DIMENSIONS: (unframed) 8 x 6 inches (20.32 x 15.24 cm)
SIGNATURE: Signed (upper right)
MEDIUM: Oil on panel
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£3,500
DIMENSIONS: (unframed) 8 x 6 inches (20.32 x 15.24 cm)
SIGNATURE: Signed (upper right)
MEDIUM: Oil on panel
MAKE AN ENQUIRY
Harris’ figures are acutely observed, but imbued with charm.
Private collection
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Condition reports and certificates of authenticity vary in their nature by artwork, for more information on your pieces of interest, please enquire with the gallery.
Artwork images
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Shipping and packaging requirements are assessed per piece to ensure the most suitable protection for the artwork. Trinity House will therefore call following purchase to agree the recommendations and costs.
We offer the following services which we will be happy to discuss with you following your purchase, alternatively, you can enquire for more information.
We offer insurance appraisals to protect your prised artwork and help you find the right cover and policy for you.
We are able to advise on framing and have access to every type and style to suit any artistic period or room setting.
The nature of the materials involved in a painting mean that on occasion some pieces are susceptible to movement and the effects of natural ageing. We are able to provide advice on practical measures to conserve the original condition of a piece and have relationships with restorers and framers to offer you a range of services to meet your needs.
The artist was born in Birmingham. He entered the School of Art at the age of fourteen, where he studied with Walter Langley and William Breakespeare, the latter who was to become a lifelong friend.  After  completing a further two years teaching at the School, he joined Verlat’s Academy in Antwerp, where he met Frank Bramley and William Wainwright.
Harris first visited Newlyn in 1881, returned again in 1882, but it was not until 1883 when he finally settled in the village, remaining there for a further twelve years. He and his wife (the niece of an influential art dealer), were soon to become key figures in the colony.
In 1887, his wife died of tuberculosis, after a long period of illness which upset all who knew her. Harris eventually left Newlyn  in 1895. Having remarried, he spent some years in South Wales before returning to settle in Birmingham, where he died in 1906.
Most of the artist’s works from Newlyn depict cottage interiors with a single light source (usually a window). His figures are acutely observed, but imbued with charm.