Private Collection, United Kingdom
Buy with confidence: our assurance to you
We have built up a strong reputation for the quality of the paintings, drawings and sculpture that we curate, exhibit and sell. Our professional associations with bodies such as The British Antique Dealers’ Association (BADA) and the Association of Art & Antique Dealers (LAPADA) are as a result of our reputation for integrity, our wide knowledge of fine arts and the high quality of our stock. Our business standards and expertise are reviewed regularly to adhere vigorously to enforced Codes. Our memberships and commitment to its Code of Conducts gives our buyers confidence when purchasing a work from us.
Condition reports and certificates of authenticity vary in their nature by artwork, for more information on your pieces of interest, please enquire with the gallery.
We take pride in the attention we give to our images of the artworks for purchase and invest in these to ensure outputs are aligned as closely as possible to the item in reality. We do not apply filters or modify images, we provide high-quality images to reflect the high quality of our artworks.
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The Trinity House promise to you
Shipping and packaging
Shipping and packaging requirements are assessed per piece to ensure the most suitable protection for the artwork. Trinity House will therefore call following purchase to agree the recommendations and costs.
Our After Sales services
We offer the following services which we will be happy to discuss with you following your purchase, alternatively, you can enquire for more information.
We offer insurance appraisals to protect your prised artwork and help you find the right cover and policy for you.
We are able to advise on framing and have access to every type and style to suit any artistic period or room setting.
The nature of the materials involved in a painting mean that on occasion some pieces are susceptible to movement and the effects of natural ageing. We are able to provide advice on practical measures to conserve the original condition of a piece and have relationships with restorers and framers to offer you a range of services to meet your needs.
Born in Scotland in 1920, Alan Davie studied at Edinburgh College of Art between 1937 and 1940. In 1945 he saw the Tate’s exhibition of Picasso and Paul Klee, which changed the direction and reformed his work from that point onwards. The themes of shape generation and the juxtaposition of turbulent and geometric shapes is central to work of this time.
After 1949 he adopted Jackson Pollock’s technique of rapid painting on canvas. Like Pollock, many of Davie’s works have been executed by standing above the painting, which is laid on the ground. He adds layers of paint until sometimes the original painting has been covered over many times. However, despite the speed at which he worked, he was adamant that his images are not pure abstraction, but all have significance as symbols.
Davie found a public for his work on the continent and in America some time before the British art public could reconcile itself to his mixture of ancient and newly invented symbols and his explosive brushwork. His paintings appear at once apocalyptic and triumphant. In his lectures Davie stressed the importance of improvisation as his chosen method. His stance was that of an inspired soothsayer resisting the inroads of rational civilization.
In particular, his painting style owes much to his affinity with Zen. Having read Eugen Herrigel’s book Zen in the Art of Archery (1953) he had assimilated the spontaneity which Zen emphasises. Declaring that the spiritual path is incompatible with planning ahead, he attempted to paint as automatically as possible, which intended to bring forth elements of his unconscious.
Davie’s paintings can be seen in galleries and museums worldwide including the Tate and the Scottish National Museum of Modern Art.
If the artwork is up to £25,00 in value, and the artist is still alive, Trinity House can arrange a 0% interest loan through the Own Art scheme. Own Art is a Creative United initiative supported by Arts Council England, Creative Scotland and Arts Council of Northern Ireland. Some other restrictions apply see…