DIMENSIONS: (unframed) 11.0 x 12.8 in./ 27.9 x 32.5 cm
SIGNATURE: Signed lower right
MEDIUM: Oil on panel
Argelès Beach
£5,800
Out Of Stock
Out Of Stock
This beautiful work depicts the beach at Argelès from the hilltop, the cliffs and hills of the Pyrenees glimpsed in the distance. Hassell has captured the incandescent colours of Southern France with its golden yellows, warm oranges and reds, vibrant greens and sparkling blues.
Provenance
Private Collection, United Kingdom
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Biography
Hilda Clements Hassell was a talented British artist whose work was inspired by the Fauvism of her French peers. The name ‘les fauves’ literally translates as ‘the wild beasts’ and is a term that was coined by the critic Louis Vauxcelles when he saw the work of Henri Matisse and André Derain in the Salon d’Automne in Paris in 1905.
These works were the result of a summer spent working with the Fauves in Collioure in the South of France and were made using bold, non-naturalistic colours, where often the paintbrush was bypassed in favour of applying paint directly onto the canvas from the tube. Hassell has incorporated this loose dabbing of paint into her work, and combined with her frequent simplification of form and bright palette, the works appear somewhat abstract.
Although Hassell’s work is very much in line with the Fauve’s, she also followed the route of the Scottish colourists, Samuel Peploe and Francis Cadell, on their informative trip to France, Spain and Morocco. Like the Scottish artists Hassell drew from the intense light and opulent colours that she saw on her travels. This enriched her artistic output, establishing her own vibrant post-impressionist style with vivid colours, always handling impasto with strong and confident brush strokes.
Hassell lived in London for much of her life and it was there that she became a member of the New English Arts Club. She also exhibited at the Salon des Independants in Paris in 1911 and is known to have spent time in Cornwall, painting St Ives.
