Collection R. Bank;
Private Collection, United Kingdom
Buy with confidence: our assurance to you
We have built up a strong reputation for the quality of the paintings, drawings and sculpture that we curate, exhibit and sell. Our professional associations with bodies such as The British Antique Dealers’ Association (BADA) and the Association of Art & Antique Dealers (LAPADA) are as a result of our reputation for integrity, our wide knowledge of fine arts and the high quality of our stock. Our business standards and expertise are reviewed regularly to adhere vigorously to enforced Codes. Our memberships and commitment to its Code of Conducts gives our buyers confidence when purchasing a work from us.
Condition reports and certificates of authenticity vary in their nature by artwork, for more information on your pieces of interest, please enquire with the gallery.
We take pride in the attention we give to our images of the artworks for purchase and invest in these to ensure outputs are aligned as closely as possible to the item in reality. We do not apply filters or modify images, we provide high-quality images to reflect the high quality of our artworks.
Your purchase process
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The Trinity House promise to you
Shipping and packaging
Shipping and packaging requirements are assessed per piece to ensure the most suitable protection for the artwork. Trinity House will therefore call following purchase to agree the recommendations and costs.
Our After Sales services
We offer the following services which we will be happy to discuss with you following your purchase, alternatively, you can enquire for more information.
We offer insurance appraisals to protect your prised artwork and help you find the right cover and policy for you.
We are able to advise on framing and have access to every type and style to suit any artistic period or room setting.
The nature of the materials involved in a painting mean that on occasion some pieces are susceptible to movement and the effects of natural ageing. We are able to provide advice on practical measures to conserve the original condition of a piece and have relationships with restorers and framers to offer you a range of services to meet your needs.
Born in 1901 in Carmaux. Cavaillès began his training as a technical draughtsman. It was during this period that he met the artist Bernard- Joseph Artigue, also known as ‘le père Artigue’, who was a good friend of the famous pointillist, Henri Martin, and who encouraged Cavaillès to travel to Paris to pursue the fine arts.
Cavaillès enrolled at the Academie Julian in 1925 and was exhibiting in the Parisian Salon by 1928. He was soon invited to display his work at the Salon des Tuileries in 1936 and was invited to help organise the 14th exhibition of the Artistes de ce Temps in the Petit-Palais. Furthermore, during the same year he received the Grant Blumenthal and was commissioned to decorate the Pavilion of Languedoc for the Éxposition Universelle.
Cavailles primarily worked in oils, gouache and pastel in order to achieve these vivid colours and his subject matters vary from portraits, nudes, still lifes, flowers, landscapes and animals.
Florent Fels, Jules Cavaillès, Les Maîtres de demain, Édition Sequana, Toulouse 1943.