P.O.A.
MEDIUM: Oil on panel
DIMENSIONS: 4 inches (diameter) 12 x 12 inches (framed)
SIGNATURE: Initialled (lower centre)
Valtat’s brushwork employs light strokes inspired by the Impressionists, combined with strong outlines influenced by his contemporaries. He is known as a member of the fauvists – sometimes translated as “wild beasts” for their aggressive use of colour.
Louis Valtat was identified by the late, great, art collector and dealer Ambroise Vollard as one of the most exciting painters working in Paris at the turn of the 20th century. On Renoir’s advice, Vollard made an agreement with Valtat to purchase almost all of the artist’s work for the first decade of the 20th century (1902 – 1912).
Valtat’s brushwork employs light strokes inspired by the Impressionists, combined with strong outlines influenced by his contemporaries. He is known as a member of the fauvists – sometimes translated as “wild beasts” for their aggressive use of colour.
Claude de Muzac, Paris;
Etude De M.Guy, Paris;
Private Collection Palm Beach, Florida;
Alexander Avenard Collection
We have built up a strong reputation for the quality of the paintings, drawings and sculpture that we curate, exhibit and sell. Our professional associations with bodies such as The British Antique Dealers’ Association (BADA) and the Association of Art & Antique Dealers (LAPADA) are as a result of our reputation for integrity, our wide knowledge of fine arts and the high quality of our stock. Our business standards and expertise are reviewed regularly to adhere vigorously with enforced Codes. Our memberships and commitment to its Code of Conducts, gives our buyers confidence when purchasing a work from us.
Condition reports and certificates of authenticity vary in their nature by artwork, for more information on your pieces of interest, please enquire with the gallery.
Artwork images
We take pride in the attention we give to our images of the artworks for purchase and invest in these to ensure outputs are aligned as closely as possible to the item in reality. We do not apply filters or modify images, we provide high quality images to reflect the high quality of our artworks.
Payment processing – You can be assured that payments are securely processed through Worldpay’s trusted payment gateway.
Shipping and packaging requirements are assessed per piece to ensure the most suitable protection for the artwork. Trinity House will therefore call following purchase to agree the recommendations and costs.
We offer the following services which we will be happy to discuss with you following your purchase, alternatively you can enquire for more information.
We offer insurance appraisals to protect your prised artwork and help you find the right cover and policy for you.
We are able to advise on framing and have access to every type and style to suit any artistic period or room setting.
The nature of the materials involved in a painting mean that on occasion some pieces are susceptible to movement and the effects of natural ageing. We are able to provide advice on practical measures to conserve the original condition of a piece and have relationships with restorers and framers to offer you a range of services to meet your needs.
Louis Valtat was identified by the late, great, art collector and dealer Ambroise Vollard as one of the most exciting painters working in Paris at the turn of the 20th century. On Renoir’s advice, Vollard made an agreement with Valtat to purchase almost all of the artist’s work for the first decade of the 20th century (1902 – 1912).
Valtat’s brushwork employs light strokes inspired by the Impressionists, combined with strong outlines influenced by his contemporaries. He is known as a member of the fauvists – sometimes translated as “wild beasts” for their aggressive use of colour.
Born in Normandy and raised near Versailles, Louis Valtat decides to follow an artistic career and enrols at the École des Beaux Arts de Paris in 1887. He continued his studies at the Académie Julian under Jules Dupré (1811-1889) who was a Barbizon landscape artist.
As a Parisian art student, he befriended Albert Andre (1869-1954), Maurice Denis (1870-1943), Pierre Bonnard (1867-1947) and Edouard Vuillard (1868 – 1940) – all members of the Nabis movement influenced by Paul Gauguin’s sythesist methods – using simple forms and strong, pure colours. Valtat did not become a Nabi, but he did learn and later used their style as an influence.
Valtat exhibited throughout his career and even worked together with sculptor Aristide Maillol (1861-1944) on some projects, and with Henri Toulouse-Lautrec (1864-1901) on the décor of the Paris theatre L’Ouevre in 1894. Valtat’s health obliged him to move to the Mediterranean coast in the autumn and winter seasons. Here he and his family would often visit Paul Signac (1863-1935) in Bollée and Pierre-Auguste Renoir (1841-1919) in Cagnes.
