Hirschl & Adler Galleries, New York;
Private Collection, United States
Buy with confidence: our assurance to you
We have built up a strong reputation for the quality of the paintings, drawings and sculpture that we curate, exhibit and sell. Our professional associations with bodies such as The British Antique Dealers’ Association (BADA) and the Association of Art & Antique Dealers (LAPADA) are as a result of our reputation for integrity, our wide knowledge of fine arts and the high quality of our stock. Our business standards and expertise are reviewed regularly to adhere vigorously to enforced Codes. Our memberships and commitment to its Code of Conducts gives our buyers confidence when purchasing a work from us.
Condition reports and certificates of authenticity vary in their nature by artwork, for more information on your pieces of interest, please enquire with the gallery.
We take pride in the attention we give to our images of the artworks for purchase and invest in these to ensure outputs are aligned as closely as possible to the item in reality. We do not apply filters or modify images, we provide high-quality images to reflect the high quality of our artworks.
Your purchase process
Payment processing – You can be assured that payments are securely processed through Stripe’s trusted payment gateway.
The Trinity House promise to you
Shipping and packaging
Shipping and packaging requirements are assessed per piece to ensure the most suitable protection for the artwork. Trinity House will therefore call following purchase to agree the recommendations and costs.
Our After Sales services
We offer the following services which we will be happy to discuss with you following your purchase, alternatively, you can enquire for more information.
We offer insurance appraisals to protect your prised artwork and help you find the right cover and policy for you.
We are able to advise on framing and have access to every type and style to suit any artistic period or room setting.
The nature of the materials involved in a painting mean that on occasion some pieces are susceptible to movement and the effects of natural ageing. We are able to provide advice on practical measures to conserve the original condition of a piece and have relationships with restorers and framers to offer you a range of services to meet your needs.
Born in Ghent, Belgium in 1825, David de Noter was the son and pupil of Jean Baptise de Noter (1786-1855) a designer and architect, and also the grandson of the painter Pieter-Frans de Noter (1748-1830).
De Noter became a still life painter of distinction, due to his accomplished style of painting and dramatic contrast of colours. He received a vermilion medal in 1845 and a gold medal in 1854 for his work.
He married Malines Clémence Wauters in 1845 and they went on to have seven children. After staying in France and more particularly in the Parisian suburbs, at Pecq, and then at Le Vésinet in 1867 he went with his family to Algeria.
De Noter exhibited in Courtrai, Brussels, London, Paris and various other venues in Europe, including the Paris Salon exhibitions in 1855 and 1864. He was also included in the exhibition ‘Painters from the Other Shore, Algiers’ 1830-1930 (Les Peintres de l’autre rive. Alger 1830-1930) at the Musée de la Castre in Cannes.
Today his work is held in many acclaimed collections and institutions across the world, including Amsterdam Museum, Alte Nationalgalerie in Berlin, Musée des Beaux-Arts in brest and Mulhouse. Also, there is a panel in Courtrai Museum painted by de Noter of birds and flowers and a still life in the Brussels Museum.
New York, Hirschl & Adler Galleries, Nineteenth Century European Painting, 1982, no. 21, illustrated.