Purchased by the parents of the present owner at the Royal Academy, 1986;
Private Collection, United Kingdom
Buy with confidence: our assurance to you
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We have built up a strong reputation for the quality of the paintings, drawings and sculpture that we curate, exhibit and sell. Our professional associations with bodies such as The British Antique Dealers’ Association (BADA) and the Association of Art & Antique Dealers (LAPADA) are as a result of our reputation for integrity, our wide knowledge of fine arts and the high quality of our stock. Our business standards and expertise are reviewed regularly to adhere vigorously to enforced Codes. Our memberships and commitment to its Code of Conducts gives our buyers confidence when purchasing a work from us.
Condition reports and certificates of authenticity vary in their nature by artwork, for more information on your pieces of interest, please enquire with the gallery.
We take pride in the attention we give to our images of the artworks for purchase and invest in these to ensure outputs are aligned as closely as possible to the item in reality. We do not apply filters or modify images, we provide high-quality images to reflect the high quality of our artworks.
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The Trinity House promise to you
Shipping and packaging
Shipping and packaging requirements are assessed per piece to ensure the most suitable protection for the artwork. Trinity House will therefore call following purchase to agree the recommendations and costs.
Our After Sales services
We offer the following services which we will be happy to discuss with you following your purchase, alternatively, you can enquire for more information.
We offer insurance appraisals to protect your prised artwork and help you find the right cover and policy for you.
We are able to advise on framing and have access to every type and style to suit any artistic period or room setting.
The nature of the materials involved in a painting mean that on occasion some pieces are susceptible to movement and the effects of natural ageing. We are able to provide advice on practical measures to conserve the original condition of a piece and have relationships with restorers and framers to offer you a range of services to meet your needs.
London, Royal Academy, Summer Exhibition, 1986, no. 3.
The modern British painter, Sir John ‘Kyffin’ Williams has become widely regarded as the defining artist of Wales during the 20th century, as he is known for his limited colour palette and distinctive painting technique of thick impasto, using a palette-knife, which has now become instantly recognisable.
Born in 1918, in Llangefni on the Isle of Anglesey Williams was brought up in rural Wales surrounded by farmland, with his family having long historic and landowning connections on the island. Williams attended school in Shropshire, first at Moreton Hall and then when his family moved to the countryside of south Caernarvonshire he attended Shrewsbury School.
Upon leaving school at the age of 17, Williams became land agent for Messrs Yale & Hardcastle in Pwllheli which increased his knowledge for the landscape of North Wales, gradually forming the foundations of his future life as a landscape painter. However in 1936 Williams was commissioned into the Territorial Army, joining the 6th Battalion Royal Welsh Fusiliers and being stationed in Northern Ireland until 1941. Although, after having experienced epileptic attacks since joining Williams was summoned to military hospital for tests and diagnosed with epilepsy, consequently declaring him medically unfit for the army.
At this stage, Williams’ doctor recommended he consider taking up art and later that year he enrolled in the Slade School of Art, which was based in the Ashmolean Museum in Oxford during the war. Here Williams discovered on of his great inspirations, the painting by Piero della Francesca, Resurrection in one of the library books. The feeling of intense emotion in the piece and particularly the level of compassion Piero had depicted in the eyes of Christ, excited Williams as he returned to his art studies with a new sense of purpose and direction. In 1943 he won the Slade Portrait Prize and again in 1944 he was awarded the Robert Ross Leaving Scholarship.
Williams then began working as an art master at Highgate School in London, teaching there until 1974 whilst also progressing his own work and style, including through his travels to numerous places over the years, including Italy in 1950, and later on Austria, Paris, Greece, Germany, Holland and in 1968 he was awarded a Travel Fellowship to record the Welsh Community in Patagonia. His first exhibition was at Colnaghi’s in London in 1948 entitled ‘Welsh Landscape Paintings’. He was also much loved by his pupils, and produced some outstanding students, among them fellow RA artist, Anthony Green.
In 1974 Williams was elected as a Royal Academician and in the same year moved back to his native Anglesey where he lived until his death in 2006. Despite his illness making life difficult, he still managed to produce nearly one hundred works a year, as well as teaching and in 1982 he was appointed an OBE, being knighted in 1999.