our artworks.
Your purchase process
Payment processing – You can be assured that payments are securely processed through Stripe’s trusted payment gateway.
The Trinity House promise to you
Shipping and packaging
Shipping and packaging requirements are assessed per piece to ensure the most suitable protection for the artwork. Trinity House will therefore call following purchase to agree the recommendations and costs.
Our After Sales services
We offer the following services which we will be happy to discuss with you following your purchase, alternatively, you can enquire for more information.
Insurance
We offer insurance appraisals to protect your prised artwork and help you find the right cover and policy for you.
Framing
We are able to advise on framing and have access to every type and style to suit any artistic period or room setting.
Conservation
The nature of the materials involved in a painting mean that on occasion some pieces are susceptible to movement and the effects of natural ageing. We are able to provide advice on practical measures to conserve the original condition of a piece and have relationships with restorers and framers to offer you a range of services to meet your needs.
Lucien Adrion was French Post-Impressionist painter, engraver and watercolourist, known for his depictions of Parisian life and landscapes of the French countryside and beaches. Adrion was especially appreciated for his crowded scenes of Parisian life.
Lucien Adrion was born and raised in Strasbourg, France and began his initial studies working as a technical draughtsman. In 1907 he left his hometown and moved to Paris where he began to work as a fashion illustrator for a large drafting company. However, not long after Adrion decided to pursue a career as an artist instead and travelled to London, Munich and Frankfurt to study the possibilities.
As the First World War broke out, Adrion had to move to Berlin where he studied as an engraver under Hermann Struck, an artist known for his etchings and engravings, and who was also the teacher of Marc Chagall (1887-1985) and Lesser Ury (1861-1931). Adrion remained in Berlin until the end of the war and then returned to his hometown in 1919. Eventually, raising enough money through selling his signed lithographs he moved back to Paris and moved to the neighbourhood of Montparnasse, where he became associated with a number of young Eastern-European painters, including, Chaim Soutine, Pinchus Krémègne and Michel Kikoïne who were to make up the members of the École de Paris group.
In 1921 Adrion had his first solo exhibition, put on by the art dealer Georges Chéron, who also represented artists such as, Modigliani and Fujita, and went on to represent him henceforward. Adrion’s vivacious style led to great success with the public and critics, as he made his debut at the Salon des Indépendants in 1926. He also showed at the Salon d’Automne in 1940 and at the Salon des Tuileries from 1941. Throughout his career Adrion continued to exhibit his work at the Salon’s in Paris, where his paintings were praised for their ability to capture the movement and transience of urban life.
There is a distinct shift in Adrion’s later style, when bored with his life in Paris he left his relationship with Chéron for Normandy where he focused on painting landscapes. These too were very successful and gained great popularity. Adrion died in Cologne in 1953.
