Golden Sands, St Malo

by Sir William Russell Flint

£12,000

Out Of Stock

DIMENSIONS: (unframed) 12.00 x 15.00 ins (30.48 x 38.10 cms)
SIGNATURE: Signed ‘W. Russell Flint’ lower left
MEDIUM: Watercolour on paper

Gold Sands, St Malo is a prime example of Flint’s watercolour work. This beautiful piece depicts a calm beach scene with several figures. Flint’s use of watercolour is particularly apt for this scene, allowing him to capture the warmth of the French light as it reflects off the sand and water. Flint’s delicate application of watercolour creates a haziness that imitates the heat of the sun. The golden hues lend the composition a softness that is typical of Flint’s watercolour work.

Out Of Stock

Catalogue No: 4313 Categories: , ,

Gold Sands, St Malo is a prime example of Flint’s watercolour work. This beautiful piece depicts a calm beach scene with several figures. Flint’s use of watercolour is particularly apt for this scene, allowing him to capture the warmth of the French light as it reflects off the sand and water. Flint’s delicate application of watercolour creates a haziness that imitates the heat of the sun. The golden hues lend the composition a softness that is typical of Flint’s watercolour work.

Provenance: Private Collection, United Kingdom

Buy with confidence: our assurance to you

Professional Associations

We have built up a strong reputation for the quality of the paintings, drawings and sculpture that we curate, exhibit and sell. Our professional associations with bodies such as The British Antique Dealers’ Association (BADA) and the Association of Art & Antique Dealers (LAPADA) are as a result of our reputation for integrity, our wide knowledge of fine arts and the high quality of our stock. Our business standards and expertise are reviewed regularly to adhere vigorously with enforced Codes. Our memberships and commitment to its Code of Conducts, gives our buyers confidence when purchasing a work from us.

Authenticity

Condition reports and certificates of authenticity vary in their nature by artwork, for more information on your pieces of interest, please enquire with the gallery.

Artwork images

We take pride in the attention we give to our images of the artworks for purchase and invest in these to ensure outputs are aligned as closely as possible to the item in reality. We do not apply filters or modify images, we provide high quality images to reflect the high quality of our artworks.

Your purchase process

Payment processing – You can be assured that payments are securely processed through Worldpay’s trusted payment gateway.

The Trinity House promise to you

Shipping and packaging

Shipping and packaging requirements are assessed per piece to ensure the most suitable protection for the artwork. Trinity House will therefore call following purchase to agree the recommendations and costs.

Our After Sales services

We offer the following services which we will be happy to discuss with you following your purchase, alternatively you can enquire for more information.

Insurance

We offer insurance appraisals to protect your prised artwork and help you find the right cover and policy for you.

Framing

We are able to advise on framing and have access to every type and style to suit any artistic period or room setting.

Conservation

The nature of the materials involved in a painting mean that on occasion some pieces are susceptible to movement and the effects of natural ageing. We are able to provide advice on practical measures to conserve the original condition of a piece and have relationships with restorers and framers to offer you a range of services to meet your needs.

William Russell Flint moved to London in 1900. Initially employed to do medical drawings, he was later appointed to work on the Illustrated London News from 1903 to 1907. As an illustrator his true renown arose from his illustrations of the 1912 version of Chaucer’s Canterbury Tales. In 1924 he illustrated a new edition of Homer’s The Odyssey as well.

In the pre-war period, Flint and his wife rented a studio in Rome. It was in Italy that the artist discovered a local model called Peppina from Anticoli Corrado in the Sabine Hills. Her rural charm and natural beauty inspired Flint and made a lasting impression upon him.

Flint fought in the First World War, but after being decommissioned he travelled to Scotland, France, Italy and Spain, where he produced wonderful watercolours and drawings reflecting the local culture and customs. Flint’s paintings of Spanish girls were particularly popular, both as originals and reproductions, and escalated his standing amongst art collectors.

Flint’s talent with both the watercolour medium and his skill in depicting the female form created a hallmark style which would later become legendary. In 1962 his work was acknowledged by a retrospective exhibition in the Diploma Gallery of the Royal Academy which was attended by 21,000 visitors.

Flint was elected as a Royal Academician in 1933, became President of the Royal Society of Painters in Watercolour in 1936 and was knighted by King George VI in 1947 alongside the actor Laurence Olivier.

 

    Your Message


    Go to Top