Private Collection, Germany
Born in Paris in 1913, Venard started training as a painter at the age of 17 at the École des Arts Appliqués in Paris. Next he studied at the École des Beaux-Arts in Paris, but soon had to abandon his studies to earn a living as he began working as a picture restorer at the Louvre Museum, which is where the majority of his art education came from.
Venard began by favouring the traditional principles of craftsmanship, even participating in the first exhibition for the Forces Nouvelles group in 1936, also including artists like Pierre Tal-Coat and André Marchand. However, later on he would rebel against this style with members of the same group forging the aesthetic of the immediate post-war period of the École de Paris. Thus, following his service in the army after World War Two, Venard focused fully on his artistic career, and began utilising a wider colour palette. He continually participated in the acclaimed École de Paris group exhibitions at the Galerie Carpentier, along with helping found the revolutionary Salon de Mai in 1944 which played an essential role in promoting avant-garde abstract painters in Paris at the time
Venard quickly established himself for his bold, heavily impasto technique, which through the 1950’s became even more abstracted. He held numerous successful one man shows, including at the galleries Bernheim-Jeune in Paris in 1953, exhibitions in London at the Leicester Gallery, the Lefevre Gallery and he also became a regular exhibitor at American establishments like, The Fine Arts Association, the Knoedler Gallery and the Kleeman Gallery. Overall, Venard had a highly successful career until his death in 1999, becoming internationally renowned by showing in Chicago, Milan, Geneva, Tokyo, Munich, San Francisco, Copenhagen, Düsseldorf, Dallas, Buenos Aires, Philadelphia, Montreal, and practically all the capitals of Europe, and at the Venice Biennale in 1956.