• This beautiful work transports the beholder to a fantastical winter landscape, showing figures interacting with the coldness each in their own way. Some are fishing, others are gathering wood, riding a sleigh or leading a wagon through the snow. The church in the background fits perfectly in the serene atmosphere. DIMENSIONS: (unframed) 27.8 x 39.8 in. / 70.6 x 101.1 cm SIGNATURE: Signed (lower left) MEDIUM: Oil on canvas
  • Sous Bois

    by Louis Valtat

    £175,000
    Valtat’s brushwork employs light strokes inspired by the Impressionists, combined with strong outlines influenced by his contemporaries. He is known as a member of the fauvists – sometimes translated as “wild beasts” for their aggressive use of colour. Dimensions: (unframed) 25.5 x 21.3 in Signature: Signed (lower left) Medium: Oil on canvas
  • Haystacks, 1907

    by Armand Guillaumin

    £125,000
    Noted for their intense colours, Guillaumin's paintings are represented in major museums around the world. He is best remembered for his landscapes of Paris, the Creuse département, and the area around Les Adrets-de-l'Estérel near the Mediterranean coast in the Provence-Alpes-Côte d'Azur region of France. Guillaumin was called the leader of the École de Crozant, a diverse group of painters who came to depict the landscape in the region of the Creuse around the village of Crozant. One of these depictions, titled Landscape in Crozant, is housed in the Art Institute of Chicago. His bust is in the square near the village church. Dimensions: (unframed) 21.3 x 28.5 ins/ 54.1 x 72.4 cm Signature: Signed 'Guillaumin' (lower left); dated (verso) Medium: Oil on canvas
  • DIMENSIONS: (unframed)13.5 x 9.76 in./ 34. 3 x 24.8 cm SIGNATURE: Monogrammed ‘PN’ and signed ‘Nash’ lower right MEDIUM: Watercolour and pencil Here, Nash has depicted the gardens of his parents’ home Wood Lane House at Iver Heath in Buckinghamshire. The property had been specially built for the family in 1901 and included a plot of about an acre and a half, bordered by great elm trees and carefully planted with maturing shrubbery. The morning room, which Nash used as a studio, looked over what became known as the 'Bird Garden' and has been described by Roger Cardinal as 'where it all began' (R. Cardinal, The Landscape Vision of Paul Nash, London, 1989, p.63).
  • Portrait of a Woman, C.1888

    by Giovanni Boldini

    £110,000
    DIMENSIONS: (unframed)8.0 x 6.0 ins/ 20.3 x 15.2 cm SIGNATURE: Signed lower right MEDIUM: Watercolour
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