Private collection, United Kingdom
Buy with confidence: our assurance to you
We have built up a strong reputation for the quality of the paintings, drawings and sculpture that we curate, exhibit and sell. Our professional associations with bodies such as The British Antique Dealers’ Association (BADA) and the Association of Art & Antique Dealers (LAPADA) are as a result of our reputation for integrity, our wide knowledge of fine arts and the high quality of our stock. Our business standards and expertise are reviewed regularly to adhere vigorously to enforced Codes. Our memberships and commitment to its Code of Conducts gives our buyers confidence when purchasing a work from us.
Condition reports and certificates of authenticity vary in their nature by artwork, for more information on your pieces of interest, please enquire with the gallery.
We take pride in the attention we give to our images of the artworks for purchase and invest in these to ensure outputs are aligned as closely as possible to the item in reality. We do not apply filters or modify images, we provide high-quality images to reflect the high quality of our artworks.
Your purchase process
Payment processing – You can be assured that payments are securely processed through Stripe’s trusted payment gateway.
The Trinity House promise to you
Shipping and packaging
Shipping and packaging requirements are assessed per piece to ensure the most suitable protection for the artwork. Trinity House will therefore call following purchase to agree the recommendations and costs.
Our After Sales services
We offer the following services which we will be happy to discuss with you following your purchase, alternatively, you can enquire for more information.
We offer insurance appraisals to protect your prised artwork and help you find the right cover and policy for you.
We are able to advise on framing and have access to every type and style to suit any artistic period or room setting.
The nature of the materials involved in a painting mean that on occasion some pieces are susceptible to movement and the effects of natural ageing. We are able to provide advice on practical measures to conserve the original condition of a piece and have relationships with restorers and framers to offer you a range of services to meet your needs.
Dame Laura Knight was an English artist who worked in oils, watercolours, etching, engraving and dry point printing. The artist was born in Derbyshire and was encouraged to paint by her artistic mother from a young age. Although her life began in poverty, eventually she became financially successful and developed lasting friendships with people from all walks of life, from gypsies, circus folk and factory workers to more fortunate well-known authors, actors, playwrights and aristocrats. She first went to study at Nottingham School of Art at the age of just thirteen years. It was here that she met her future husband, Harold Knight, with whom she spent time in Staithes, Yorkshire, where they both found great inspiration for their work.
During her long career, Knight was among the most successful and popular painters in Britain. In 1929 she was created a Dame and in 1936 became the first woman elected to the Royal Academy since its foundation in 1768. Although Knight was known for painting amidst the world of the theatre and ballet in London, and for being a war artist during the Second World War, she was also greatly interested in, and inspired by, more marginalised communities and individuals including Gypsies and circus performers. Her focus on rural life and ‘simple’ people was attractive to the urban middle classes, who longed for the idyllic countryside. Her success in the male-dominated British art establishment paved the way for greater status and recognition for women artists. She is now recognised as the most famous female British artist of the Impressionist School.
If the artwork is up to £25,000 in value, and the artist is still alive, Trinity House can arrange a 0% interest loan through the Own Art scheme. Own Art is a Creative United initiative supported by Arts Council England, Creative Scotland and Arts Council of Northern Ireland. Some other restrictions apply see…