DIMENSIONS: (unframed) 13 inches x 18 inches / 33.02 x 45.72 cm
MEDIUM: Oil on canvas
Private collection, United States
We have built up a strong reputation for the quality of the paintings, drawings and sculpture that we curate, exhibit and sell. Our professional associations with bodies such as The British Antique Dealers’ Association (BADA) and the Association of Art & Antique Dealers (LAPADA) are as a result of our reputation for integrity, our wide knowledge of fine arts and the high quality of our stock. Our business standards and expertise are reviewed regularly to adhere vigorously with enforced Codes. Our memberships and commitment to its Code of Conducts, gives our buyers confidence when purchasing a work from us.
Condition reports and certificates of authenticity vary in their nature by artwork, for more information on your pieces of interest, please enquire with the gallery.
We take pride in the attention we give to our images of the artworks for purchase and invest in these to ensure outputs are aligned as closely as possible to the item in reality. We do not apply filters or modify images, we provide high quality images to reflect the high quality of our artworks.
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Shipping and packaging requirements are assessed per piece to ensure the most suitable protection for the artwork. Trinity House will therefore call following purchase to agree the recommendations and costs.
We offer the following services which we will be happy to discuss with you following your purchase, alternatively you can enquire for more information.
We offer insurance appraisals to protect your prised artwork and help you find the right cover and policy for you.
We are able to advise on framing and have access to every type and style to suit any artistic period or room setting.
The nature of the materials involved in a painting mean that on occasion some pieces are susceptible to movement and the effects of natural ageing. We are able to provide advice on practical measures to conserve the original condition of a piece and have relationships with restorers and framers to offer you a range of services to meet your needs.
Born in Austria, Luigi Loir first started training formally in art in 1853 at the Beaux-Arts Academy of Parma and finished his studies in 1865. He made his debut in the Salon of Paris with a view of Villiers-sur-Seine that received very high praise. Subsequently, Loir studied under Jean Amable Amédée Pastelot (1810-1870) to become a mural painter, and one of Loir’s first commissions was to paint the murals and ceilings at the Chateaux du Diable (The Devil’s House) in 1866.
Beyond the murals, Loir’s works vary from oils paintings to watercolours to lithographs. At Hôtel de Ville, Loir had exhibited preparatory sketches of La fête foraine. Luigi enjoyed success and the recognition of his talent throughout his own lifetime. Hence in 1870, he was commissioned into the military to record the battles of Bouret. He died in his beloved city on 9 February, 1916.