Hip

by Michael Thacker

P.O.A.

<strong>DIMENSIONS</strong>: 14.5 x 6 x 5 in./ 37 x 15 x 15 cm
<strong>MEDIUM:</strong> Green Onyx

<img class=”alignnone size-full wp-image-9659″ src=”https://www.trinityhousepaintings.com/wp-content/uploads/2018/08/Worldpay-logo-7.png” alt=”” width=”150″ height=”33″ />

Michael uses natural forms as one of his primary references, seedpods, shells, fossils and plant buds. The idea that a form develops and grows from within a hard casing to burst forth and reveal a new appearance is paramount to his thought process. Unbalancing the original and juxtaposing taut polished geometric forms against roughly textured organic shapes that emerge from within.

His recent work illustrates his investigations into using light. Using the simple act of gilding to reflect or accentuate light to create a glow that exudes from the centre of the stone illuminating an otherwise shadowed area.

Provenance: Direct from the artists studio

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The nature of the materials involved in a painting mean that on occasion some pieces are susceptible to movement and the effects of natural ageing. We are able to provide advice on practical measures to conserve the original condition of a piece and have relationships with restorers and framers to offer you a range of services to meet your needs.

Michael Thacker MRBS is a stone mason who works full time at Lincoln Cathedral, he is also a member of the Royal British Society of Sculptors. The professional skills that he has acquired over the years have given him a deep knowledge and affinity of the technical side of the stone that he works so beautifully with. The architectural influence of his working environment is apparent in his beautiful geometric sculptures, the principles of devices such as pediments and archways shine through.

Michael also uses natural forms as one of his primary references, seedpods, shells, fossils and plant buds. The idea that a form develops and grows from within a hard casing to burst forth and reveal a new appearance is paramount to his thought process. Unbalancing the original and juxtaposing taut polished geometric forms against roughly textured organic shapes that emerge from within.

His recent work illustrates his investigations into using light. Using the simple act of gilding to reflect or accentuate light to create a glow that exudes from the centre of the stone illuminating an otherwise shadowed area.
Michael studied Fine Art (Sculpture) at Loughborough University and graduated in 1999. After that he went on to study stonemasonry at York College, where he was awarded the S & J Whitehead award for stonemasonry, he was also selected by the college to represent them at the National Skills Show at the Birmingham NEC. Since then Michael has been employed by Lincoln Cathedral as a Stone Mason and Stone Carver. He was awarded Associate membership of the Royal British Society of Sculptors in 2003.

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