DIMENSIONS: (unframed) 27.00 x 42.00 ins
68.58 x 106.68 cms
MEDIUM: Oil on canvas
Private collection, United Kingdom
Buy with confidence: our assurance to you
We have built up a strong reputation for the quality of the paintings, drawings and sculpture that we curate, exhibit and sell. Our professional associations with bodies such as The British Antique Dealers’ Association (BADA) and the Association of Art & Antique Dealers (LAPADA) are as a result of our reputation for integrity, our wide knowledge of fine arts and the high quality of our stock. Our business standards and expertise are reviewed regularly to adhere vigorously with enforced Codes. Our memberships and commitment to its Code of Conducts, gives our buyers confidence when purchasing a work from us.
Condition reports and certificates of authenticity vary in their nature by artwork, for more information on your pieces of interest, please enquire with the gallery.
We take pride in the attention we give to our images of the artworks for purchase and invest in these to ensure outputs are aligned as closely as possible to the item in reality. We do not apply filters or modify images, we provide high quality images to reflect the high quality of our artworks.
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The Trinity House promise to you
Shipping and packaging
Shipping and packaging requirements are assessed per piece to ensure the most suitable protection for the artwork. Trinity House will therefore call following purchase to agree the recommendations and costs.
Our After Sales services
We offer the following services which we will be happy to discuss with you following your purchase, alternatively you can enquire for more information.
We offer insurance appraisals to protect your prised artwork and help you find the right cover and policy for you.
We are able to advise on framing and have access to every type and style to suit any artistic period or room setting.
The nature of the materials involved in a painting mean that on occasion some pieces are susceptible to movement and the effects of natural ageing. We are able to provide advice on practical measures to conserve the original condition of a piece and have relationships with restorers and framers to offer you a range of services to meet your needs.
Acclaimed by one critic as ‘the modern Meissonier of British Domestic life’, Charles Spencelayh was a painter of figure subjects, genre scenes and portraits. He has also been compared to William Powell Frith in his skilful evocation of sentiment and meticulous rendering of detail. He worked in many media achieving great acclaim as a miniaturist, watercolourist and etcher.
Charles Spencelayh was the son of Henry Spencelayh, an engineer and iron and brass founder. He was born in 1865 in Rochester, Kent. He first studied at the National Art Training School (later renamed the Royal College of Art), where he won a prize for figure drawing. Spencelayh continued his training in Paris where he exhibited at the Paris Salon.
Spencelayh exhibited predominantly in Britain. He showed 30 paintings at the Royal Academy from 1912 until his death in 1958. He was a founder member of the Royal Society of Miniature Painters, joining in 1897. He was also elected an honorary member of the Royal Birmingham Society of Artists and Vice-President of the British Watercolour Society.