Summer

by William Dring

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DIMENSIONS: (unframed) 30.0 x 32.5  in./76.2 x 82.5 cm
SIGNATURE: Signed lower left
MEDIUM: Oil on canvas

Dring’s works can now be found in public and private collections across the UK with sixty-four of his war-time portraits, mostly pastels, in the collection of the Imperial War Museum, who also hold five oil paintings by him. There are a further forty of his wartime works at the National Maritime Museum, mostly pastel portraits.

Catalogue No: 4895 Category:

William Dring (1904-1990) was a well-known painter of portraits and landscapes in oil, watercolour and pastel. In Summer Dring has recreated the pleasures of an English summer’s day in the countryside, the children enjoying the refreshing coolness of the shimmering lake.

The artist was a frequent exhibitor at the Royal Watercolour Society and at the Royal Academy, RA. He became an associate member of the RA in 1944 and a full academician in 1955.

Private Collection, United Kingdom

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Royal Academy (label verso) 1954, title Summer, No 207;
Bournemouth, Russell Cotes Art Gallery, Eminent Living Artists Exhibition, 24 March – 26 May 1956

Born Dennis William Dring in Streatham, London, he went on to study at the Slade School of Fine Art between 1922 and 1925, where he won several prizes and scholarships. He taught drawing and painting at the Southampton School of Art until 1942.
At the start of the Second World War Dring completed several portrait commissions for the War Artists’ Advisory Committee, WAAC. In early 1942 he resigned from Southampton School of Art to work on a full-time contract for the Committee, specialising in Admiralty portraits. He travelled extensively within Britain at this time, painting subjects in Portsmouth, Scotland and the Western Approaches.
In the late summer of 1943 he was given a second full-time contract which included more general subjects. His final war-time contract with WAAC saw Dring working on portraits for the Air Ministry throughout 1944 and 1945.
Dring’s’ post-war career included notable portraits of Sir Frank Stenton, Austin Hopkinson and of Cecil Hurst, family groups and landscapes plus portraits of members of the Royal Family. He recorded the presentation of the freedom of the City of London to the future Queen Elizabeth in 1947 and produced a series of five portraits for Lincoln’s Inn that included pictures of both Lord Hailsham and Margaret Thatcher.

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