St. Tropez

St. Tropez

by Lucien Neuquelman

P.O.A.

In this work Neuquelman has used his characteristically bright palette and energetic, short brushstrokes, to create this view of Saint Tropez. Neuquelman very much enjoyed painting landscapes, not only in the South of France but also views of Paris and Brittany. A Parisian gallery organised a retrospective of his work in 1945.

Rather than mixing the colours on a palette, the colours have been applied onto the canvas separately. In the foreground the contrasting colours of green, blue and red help to add a sense of depth to the canvas, just as the red and orange used in the sea contrast with the blue, creating a sense of depth and movement to the water’s surface.

DIMENSIONS: (unframed) 23.5 x 31.8 ins/ 59.7 x 80.8 cm
SIGNATURE: Signed lower right
MEDIUM: Oil on canvas

Catalogue No: 1524 Categories: , ,

In this work Neuquelman has used his characteristically bright palette and energetic, short brushstrokes, to create this view of Saint Tropez. Neuquelman very much enjoyed painting landscapes, not only in the South of France but also views of Paris and Brittany. A Parisian gallery organised a retrospective of his work in 1945.

Rather than mixing the colours on a palette, the colours have been applied onto the canvas separately. In the foreground the contrasting colours of green, blue and red help to add a sense of depth to the canvas, just as the red and orange used in the sea contrast with the blue, creating a sense of depth and movement to the water’s surf

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Private Collection, France

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Lucien Neuquelman, French oil pointillist, began studying at the Art School of Toulon. He moved to Paris, and went on to meet French Fauvist Othon Friesz, of whom he became a pupil and learned both the colour theories of the fauves and the more sombre palette of Chardin, Poussin and Corot whom Friesz also admired. Particularly in Neuquelman’s work it is apparent that he had absorbed ideas of strong compositions and solid, voluminous forms. In 1930 he entered l’Académie de la grande Chaumière, in Montparnasse in Paris.

Using his characteristically bright palette and energetic, short brushstrokes, Neuquelman enjoyed painting landscapes and views of Paris and Brittany. A Parisian gallery organised a retrospective of his work in 1945.

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