Le Sas à Trouville, 1894

by Eugène Boudin

P.O.A.

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This painting depicts the port of Trouville harbour, Boudin was particularity fond of the location and produced a series of works there. The horizontal brushstrokes used to depict the water are executed in a clearly Impressionist style, while the sky, formed by a heavy mass of clouds, is common to Boudin’s work.

DIMENSIONS: (unframed) 33.0 x 40.6 cm/13.0 x 16.0 ins
SIGNATURE: Signed ‘E. Boudin’ dated and inscribed (lower left)
MEDIUM: Oil on panel

Catalogue No: 5884 Categories: ,

Eugène Boudin was a French painter best known for his sensitive and lively depictions of beach scenes and windswept harbours. He is considered one of the earliest plein-air painters, he completed his canvases entirely in situ rather than from studies back in the studio. Boudin met and befriended the young Claude Monet, taking him on painting excursions and teaching him about colour, and the two remained lifelong friends

Beugniet et Bonjean, Paris
Drouant-David, Paris
The Lefevre Gallery, London
Galerie Apesteguy, Deauville
Alfred Sirven, France
(with) MacConnal-Mason, London;
Private collection, United States

LITERATURE:

Robert Schmit, Catalogue Raisonné Eugène Boudin, 2nd Edition, illustrated No. 403, p.80

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Eugène Boudin was one of the most important precursors of the Impressionists, with his emphasis on working directly from nature and free, naturalistic brushwork. His ‘Crinolines’, depicting fashionable holidaymakers enjoying the beaches of northern France, ushered in a new genre, but he was also renowned for coastal and harbour scenes.

Born in Honfleur, Boudin was the son of a sailor and bred to the sea, working as a cabin boy for his father in his small cargo boat, the Polichinelle. After a brief period of schooling, in 1835, he worked with a stationer and framer who displayed the work of artists, then set up his own stationery and framing business in 1844. Boudin’s clients included Thomas Couture, Eugène Isabey, Jean-François Millet and Constant Troyon, all of whom had an influence on his efforts to draw and paint. In 1847 Boudin went to Paris to copy Old Masters in the Louvre; he was particularly impressed by the seventeenth century Dutch school and by the Barbizon painters. In 1851 he was awarded a three-year painting scholarship by the city of Le Havre. He drew his subjects from the Normandy and Brittany coasts. In 1858 he met the young Claude Monet, who had grown up in Le Havre, and stressed to him the importance of making oil paintings directly from nature to capture the constantly changing beauties of the landscape.

Boudin made his debut at the Salon in 1859, where his work was admired by Charles Baudelaire. He befriended Courbet, Daubigny and Corot, who heralded him as ‘the king of the skies’. Paris-based in the winter, Boudin spent his summers on painting tours around the coast of Le Havre, Honfleur and Trouville, inspired by the elegant society that flocked to the burgeoning seaside towns and by the busy maritime traffic. At Trouville in 1862 he met Johan Barthold Jongkind and, influenced by his boldness of technique, adopted freer brushwork and a brighter palette. The following year he made a happy marriage to a Breton woman, Marie-Anne Guédès.

Boudin made several journeys to Belgium and The Netherlands, initially to shelter from the Franco-Prussian War (1870-71). From 1892 to 1895 he visited Venice, making subtle, atmospheric and highly individual views. He also painted in the south of France, where he stayed in the 1890s for the health benefits of the mild winter climate. Boudin exhibited at the Salon from 1863 to 1897 and participated in the First Impressionist Exhibition in 1874.

From the 1870s Boudin enjoyed increasing financial security. In the 1880s he was taken up by the influential art dealer Paul Durand-Ruel, who organised exhibitions of his pictures in 1883, 1889, 1890 and 1891. In 1892 Boudin was awarded the Légion d’Honneur. He died in Deauville in 1898.

Works by Eugène Boudin can be found in the many museums worldwide including The National Gallery of Art, Washington DC; The Metropolitan Museum of Art, New York; The National Gallery, London; Musée d’Orsay, Paris; Musée du Louvre, Paris and The Hermitage, St Petersburg.

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    1922, Honfleur, Grenier à Sel et musée, Eugène Boudin, No. 151 in the catalogue
    1992, Glasgow/London, Boudin and Trouville, No. 67 in the catalogue

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