Buy with confidence: our assurance to you
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We have built up a strong reputation for the quality of the paintings, drawings and sculpture that we curate, exhibit and sell. Our professional associations with bodies such as The British Antique Dealers’ Association (BADA) and the Association of Art & Antique Dealers (LAPADA) are as a result of our reputation for integrity, our wide knowledge of fine arts and the high quality of our stock. Our business standards and expertise are reviewed regularly to adhere vigorously to enforced Codes. Our memberships and commitment to its Code of Conducts gives our buyers confidence when purchasing a work from us.
Condition reports and certificates of authenticity vary in their nature by artwork, for more information on your pieces of interest, please enquire with the gallery.
We take pride in the attention we give to our images of the artworks for purchase and invest in these to ensure outputs are aligned as closely as possible to the item in reality. We do not apply filters or modify images, we provide high-quality images to reflect the high quality of our artworks.
Your purchase process
Payment processing – You can be assured that payments are securely processed through Worldpay’s trusted payment gateway.
The Trinity House promise to you
Shipping and packaging
Shipping and packaging requirements are assessed per piece to ensure the most suitable protection for the artwork. Trinity House will therefore call following purchase to agree the recommendations and costs.
Our After Sales services
We offer the following services which we will be happy to discuss with you following your purchase, alternatively, you can enquire for more information.
We offer insurance appraisals to protect your prised artwork and help you find the right cover and policy for you.
We are able to advise on framing and have access to every type and style to suit any artistic period or room setting.
The nature of the materials involved in a painting mean that on occasion some pieces are susceptible to movement and the effects of natural ageing. We are able to provide advice on practical measures to conserve the original condition of a piece and have relationships with restorers and framers to offer you a range of services to meet your needs.
In Brandeis’ early life she studied in Prague under the guidance of the Czech artist Karel Javurek. However, after the death of Brandeis’ father her mother married a Venetian, named Giovanni Nobile Scaramella. The marriage had a profound influence on Brandeis’ work as shortly after the marriage the family relocated to Venice. It was in Venice that Brandeis was enrolled into the Venetian Academy of Fine Arts at the age of nineteen, in 1867. Furthermore, Antonietta Brandeis was one of the first females in Italy to be enrolled into the Academy and receive formal training in the fine arts. It is significant and a testament to her level of skill that she was accepted into the Academy in 1867, as women in Italy were only granted the legal right to study Fine Arts in 1875 – Brandeis would have completed her education at the Academy by this time, as a pioneer of females in the arts.
During her time at the Venetian Academy of Fine Arts Brandeis was taught by high profile figures such as Michelangelo Grigoletti, Napoleone Nani and Federico Moja. Due to her level of skill, as a first year Brandeis was awarded prizes and honours in Perspective and Life Drawing. Furthermore, Brandeis was soon invited to exhibit in her first exhibition at the Societa Veneta Promotrice di Belle Arti. Additionally to this, in 1876 and 1877 she exhibited in the Promotrice Veneta, selling to foreign collectors and thus successfully establishing herself an international reputation for her landscape paintings. However, after feeling her work was not appreciated for being of the same skill calibre as a man – as she was only praised as a woman, she began to sign her work under the name ‘Antonio Brandeis’.