The Haystacks, 1878

by Victor Vignon

£26,500

Out Of Stock

DIMENSIONS: (unframed) 22.0 x 26.0 in./ 55.9 x 66.0 cm
SIGNATURE: Signed lower left
MEDIUM: Oil on canvas

Out Of Stock

Catalogue No: 5240 Categories: ,

In this beautiful painting Victor Vignon has depicted a subject so loved by the Impressionists: the haystack. Here it is shown in the bright morning sun, the rays of light illuminating the bright green, yellows and blues of the surrounding countryside.

This work was painted in the 1870s when Vignon moved to Auvers-sur-Oise and associated with Camille Pissarro and his circle, which included Dr. Paul Gachet and Vincent Van Gogh. The artist became good friends with Van Gogh and Paul Gachet became one of his best customers.

Provenance

Private Collection, France

Buy with confidence: our assurance to you

Professional Associations

We have built up a strong reputation for the quality of the paintings, drawings and sculpture that we curate, exhibit and sell. Our professional associations with bodies such as The British Antique Dealers’ Association (BADA) and the Association of Art & Antique Dealers (LAPADA) are as a result of our reputation for integrity, our wide knowledge of fine arts and the high quality of our stock. Our business standards and expertise are reviewed regularly to adhere vigorously to enforced Codes. Our memberships and commitment to its Code of Conducts gives our buyers confidence when purchasing a work from us.

Authenticity

Condition reports and certificates of authenticity vary in their nature by artwork, for more information on your pieces of interest, please enquire with the gallery.

Artwork images

We take pride in the attention we give to our images of the artworks for purchase and invest in these to ensure outputs are aligned as closely as possible to the item in reality. We do not apply filters or modify images, we provide high-quality images to reflect the high quality of our artworks.

Your purchase process

Payment processing – You can be assured that payments are securely processed through Stripe’s trusted payment gateway.

The Trinity House promise to you

Shipping and packaging

Shipping and packaging requirements are assessed per piece to ensure the most suitable protection for the artwork. Trinity House will therefore call following purchase to agree the recommendations and costs.

Our After Sales services

We offer the following services which we will be happy to discuss with you following your purchase, alternatively, you can enquire for more information.

Insurance

We offer insurance appraisals to protect your prised artwork and help you find the right cover and policy for you.

Framing

We are able to advise on framing and have access to every type and style to suit any artistic period or room setting.

Conservation

The nature of the materials involved in a painting mean that on occasion some pieces are susceptible to movement and the effects of natural ageing. We are able to provide advice on practical measures to conserve the original condition of a piece and have relationships with restorers and framers to offer you a range of services to meet your needs.

Biography

Victor Vignon was a French Impressionist landscape painter, born in 1847 into an artistic family. Vignon had an early introduction to art as his mother was a sculptor who worked under the name ‘Claude Vignon’.

 

In the 1870s he met the artist Camille Pissarro, who introduced him to his circle in Auvers-sur-Oise. Vignon also became friends with Vincent Van Gogh in 1880 when he settled in L’lsle-Adam. It was during this time that Dr. Paul Gachet became one of Vignon’s best customers, helping to skyrocket Vignon’s reputation. However, at the fifth, sixth and seventh Impressionist Exhibitions Vignon was publically criticized by Claude Monet for his sharp outlines, which Monet believed not to be truly impressionistic. The critics Roger Marx and Felix Feneon echoed this criticism in the 1890s, stating that Vignon’s work was closer resembled to old Dutch Masters than the Impressionists. Consequently, due to this criticism Vignon’s work was rejected from several exhibitions, including the Salon.

 

However, Vignon was able to exhibit his work in the Éxposition Universelle in 1900 and three years later Pierre-Auguste Renoir and Paul Durand-Ruel organized a retrospective of his work. Following the death of Victor Vignon in 1909, Renoir and Julie Manet-Rouart organized another exhibition to celebrate his life’s work.

 

    Your Message


    Go to Top