Private Collection, United Kingdom
Buy with confidence: our assurance to you
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We have built up a strong reputation for the quality of the paintings, drawings and sculpture that we curate, exhibit and sell. Our professional associations with bodies such as The British Antique Dealers’ Association (BADA) and the Association of Art & Antique Dealers (LAPADA) are as a result of our reputation for integrity, our wide knowledge of fine arts and the high quality of our stock. Our business standards and expertise are reviewed regularly to adhere vigorously to enforced Codes. Our memberships and commitment to its Code of Conducts gives our buyers confidence when purchasing a work from us.
Condition reports and certificates of authenticity vary in their nature by artwork, for more information on your pieces of interest, please enquire with the gallery.
We take pride in the attention we give to our images of the artworks for purchase and invest in these to ensure outputs are aligned as closely as possible to the item in reality. We do not apply filters or modify images, we provide high-quality images to reflect the high quality of our artworks.
Your purchase process
Payment processing – You can be assured that payments are securely processed through Worldpay’s trusted payment gateway.
The Trinity House promise to you
Shipping and packaging
Shipping and packaging requirements are assessed per piece to ensure the most suitable protection for the artwork. Trinity House will therefore call following purchase to agree the recommendations and costs.
Our After Sales services
We offer the following services which we will be happy to discuss with you following your purchase, alternatively, you can enquire for more information.
We offer insurance appraisals to protect your prised artwork and help you find the right cover and policy for you.
We are able to advise on framing and have access to every type and style to suit any artistic period or room setting.
The nature of the materials involved in a painting mean that on occasion some pieces are susceptible to movement and the effects of natural ageing. We are able to provide advice on practical measures to conserve the original condition of a piece and have relationships with restorers and framers to offer you a range of services to meet your needs.
Samuel John Lamorna Birch was born in Egremont, Cheshire, on 7 June 1869. As a boy he moved to Manchester and later to Halton, near Lancaster, working in an office or mill and painting at dawn or sunset before and after his work hours. As a result Birch was self-taught as an artist but he did spend a year in Paris at the Atelier Colarossi between 1895 and 1896.
From 1889 he regularly visited Cornwall and was influenced by Stanhope Forbes, who had settled at Newlyn in 1884 and who founded the Newlyn School of Art in 1899 with his wife Elizabeth Adela Armstrong.
In 1897 Birch settled at St. Buryan moving in 1902 (the year of his marriage) to Lamorna, near Penzance. At this time there was an artist named Lionel Birch living in Newlyn and at the suggestion of Stanhope Forbes, Samuel John Birch took the additional name of Lamorna in order to distinguish himself.
A great deal of his work was carried out in Cornwall, but he did not confine himself to this area as he was a keen fisherman and he made frequent visits to Scotland, Wales, the North West of England and the West Country to indulge his twin passions of painting and fishing.
Lamorna Birch established an excellent reputation and exhibited his work widely, including 227 pictures at The Royal Academy, where he exhibited for fifty consecutive years between 1905 and his death on 7 January 1955 at Lamorna. Lamorna Birch exhibited at the Royal Academy, the Glasgow Institute of the Fine Arts, Walker Art Gallery, Liverpool, the Manchester City Art Gallery and at the Royal Society of Painters in Watercolours. Works by the artist can be found in the Tate Gallery, London.
The Royal Academy Illustrated, published by Authority of the Royal Academy, 1923, p.105