Buy with confidence: our assurance to you
We have built up a strong reputation for the quality of the paintings, drawings and sculpture that we curate, exhibit and sell. Our professional associations with bodies such as The British Antique Dealers’ Association (BADA) and the Association of Art & Antique Dealers (LAPADA) are as a result of our reputation for integrity, our wide knowledge of fine arts and the high quality of our stock. Our business standards and expertise are reviewed regularly to adhere vigorously to enforced Codes. Our memberships and commitment to its Code of Conducts gives our buyers confidence when purchasing a work from us.
Condition reports and certificates of authenticity vary in their nature by artwork, for more information on your pieces of interest, please enquire with the gallery.
We take pride in the attention we give to our images of the artworks for purchase and invest in these to ensure outputs are aligned as closely as possible to the item in reality. We do not apply filters or modify images, we provide high-quality images to reflect the high quality of our artworks.
Your purchase process
Payment processing – You can be assured that payments are securely processed through Stripe’s trusted payment gateway.
The Trinity House promise to you
Shipping and packaging
Shipping and packaging requirements are assessed per piece to ensure the most suitable protection for the artwork. Trinity House will therefore call following purchase to agree the recommendations and costs.
Our After Sales services
We offer the following services which we will be happy to discuss with you following your purchase, alternatively, you can enquire for more information.
We offer insurance appraisals to protect your prised artwork and help you find the right cover and policy for you.
We are able to advise on framing and have access to every type and style to suit any artistic period or room setting.
The nature of the materials involved in a painting mean that on occasion some pieces are susceptible to movement and the effects of natural ageing. We are able to provide advice on practical measures to conserve the original condition of a piece and have relationships with restorers and framers to offer you a range of services to meet your needs.
Private Collection, Connecticut
Henri-Jean Guillaume Martin was born in Toulouse, France in 1860. He studied art formally under Jules Garipuy at the Ecole des Beaux-Arts in Toulouse before moving to Paris in 1879 to work in the studio of Jean-Paul Laurens. His academic career was built around the annual Salon des Artistes Francais in Paris where he exhibited from 1880 onwards.
Later on Martin was awarded a travel grant which took him to Italy and marked a turning point in his artistic style, moving away from early realism and historical subjects as he discovered the beauty of colour and light, both in nature and in the works of the great masters, such as Giotto and Masaccio. On return to Paris, he began to experiment with the pointillist technique but instead using spontaneous short brush marks rather than dots, to build up the colour and form. Although, Martin continued to paint religious and narrative works, compared to other Neo-Impressionists. His technique became well-known, using visible brushstrokes and a bold use of colour to demonstrate the effect of light and gradually his paintings developed a distinct texture and became unusually large. His works started to receive great acclaim after exhibiting them in a solo show at the Mancini Gallery in 1895, and he received his first gold medal at the Salon in 1889, also later becoming a member of the Legion of Honour. Furthermore, he won the Grand Prize at the World Fair in 1900.
In the same year, Martin moved to La Bastide-du-Vert, after purchasing a large farmhouse in Marquayrol which had extensive views over the surrounding area and provided him with a large amount of subject-matter for the following years. In this relaxed and tranquil setting Martin began painting the countryside around his home almost exclusively and found a style and technique with which he was comfortable. He became the true painter of Southern France, living there for the rest of his life, reflecting the clarity of light and vivid colouring of the landscapes of Marquayrol, which are widely considered his most successful works.