Direct from the artist’s studio
Buy with confidence: our assurance to you
We have built up a strong reputation for the quality of the paintings, drawings and sculpture that we curate, exhibit and sell. Our professional associations with bodies such as The British Antique Dealers’ Association (BADA) and the Association of Art & Antique Dealers (LAPADA) are as a result of our reputation for integrity, our wide knowledge of fine arts and the high quality of our stock. Our business standards and expertise are reviewed regularly to adhere vigorously to enforced Codes. Our memberships and commitment to its Code of Conducts gives our buyers confidence when purchasing a work from us.
Condition reports and certificates of authenticity vary in their nature by artwork, for more information on your pieces of interest, please enquire with the gallery.
We take pride in the attention we give to our images of the artworks for purchase and invest in these to ensure outputs are aligned as closely as possible to the item in reality. We do not apply filters or modify images, we provide high-quality images to reflect the high quality of our artworks.
Your purchase process
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The Trinity House promise to you
Shipping and packaging
Shipping and packaging requirements are assessed per piece to ensure the most suitable protection for the artwork. Trinity House will therefore call following purchase to agree the recommendations and costs.
Our After Sales services
We offer the following services which we will be happy to discuss with you following your purchase, alternatively, you can enquire for more information.
We offer insurance appraisals to protect your prised artwork and help you find the right cover and policy for you.
We are able to advise on framing and have access to every type and style to suit any artistic period or room setting.
The nature of the materials involved in a painting mean that on occasion some pieces are susceptible to movement and the effects of natural ageing. We are able to provide advice on practical measures to conserve the original condition of a piece and have relationships with restorers and framers to offer you a range of services to meet your needs.
P. J. Crook, as she is professionally known, was born in Cheltenham in 1945, where she still lives and works. PJ’s work is held in some of the world’s most prominent public and private collections and is considered in the highest echelons of British contemporary art. She is represented by the Panter & Hall gallery on Pall Mall in London and Galerie Alain Blondel in Paris.
From a studio opposite her house, she creates compositions on a monumental scale — paintings can measure 2 × 4.5 metres. She also paints small pictures, some no larger than 10cm square. She works in tinted gesso, acrylic and in oil on canvas, or on found materials such as a corrugated wood support. On paintings such as this one, the artist has chosen to continue the painting over the frame, playing with the concept of picture plane. Crook’s paintings are often characterised by a dark crowded atmosphere; she fills the canvas with people, using a muddy palette. Some of these paintings have been used as covers for King Crimson’s recent albums since 1997, as well as various ProjeKcts covers, such as 2011’s ‘A Scarcity of Miracles’.
Crook is a Patron of the National Star College Cheltenham; a Patron of Linc; a Trustee and director of ACS (the Artists’ Collecting Society); Trustee of the Forest of Dean Sculpture Trail Trust; Patron of Cheltenham Open Studios; a Gloucestershire Ambassador; President of the Friends of Cheltenham Art Gallery & Museum; member of the Royal West of England Academy; Manchester Academy of Fine Arts. She is a member of the Chelsea Arts Club and the Honourable Company of Gloucestershire. PJ Crook has an honorary Doctor of Arts from the University of Gloucestershire and is an honorary vice President of Gloucestershire College. Crook was appointed Member of the Order of the British Empire (MBE) in the 2011 Birthday Honours for services to art.