Pont Neuf, Paris

by Edward Brian Seago

P.O.A.

MEDIUM: Oil on board
DIMENSIONS: (unframed) 12.3 x 17 in. / 31.2 x 40.6 cm
SIGNATURE: Signed ‘Edward Seago’ (lower left)

Catalogue No: 6266 Categories: , Tags: , , ,

Seago travelled to France at least five times on his boat the Capricorn, which he sailed himself from Yarmouth, via winding rivers, recording views on his way. Once in Paris he settled near the Place de la Concorde, primarily choosing subjects filled with light and movement. The artist was fascinated by the sunlight and shadow of the rivers, the crowded walks beneath trees and the ever moving colourful pattern of the people walking (E. Seago, With Capricorn to Paris, London, 1956, pp. 89-90).

Edward Seago was an English artist who mostly painted oils and watercolours. He travelled widely during his life starting from the 1930s when he joined a circus to Venice.

Provenance

Private collection, United Kingdom

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Biography

Seago was born in Norwich, to a family of Coal Merchants. He attended Norwich School, and never received any formal artistic training. He taught himself to paint, although received advice from the acclaimed equestrian painter Alfred Munnings. The boy’s talent was quickly noticed, and he won a prize for drawing at the age of 14 from the Royal Drawing Society.

 

This influenced his decision to make a career as a painter, despite his parents’ disapproval. Seago took most of his inspiration from the French Impressionists, and tried to emulate their technique of painting ‘en plein air.’ The artist was unable to fight during the Second World War, due to heart problems, but was commissioned as a Second Lieutenant in the Royal Engineers, and was employed to develop camouflage techniques. He continued to paint during the War, and gave a lot his pictures away to fellow soldiers.

 

Seago was popular as an individual and as an artist. His admirers included the Aga Khan III, who was an avid patron of the artist’s landscape paintings, as well as the British Royal Family. Those who wished to buy one of Seago’s paintings had to queue at his exhibitions, with the exception of the late Queen Mother. It is known that the Queen Mother bought so many of Seago’s paintings that the artist routinely gave her two a year – for her birthday and at Christmas. Prince Philip also invited Seago on a tour of the Antarctic in 1956, and the artist’s subsequent paintings still hang at Balmoral.

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