• Femme Assise, 1902

    by Aristide Maillol

    £120,000
    DIMENSIONS: 28cm high SIGNATURE: Inscribed with the artist’s monogram, numbered ‘3/6’ and stamped with the foundry mark ‘Alexis Rudier fondeur Paris’ MEDIUM: Bronze   MAKE AN ENQUIRY

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    • DIMENSIONS: (unframed) 18.2 x 21.7 inches (46.3 x 55.1 cm) SIGNATURE: Signed 'G. Loiseau' (lower left) MEDIUM: Oil on canvas The elemental beauty of this vibrant cityscape is created with several components of Loiseau’s signature style. The blend of foliage and the coursing river shows the predominance of the inhabitants of the French Brittany Coast for structuring their cities around the local waterways. At this coastal harbour entrance to the important port of Fécamp, halfway between Dieppe and Le Havre. MAKE AN ENQUIRY

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      • DIMENSIONS: (unframed) 27.8 x 39.8 inches (70.6 x 101.1 cm) SIGNATURE: Signed (lower left) MEDIUM: Oil on canvas   MAKE AN ENQUIRY

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        • Sous Bois

          by Louis Valtat

          £175,000
          Dimensions: (unframed) 25.5 x 21.3 inches Signature: Signed (lower left) Medium: Oil on canvas   MAKE AN ENQUIRY

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          • Haystacks, 1907

            by Armand Guillaumin

            £160,000
            DIMENSIONS: (unframed) 21.3 x 28.5 inches (54.1 x 72.4 cm) SIGNATURE: Signed 'Guillaumin' (lower right); dated (verso) MEDIUM: Oil on canvas Guillaumin is best remembered for his landscapes of Paris, the Creuse département, and the area around Les Adrets-de-l'Estérel near the Mediterranean coast in the Provence-Alpes-Côte d'Azur region of France. Guillaumin was called the leader of the École de Crozant, a diverse group of painters who came to depict the landscape in the region of the Creuse around the village of Crozant. MAKE AN ENQUIRY

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            • DIMENSIONS: (unframed) 13.5 x 9.76 inches (34. 3 x 24.8 cm) SIGNATURE: Monogrammed ‘PN’ and signed ‘Nash’ (lower right) MEDIUM: Watercolour and pencil Here, Nash has depicted the gardens of his parents’ home Wood Lane House at Iver Heath in Buckinghamshire. The property had been specially built for the family in 1901 and included a plot of about an acre and a half, bordered by great elm trees and carefully planted with maturing shrubbery. The morning room, which Nash used as a studio, looked over what became known as the 'Bird Garden' and has been described by Roger Cardinal as 'where it all began' (R. Cardinal, The Landscape Vision of Paul Nash, London, 1989, p.63). MAKE AN ENQUIRY

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              • Portrait of a Woman, C.1888

                by Giovanni Boldini

                £110,000
                DIMENSIONS: (unframed)8.0 x 6.0 inches (20.3 x 15.2 cm) SIGNATURE: Signed (lower right) MEDIUM: Watercolour   MAKE AN ENQUIRY

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