DIMENSIONS: (unframed) 28.00 x 18.50 ins 71.12 x 46.99 cms
SIGNATURE: Signed lower right
MEDIUM: Coloured chalk on paper
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Private Collection, New York
We have built up a strong reputation for the quality of the paintings, drawings and sculpture that we curate, exhibit and sell. Our professional associations with bodies such as The British Antique Dealers’ Association (BADA) and the Association of Art & Antique Dealers (LAPADA) are as a result of our reputation for integrity, our wide knowledge of fine arts and the high quality of our stock. Our business standards and expertise are reviewed regularly to adhere vigorously with enforced Codes. Our memberships and commitment to its Code of Conducts, gives our buyers confidence when purchasing a work from us.
Condition reports and certificates of authenticity vary in their nature by artwork, for more information on your pieces of interest, please enquire with the gallery.
We take pride in the attention we give to our images of the artworks for purchase and invest in these to ensure outputs are aligned as closely as possible to the item in reality. We do not apply filters or modify images, we provide high quality images to reflect the high quality of our artworks.
Payment processing – You can be assured that payments are securely processed through Worldpay’s trusted payment gateway.
Shipping and packaging requirements are assessed per piece to ensure the most suitable protection for the artwork. Trinity House will therefore call following purchase to agree the recommendations and costs.
We offer the following services which we will be happy to discuss with you following your purchase, alternatively you can enquire for more information.
We offer insurance appraisals to protect your prised artwork and help you find the right cover and policy for you.
We are able to advise on framing and have access to every type and style to suit any artistic period or room setting.
The nature of the materials involved in a painting mean that on occasion some pieces are susceptible to movement and the effects of natural ageing. We are able to provide advice on practical measures to conserve the original condition of a piece and have relationships with restorers and framers to offer you a range of services to meet your needs.
Paul César Helleu worked as a painter and an engraver in France at the turn of the century. His work epitomises the charm and elegance of French culture at the time – the belle époque – with all its verve and focus on fashion.
Helleu immortalised many beautiful women in paint and graphite because he became the darling of fashionable, aristocratic ladies at the time (including Coco Chanel).
Helleu was born in Vannes in 1859 and moved to Paris as a young man. He later became a pupil of Jean Leon Gérome at the École Nationale des Beaux-Arts and became a lifelong friend of fellow student John Singer Sargent. Gérome was to buy his first painting. Artists including Monet, Rodin and Tissot also recognised his talent whilst he was studying in Paris (he was later formally accepted as part of the Impressionist group). In fact, Tissot gave Helleu his own engraving tools because he was in such despair after the death of his beloved Kathleen Newton that he was unable to use them to make art. As a result, Helleu became an excellent drypoint engraver and one can see those skills for draughtsmanship and fine line work in this particular piece.