Out Of Stock
Cortes’ reputation is founded on his ability to depict the busy atmosphere of Paris at the turn of the century working delicately in watercolour and gouache. His works are not only of aesthetic value, but also important as historical documents of the life of the times.
DIMENSIONS: (unframed) 10.8 x 14.0 in./ 27.4 x 35.6 cm
SIGNATURE: Signed lower right
MEDIUM: Oil on canvas
Though Cortès painted Paris time and time again, each depiction remains unique and portrays the changes brought by time and the seasons. In response to a question asking him why he painted Paris so much, Cortès replied, “Because I adore Paris, and because wherever one turns there is something to put on canvas.” This admiration is seen in ‘Rue de la Madeleine’.
Private collection, United States
We have built up a strong reputation for the quality of the paintings, drawings and sculpture that we curate, exhibit and sell. Our professional associations with bodies such as The British Antique Dealers’ Association (BADA) and the Association of Art & Antique Dealers (LAPADA) are as a result of our reputation for integrity, our wide knowledge of fine arts and the high quality of our stock. Our business standards and expertise are reviewed regularly to adhere vigorously with enforced Codes. Our memberships and commitment to its Code of Conducts, gives our buyers confidence when purchasing a work from us.
Condition reports and certificates of authenticity vary in their nature by artwork, for more information on your pieces of interest, please enquire with the gallery.
Artwork images
We take pride in the attention we give to our images of the artworks for purchase and invest in these to ensure outputs are aligned as closely as possible to the item in reality. We do not apply filters or modify images, we provide high quality images to reflect the high quality of our artworks.
Payment processing – You can be assured that payments are securely processed through Worldpay’s trusted payment gateway.
Shipping and packaging requirements are assessed per piece to ensure the most suitable protection for the artwork. Trinity House will therefore call following purchase to agree the recommendations and costs.
We offer the following services which we will be happy to discuss with you following your purchase, alternatively you can enquire for more information.
We offer insurance appraisals to protect your prised artwork and help you find the right cover and policy for you.
We are able to advise on framing and have access to every type and style to suit any artistic period or room setting.
The nature of the materials involved in a painting mean that on occasion some pieces are susceptible to movement and the effects of natural ageing. We are able to provide advice on practical measures to conserve the original condition of a piece and have relationships with restorers and framers to offer you a range of services to meet your needs.
Edouard Leon Cortès was born in 1882 at Lagny a few miles east of Paris. It was an exciting epoch: art, Literature, music and political thought reached a pinnacle of creativity, allowing new schools of artistic expression to evolve. With this revitalized attitude towards new ways of seeing art, experimenting with colour, depth and perspective, Edouard Cortès became enraptured with the idea of becoming a professional painter. At the young age of 17 Cortès began formal studies at the École des Beaux-Arts in Paris and for five years he expanded his horizons in the fields of classical and impressionistic art. He was a Member of the Society of French Artists and made his debut in Paris in 1907, introducing a style which was considered to be a breath of fresh air and highly individual.
As an artist, Edouard Cortès sought to discover the unperceived aspects of nature and man; those special atmospheric qualities of mist in the air, the afternoon sun, evening shadows, rattling carriages and bookstalls along the quays of the river Seine. Cortès captured in oils the unique and magical light of Paris. In some paintings his stonework seems almost to “weather” before our eyes and in others it glistens like pearls against a summer sky. In evening compositions night falls like a gentle veil, wistful and wreath-like, holding intact shadows of the night. Edouard Cortès windows shine brightly, blazing with his lamps glowing, signs shimmer and streets appear wet from a sultry nocturnal rain.
