DIMENSIONS: (unframed) 15.25 x 17.50 inches (38.73 x 44.45 cm)
SIGNATURE: Signed and dated (lower right)
MEDIUM: Pencil on paper
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£2,250
Acquired directly from the artist
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Professional Associations
We have built up a strong reputation for the quality of the paintings, drawings and sculpture that we curate, exhibit and sell. Our professional associations with bodies such as The British Antique Dealers’ Association (BADA) and the Association of Art & Antique Dealers (LAPADA) are as a result of our reputation for integrity, our wide knowledge of fine arts and the high quality of our stock. Our business standards and expertise are reviewed regularly to adhere vigorously with enforced Codes. Our memberships and commitment to its Code of Conducts, gives our buyers confidence when purchasing a work from us.
Authenticity
Condition reports and certificates of authenticity vary in their nature by artwork, for more information on your pieces of interest, please enquire with the gallery.
Artwork images
We take pride in the attention we give to our images of the artworks for purchase and invest in these to ensure outputs are aligned as closely as possible to the item in reality. We do not apply filters or modify images, we provide high quality images to reflect the high quality of our artworks.
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The Trinity House promise to you
Shipping and packaging
Shipping and packaging requirements are assessed per piece to ensure the most suitable protection for the artwork. Trinity House will therefore call following purchase to agree the recommendations and costs.
Our After Sales services
We offer the following services which we will be happy to discuss with you following your purchase, alternatively you can enquire for more information.
Insurance
We offer insurance appraisals to protect your prised artwork and help you find the right cover and policy for you.
Framing
We are able to advise on framing and have access to every type and style to suit any artistic period or room setting.
Conservation
The nature of the materials involved in a painting mean that on occasion some pieces are susceptible to movement and the effects of natural ageing. We are able to provide advice on practical measures to conserve the original condition of a piece and have relationships with restorers and framers to offer you a range of services to meet your needs.
Emma was educated privately in Scotland and England before going on to study at The Ruskin School of Fine Art and Drawing at Oxford. She arrived at a time when a thorough grounding in the necessary disciplines of painting and drawing were central to the course.
She has worked in many figurative fields and primarily forged her reputation as a painter through portrait painting. Her paintings are in numerous collections, and her clients come from all walks of life- from medicine, law and business to theatre, sport and academia.
In 2003 Emma was awarded the Garrick/Milme Prize for her portrait of the actor Tim West, which is now on permanent display in The Garrick.
(“ It is a commonplace observation that a portrait is a painting in which there is something wrong with the mouth, the eyes or the nose, but with Miss Kennaway there is seldom any such problem, for not least of her qualities as a painter is a quite remarkable gift for catching and fixing a likeness.” William Packer Art Critic- Financial Times.)
About four years ago she decided on a change of focus and became fascinated with horses. In 2012 she showed in The Cavalry and Guards Club. Last September she was invited to show her work in The Royal Stables in Jordan.
She currently has work showing in Jumereih Hotel in Knightsbridge, she is finalising a commission from the Royal Cavalry in Oman and has a drawing in The Duke of Edinburgh’s private collection.
