Private Collection, United Kingdom
Buy with confidence: our assurance to you
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We have built up a strong reputation for the quality of the paintings, drawings and sculpture that we curate, exhibit and sell. Our professional associations with bodies such as The British Antique Dealers’ Association (BADA) and the Association of Art & Antique Dealers (LAPADA) are as a result of our reputation for integrity, our wide knowledge of fine arts and the high quality of our stock. Our business standards and expertise are reviewed regularly to adhere vigorously to enforced Codes. Our memberships and commitment to its Code of Conducts gives our buyers confidence when purchasing a work from us.
Condition reports and certificates of authenticity vary in their nature by artwork, for more information on your pieces of interest, please enquire with the gallery.
We take pride in the attention we give to our images of the artworks for purchase and invest in these to ensure outputs are aligned as closely as possible to the item in reality. We do not apply filters or modify images, we provide high-quality images to reflect the high quality of our artworks.
Your purchase process
Payment processing – You can be assured that payments are securely processed through Worldpay’s trusted payment gateway.
The Trinity House promise to you
Shipping and packaging
Shipping and packaging requirements are assessed per piece to ensure the most suitable protection for the artwork. Trinity House will therefore call following purchase to agree the recommendations and costs.
Our After Sales services
We offer the following services which we will be happy to discuss with you following your purchase, alternatively, you can enquire for more information.
We offer insurance appraisals to protect your prised artwork and help you find the right cover and policy for you.
We are able to advise on framing and have access to every type and style to suit any artistic period or room setting.
The nature of the materials involved in a painting mean that on occasion some pieces are susceptible to movement and the effects of natural ageing. We are able to provide advice on practical measures to conserve the original condition of a piece and have relationships with restorers and framers to offer you a range of services to meet your needs.
Dorothea Sharp was born in Dartford in England. She studied at Regent Street Polytechnic school in London under Sir David Murray and en plein air painter George Clausen, before going on to study in Paris where she was influenced by the work of the French impressionists and discovered the work of Monet. The latter greatly influenced her handling of subjects and colour in impressionist fashion such as her handling of light. Upon her return to London, she became actively involved in the Society of Women Artists in London, exhibiting with them from 1902 on, and at one point became the group’s vice-president.
Sharp became strongly associated with St Ives in the 1920s, visiting in the summers and immersing herself in the subject matter she became renowned for, joyful images of children, often at the beach. She took one of the Porthmeor studios which she retained over many years and later moved to. Her training and practice as a plein air painter and her absorption of the impressionists’ use of colour and light brought freshness and spontaneity to her images of children. In 1928 Sharp was elected an honorary member of the St Ives Society of Artists, and in the late 1930s she settled in the colony for several years. Deeply immersed in artistic life there, she showed with such well-known artists as Laura Knight, Alfred Munnings and Stanhope Forbes. For several years she managed Lanham Galleries in St Ives, which showcased the work of Newlyn and St Ives School painters. In the mid-1940s Sharp returned permanently to her Blomfield Road studio in London, where she remained until her death in 1955.
Sharp exhibited widely during her lifetime from the Royal Academy through to the Royal Society of British Artists to which she was elected in 1907.