Private collection, United Kingdom
Buy with confidence: our assurance to you
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Professional Associations
We have built up a strong reputation for the quality of the paintings, drawings and sculpture that we curate, exhibit and sell. Our professional associations with bodies such as The British Antique Dealers’ Association (BADA) and the Association of Art & Antique Dealers (LAPADA) are as a result of our reputation for integrity, our wide knowledge of fine arts and the high quality of our stock. Our business standards and expertise are reviewed regularly to adhere vigorously to enforced Codes. Our memberships and commitment to its Code of Conducts gives our buyers confidence when purchasing a work from us.
Authenticity
Condition reports and certificates of authenticity vary in their nature by artwork, for more information on your pieces of interest, please enquire with the gallery.
Artwork images
We take pride in the attention we give to our images of the artworks for purchase and invest in these to ensure outputs are aligned as closely as possible to the item in reality. We do not apply filters or modify images, we provide high-quality images to reflect the high quality of our artworks.
Your purchase process
Payment processing – You can be assured that payments are securely processed through Worldpay’s trusted payment gateway.
The Trinity House promise to you
Shipping and packaging
Shipping and packaging requirements are assessed per piece to ensure the most suitable protection for the artwork. Trinity House will therefore call following purchase to agree the recommendations and costs.
Our After Sales services
We offer the following services which we will be happy to discuss with you following your purchase, alternatively, you can enquire for more information.
Insurance
We offer insurance appraisals to protect your prised artwork and help you find the right cover and policy for you.
Framing
We are able to advise on framing and have access to every type and style to suit any artistic period or room setting.
Conservation
The nature of the materials involved in a painting mean that on occasion some pieces are susceptible to movement and the effects of natural ageing. We are able to provide advice on practical measures to conserve the original condition of a piece and have relationships with restorers and framers to offer you a range of services to meet your needs.
Gottfried Kallstenius was born in 1861. His brother was a well-known zoologist, Evald Kallstenius, and was the cousin of philologist Gottfrid Kallstenius. He began studies in medicine and humanities, but discontinued this after three years in order to educate himself as an artist. He studied at Edvard Perseus’ private painting school and the Swedish Royal Academy, as well as in Italy.
At the beginning of his artistic career, Kallstenius painted in a realist style, and chose socio-political messages to dictate his subject matter. Later on, however, he became influenced by the Impressionists, and other turn of the century greats such as Van Gogh. He also looked to the Swedish romantics for his subject matter. This led him to paint the stylised, Impressionistic landscapes and sunsets that he became famous for in Sweden and the rest of Europe, and of which Lake at Sunset is a magnificent example. Many recognize his romantic embossed sunflower paintings with sunlit pines, rocks and still water. In 1887 he received the Duchy Medal for the painting September and the following year the royal medal for Cemetery in Summer Sun. He began teaching at the Academy of Sciences in the early 1903 century and was head professor from 1912 to 1934.
Kallstenius was also very interested in the technical and theoretical problems of painting, and published the manuals, Oil Painting, Dyes and Binders in 1913 and The Oil Painting Handbook, in 1915. He also wrote poems and fiction (1917) and Art, its Essence and Significance (1931). He was also the initiator and recurring inspector of Becker’s normal colour series, a way of monitoring paint quality, which began in 1912 with the aim of providing artists with reliable and durable pigments.
Kallstenius was married to Gerda Roosval-Kallstenius, who was also a very accomplished painter. Together they had one son, Evald Kallstenius, although he didn’t enjoy quite the same success as his parents had. In 1906, the family had a magnificent villa (Villa Kallstenius) built on Krokvägen in Storängen, Nacka, designed by acclaimed Swedish architect Gustaf Petterson. Gottfried lived his life out happily there, and the house still stands today.
This wonderful sunset painting is a charming and evocative rendition of an idyllic summer evening on a Swedish lake. It would make a lovely addition to any collection of Impressionist, Swedish Romantic or Landscape paintings. Kallstenius is now represented at the National Museum in Stockholm, at the art museums in Gothenburg and Malmö and in a number of museum collections in Europe, South and North America.
