• Above and Beyond

    by Beata Orosz

    £4,500
    MEDIUM: Oil on canvas DIMENSIONS: (unframed) 23.6 x 23.6 ins/ 60.0 x 60.0 cm SIGNATURE: Signed 'B Orosz' (lower right)
  • Genesis

    by Beata Orosz

    £4,500
    MEDIUM: Oil on canvas DIMENSIONS: (unframed) 23.6 x 23.6 ins/ 60.0 x 60.0 cm SIGNATURE: Signed 'B Orosz' (lower right)
  • rectangles of yellow, orange, red and blue

    Gridlock

    by A P Sargent

    £2,850
    MEDIUM: Print on glass DIMENSIONS: (unframed) 30.1 x 20.9 ins/ 76.5 x 53.2 cm SIGNATURE: Signed 'AP Sargent and titled (verso) Numbered 1/40
  • Outline of a blurred city in red and blue

    City of Dust (Evening)

    by A P Sargent

    £2,750
    MEDIUM: Print on glass DIMENSIONS: (unframed) 25.6 x 33.5 ins/ 65.0 x 85.0 cm SIGNATURE: Signed 'AP Sargent' and titled (verso)
  • Quainton – Easter 1962

    by John Piper

    £19,500
    Famous for his romantic landscapes, views of ruined churches, stately homes and castles, John Piper is considered to be one of the most significant British artists of the 20th Century. This wonderful watercolour by John Piper depicts an atmospheric landscape in the English village Quainton in Buckinghamshire. DIMENSIONS: (unframed) 17.7 x 24.4 ins/ 45.0 x 62.0 cm SIGNATURE: Signed 'John Piper' (lower right); titled and dated (lower left) MEDIUM: Watercolour and gouache on paper
  • Reflections

    by Francesca Currie

    £6,950

    Francesca Currie is a contemporary artist based in Cheltenham with a diverse portfolio spanning portraits, photographs, equine works and still lifes. Her work combines the traditional techniques of the Old Masters with a modern viewpoint to create classical representational oil paintings with contemporary composition.

    MEDIUM: Oil on canvas DIMENSIONS: (unframed) 23.6 x 31.5 ins/ 60.0 x 80.0 cm SIGNATURE: Signed ‘F. Currie’ (lower right)
  • Flamingo

    by Francesca Currie

    £4,900

    Francesca Currie is a contemporary artist based in Cheltenham with a diverse portfolio spanning portraits, photographs, equine works and still lifes. Her work combines the traditional techniques of the Old Masters with a modern viewpoint to create classical representational oil paintings with contemporary composition.

    MEDIUM: Oil on canvas DIMENSIONS: (unframed) 30.1 x 24 ins/ 76.5 x 61.0 cm SIGNATURE: Signed ‘F. Currie’ (lower right)
  • Blossom

    by Francesca Currie

    £7,500

    Francesca Currie is a contemporary artist based in Cheltenham with a diverse portfolio spanning portraits, photographs, equine works and still lifes. Her work combines the traditional techniques of the Old Masters with a modern viewpoint to create classical representational oil paintings with contemporary composition.

    MEDIUM: Oil on canvas DIMENSIONS: (unframed) 29.9 x 40.2 ins/ 76.0 x 102.0 cm SIGNATURE: Signed ‘F. Currie’ (lower right)
  • Broadway

    by Francesca Currie

    £1,500

    Francesca Currie is a contemporary artist based in Cheltenham with a diverse portfolio spanning portraits, photographs, equine works and still lifes. Her work combines the traditional techniques of the Old Masters with a modern viewpoint to create classical representational oil paintings with contemporary composition. Here, Francesca uses an impasto technique to create a heavy texture in order to sum up English weather.

    MEDIUM: Oil on canvas DIMENSIONS: (unframed) 9.8 x 7.9 ins/ 25.0 x 20.0 cm SIGNATURE: Signed ‘F. Currie’ (lower right)
  • Cheltenham in Autumn

    by Francesca Currie

    £2,800

    Francesca Currie is a contemporary artist based in Cheltenham with a diverse portfolio spanning portraits, photographs, equine works and still lifes. Her work combines the traditional techniques of the Old Masters with a modern viewpoint to create classical representational oil paintings with contemporary composition. In this scenic painting the artist depicts herself walking through Pittville park in Cheltenham, using vibrant hues of yellow, orange and brown to capture the warm light and atmosphere of a crisp autumn day.

    MEDIUM: Oil on canvas DIMENSIONS: (unframed) 19.7 x 15.7 ins/ 50.0 x 40.0 cm SIGNATURE: Signed ‘F. Currie’ (lower right)
  • Lemons

    by Francesca Currie

    £2,200

    Francesca Currie is a contemporary artist based in Cheltenham with a diverse portfolio spanning portraits, photographs, equine works and still lifes. Her work combines the traditional techniques of the Old Masters with a modern viewpoint to create classical representational oil paintings with contemporary composition. With this beautiful work Francesca placed the lemons in a box in order to minimise the light and create a more traditional image.

    MEDIUM: Oil on canvas DIMENSIONS: (unframed) 9.8 x 15.7 ins/ 25.0 x 40.0 cm SIGNATURE: Signed ‘F. Currie’ (lower right)
  • Avocado

    by Francesca Currie

    £1,950

    Francesca Currie is a contemporary artist based in Cheltenham with a diverse portfolio spanning portraits, photographs, equine works and still lifes. Her work combines the traditional techniques of the Old Masters with a modern viewpoint to create classical representational oil paintings with contemporary composition.

    MEDIUM: Oil on canvas DIMENSIONS: (unframed) 9.8 x 11.8 ins/ 25.0 x 30.0 cm SIGNATURE: Signed ‘F. Currie’ (lower right)
  • Satsumas

    by Francesca Currie

    £1,950

    Francesca Currie is a contemporary artist based in Cheltenham with a diverse portfolio spanning portraits, photographs, equine works and still lifes. Her work combines the traditional techniques of the Old Masters with a modern viewpoint to create classical representational oil paintings with contemporary composition.

    MEDIUM: Oil on canvas DIMENSIONS: (unframed) 9.8 x 11.8 ins/ 25.0 x 30.0 cm SIGNATURE: Signed ‘F. Currie’ (lower right)
  • Milk & Doughnuts

    by Francesca Currie

    £1,950

    Francesca Currie is a contemporary artist based in Cheltenham with a diverse portfolio spanning portraits, photographs, equine works and still lifes. Her work combines the traditional techniques of the Old Masters with a modern viewpoint to create classical representational oil paintings with contemporary composition. Here Francesca skillfully depicts the reflections on the glass, using subtle tones of shadow and light  in a traditional style which is contrasted with the bright pink background and  doughnuts giving it a modern twist.

    MEDIUM: Oil on canvas DIMENSIONS: (unframed) 13.8 x 11.8 ins/ 35.0 x 30.0 cm SIGNATURE: Signed ‘F. Currie’ (lower right)
  • Man with bike

    by Francesca Currie

    £8,500

    Francesca Currie is a contemporary artist based in Cheltenham with a diverse portfolio spanning portraits, photographs, equine works and still lifes. Her work combines the traditional techniques of the Old Masters with a modern viewpoint to create classical representational oil paintings with contemporary composition.

    This stunning work is from a visit Currie had to London where the artist comments 'I was incredibly lucky with the dramatic light that day had. I loved the look of this guy who was just waiting...'

    MEDIUM: Oil on canvas DIMENSIONS: (unframed) 39.4 x 27.6 ins/ 100.0 x 70.0 cm SIGNATURE: Signed ‘F. Currie’ (lower right)
  • National Gallery

    by Francesca Currie

    £8,500

    Francesca Currie is a contemporary artist based in Cheltenham with a diverse portfolio spanning portraits, photographs, equine works and still lifes. Her work combines the traditional techniques of the Old Masters with a modern viewpoint to create classical representational oil paintings with contemporary composition.

    MEDIUM: Oil on canvas DIMENSIONS: (unframed) 39.4 x 27.6 ins/ 100.0 x 70.0 cm SIGNATURE: Signed ‘F. Currie’ (lower right)
  • Queen’s Walk

    by Francesca Currie

    £7,500

    Francesca Currie is a contemporary artist based in Cheltenham with a diverse portfolio spanning portraits, photographs, equine works and still lifes. Her work combines the traditional techniques of the Old Masters with a modern viewpoint to create classical representational oil paintings with contemporary composition.

    MEDIUM: Oil on canvas DIMENSIONS: (unframed) 39.4 x 27.6 ins/ 100.0 x 70.0 cm SIGNATURE: Signed ‘F. Currie’ (lower right)
  • Nightscape

    by Francesca Currie

    £8,500

    Francesca Currie is a contemporary artist based in Cheltenham with a diverse portfolio spanning portraits, photographs, equine works and still lifes. Her work combines the traditional techniques of the Old Masters with a modern viewpoint to create classical representational oil paintings with contemporary composition.

    MEDIUM: Oil on canvas DIMENSIONS: (unframed) 31.5 x 39.5 ins/ 80.0 x 100.0 cm SIGNATURE: Signed ‘F. Currie’ (lower right)
  • Peeled Satsuma

    by Francesca Currie

    £1,950

    Francesca Currie is a contemporary artist based in Cheltenham with a diverse portfolio spanning portraits, photographs, equine works and still lifes. Her work combines the traditional techniques of the Old Masters with a modern viewpoint to create classical representational oil paintings with contemporary composition.

    MEDIUM: Oil on canvas DIMENSIONS: (unframed) 10 x 12 ins/ 25.4 x 30.5 cm SIGNATURE: Signed ‘F. Currie’ (lower right)
  • Little Electric Chair (Hookers Green)

    by After Andy Warhol

    £6,800
    Addressing the reiteration of tragedy in the media, the Electric Chair series juxtaposes bright colours with a morbid subject. Warhol began producing these works in 1963, the same year as the State of New York’s last execution by electric chair. The source image was a press photograph published in January 1953 of the electric chair at Sing Sing Prison in Ossining, New York, a maximum security prison. DIMENSIONS: (Unframed) 22 x 28 inches / 55.9 x 71.12 cm SIGNATURE: Stamped 'undenied' edition 1/40. MEDIUM: Acrylic
  • Little Electric Chair, (Phthalo Blue)

    by After Andy Warhol

    £6,800
    Addressing the reiteration of tragedy in the media, the Electric Chair series juxtaposes bright colours with a morbid subject. Warhol began producing these works in 1963, the same year as the State of New York’s last execution by electric chair. The source image was a press photograph published in January 1953 of the electric chair at Sing Sing Prison in Ossining, New York, a maximum security prison. DIMENSIONS: (Unframed) 22 x 28 inches / 55.9 x 71.16 cm SIGNATURE: Stamped 'undenied' edition 1/40. MEDIUM: Acrylic on canvas
  • Addressing the reiteration of tragedy in the media, the Electric Chair series juxtaposes bright colours with a morbid subject. Warhol began producing these works in 1963, the same year as the State of New York’s last execution by electric chair. The source image was a press photograph published in January 1953 of the electric chair at Sing Sing Prison in Ossining, New York, a maximum security prison. DIMENSIONS: (Unframed) 22 x 28 inches / 55.88 x 71.12 cm SIGNATURE: Stamped 'undenied' edition 1/40. MEDIUM: Acrylic on canvas
  • The Last Tango (Spotlight)

    by Fabian Perez

    £11,000
    Contemporary artist, Fabian Perez is known for his powerful and atmospheric paintings that are collected all over the world. The Last Tango (Spotlight) is a celebration of the talent and passion of those characters and their art. The intensity and sensuality of tango blend harmoniously with Perez’s style, with ink perfectly capturing his comprehension of light and shadow, to create this dynamic piece. MEDIUM: Ink on paper DIMENSIONS: 12 x 16 ins/ 30.5 x 40.6 cm SIGNATURE: Signed (lower right)
  • DIMENSIONS: (unframed) 50.3 x 69.8 cm/ 19.8 x 27.5 inches (framed) 72.4 x 91.4 cm/ 28.5 x 36 inches SIGNATURE: Signed 'APS' (lower right) MEDIUM: Print on glass
  • DIMENSIONS: (unframed) 50.3 x 69.8 cm/ 19.8 x 27.5 inches (framed) 72.4 x 91.4 cm/ 28.5 x 36 inches SIGNATURE: Signed 'APS' (lower right) MEDIUM: Print on glass
  • The Wood for the Trees

    by A P Sargent

    £2,750
    DIMENSIONS: (unframed) 25.6 x 33.5 ins./ 65 x 85 cm (framed) 36.2 x 40.2 ins./ 92 x 102 cm SIGNATURE: Signed 'APS' (lower right) MEDIUM: Print on glass
  • City of Dust

    by A P Sargent

    £2,750
    DIMENSIONS: (unframed) 25.6 x 33.1 ins./ 65 x 84 cm (framed) 36.2 x 40.2 ins./ 92 x 102 cm SIGNATURE: Signed 'APS' (lower right) MEDIUM: Print on glass
  • Mother and Child

    by Dorothea Sharp

    £18,000
    Dorothea Sharp believed colour to be as important as form in the creation of a work and painted quickly with a heavily loaded brush. These ideas and techniques were learnt in Paris where she became influenced by the Impressionists, particularly by Monet. She was well known for her paintings of women and children, like with this intimate scene of a mother and child which would be a lovely addition to any collection. MEDIUM: Oil on canvas DIMENSIONS:  (unframed) 17.7 x 14.6 inches (45.0 x 37.1 cm) SIGNATURE: Signed ‘Dorothea Sharp’ (lower right)
  • A Dashing Cavalier

    by Adolphe Alexandre Lesrel

    £15,000
    During the 19th century people developed a vivid fascination for the past. This was particularly true in France where memories of the recently deposed monarchy were still strong and the political situation was volatile. Paintings emphasized the human qualities of the subjects and in Lesrel's works he alludes to the paternal qualities of the monarchy by painting the King's men at ease in their domestic situations. MEDIUM: Oil on panel DIMENSIONS: (unframed) 23 x 14.25 ins/ 58.42 x 36.20 cm
  • Street scene of Paris with people looking at flower sellers and buildings in the background by Cesar Villacres Street scene of Paris with people looking at flower sellers and buildings in the background by Cesar Villacres

    Paris

    by Cesar A. Villacres

    £15,000
    Cesar A. Villacres was an Ecuadorian painter who associated with the French Impressionists. In this vibrant work Villacres beautifully depicts an alive street in Paris showing street vendors, flower sellers and people going about their day, as he uses a mixture of quick brushstrokes and attention to detail to effortlessly capture this fleeting moment. MEDIUM: Oil on Canvas DIMENSIONS: (unframed) 20.0 x 24.0 ins/ 50.8 x 61.0 cm SIGNATURE: Signed ‘Villacres’ (lower right)  
  • Apollo

    by Astor Milan Salcedo

    £12,750
    Astor Salcedo began his career in the nineties as a fashion and portrait photographer, and travelled the world as a documentary filmmaker. In 2004 he worked as a Creative Director in the world of fashion on commercials for Hugo Boss, Gucci and Swarovski. In 2009 he won the highest award in German television, Deutscher Fernsehpreis for his documentary ‘Die Bombe’. Astor’s variety and depth of experience living in various cultures has taught him many techniques. His interdisciplinary talent frees him to express himself in numerous multi-media ways. Salcedo’s insatiable curiosity for politics, society and the arts are the sources of his inspiration. As mentioned, Astor’s foremost topic is the vital interchange between mankind and nature, which he sees as an ever-present theme in modern life. Through his work, he also explores the human struggle to find happiness, which seems to be present in every culture, but is approached and defined in countless different ways. DIMENSIONS: (unframed) 55.1 x 47.2 ins/140 x 120 cm MEDIUM: Oil on canvas
  • No Title II

    by Astor Milan Salcedo

    £4,500
    Astor Salcedo began his career in the nineties as a fashion and portrait photographer, and travelled the world as a documentary filmmaker. In 2004 he worked as a Creative Director in the world of fashion on commercials for Hugo Boss, Gucci and Swarovski. In 2009 he won the highest award in German television, Deutscher Fernsehpreis for his documentary ‘Die Bombe’. Astor’s variety and depth of experience living in various cultures has taught him many techniques. His interdisciplinary talent frees him to express himself in numerous multi-media ways. Salcedo’s insatiable curiosity for politics, society and the arts are the sources of his inspiration. As mentioned, Astor’s foremost topic is the vital interchange between mankind and nature, which he sees as an ever-present theme in modern life. Through his work, he also explores the human struggle to find happiness, which seems to be present in every culture, but is approached and defined in countless different ways. DIMENSIONS: (unframed) 19.5 x 15.50 ins/49.5 x 39.4 cm MEDIUM: Oil on canvas
  • Of Jesse’s Seed

    by PJ Crook

    £6,850
    PJ. Crook, as she is professionally known, was born in Cheltenham in 1945, where she still lives and works. PJ’s work is held in some of the world’s most prominent public and private collections and is considered in the highest echelons of British contemporary art. She is represented by the Panter & Hall gallery on Pall Mall in London and Galerie Alain Blondel in Paris. DIMENSIONS: 43.2 x 27.9 x 17.8 cm / 17.0 x 11.0 x 7.0 ins SIGNATURE: Signed MEDIUM: Mixed Media
  • Tree #1

    by Astor Milan Salcedo

    £3,800
    Astor Salcedo began his career in the nineties as a fashion and portrait photographer, and travelled the world as a documentary filmmaker. In 2004 he worked as a Creative Director in the world of fashion on commercials for Hugo Boss, Gucci and Swarovski. In 2009 he won the highest award in German television, Deutscher Fernsehpreis for his documentary ‘Die Bombe’. Astor’s variety and depth of experience living in various cultures has taught him many techniques. His interdisciplinary talent frees him to express himself in numerous multi-media ways. Salcedo’s insatiable curiosity for politics, society and the arts are the sources of his inspiration. As mentioned, Astor’s foremost topic is the vital interchange between mankind and nature, which he sees as an ever-present theme in modern life. Through his work, he also explores the human struggle to find happiness, which seems to be present in every culture, but is approached and defined in countless different ways. DIMENSIONS: (unframed) 50.0 x 50.0 cm/19.7 x 19.7 ins MEDIUM: Mixed media photography
  • Abstract stokes of moss green, brown and grey on wooden panel Abstract stokes of moss green, brown and grey on wooden panel

    11:11 UK

    by Matthew Goddard-Jones

    £6,800
    DIMENSIONS: (unframed) 31.9 x 31.9 in. / 81 x 81 cm SIGNATURE: Signed (verso) MEDIUM: Oil paint and cold wax on wooden panel
  • Abstract brown and grey strokes on wooden panel by Matthew Goddard-Jones Abstract brown and grey strokes on wooden panel by Matthew Goddard-Jones

    20:21 UK

    by Matthew Goddard-Jones

    £6,800
    DIMENSIONS: (unframed) 48 x 48 in. / 121.9 x 121.9 cm SIGNATURE: Signed (verso) MEDIUM: Oil paint and cold wax on wooden panel
  • La Pointe de Manhattan, New York

    by Yves Brayer

    £9,500
    Yves Brayer was one of the painters who, between the two world wars, felt the need to become attached to the reality that surrounded them. Brayer counted among his friends, Francis Gruber who was at the origin of the New French Realism of the 1950s, and of which Bernard Buffet would be the shining example. Brayer realised that there are other harmonies than those of architectures created by man, those of pure and wild nature and he became fascinated by the diversity of the Alpilles and their limestone folds, then by the expanses of the Camargue populated by white horses and black bulls. His works can be found in various museums and in many collections both in France and worldwide. He was professor at the Académie de la Grande Chaumière for fifty years, President of the Salon d'Automne for five years and, as a member of the Academy of Fine Arts, curator of the Marmottan Museum in Paris for more than eleven years . DIMENSIONS: (unframed) 15.3 x 20.5 ins/ 38.9 x 52.1 cm SIGNATURE: Signed lower right MEDIUM: Signed ‘Yves Brayer’ (lower left)
  • landscape with a river next to a bank with green grass and pink trees on it. There is a bridge in the background

    Rivière Provençale

    by Henri Aurrens

    £18,500
    Louis Henri Joseph Aurrens was a French painter, illustrator and caricaturist. Aurrens’ is best known for his paintings later in life of the surrounding landscapes in Marseille, his hometown. He was adept in pointillism, yet made it his own; a kind of controlled abandonment gives a charm to his free, fine and personal interpretation of luminist doctrines. His work is notable for his characteristic use of the colour pink, tinging the scenes with a rosy nostalgia, as we see in this beautiful landscape, Rivière Provençale, depicting a river running next to a bank where Aurrens has used vibrant colours of green and pink. MEDIUM: Oil on canvas DIMENSIONS: (unframed) 24.0 x 29.0 ins/ 61.0 x 73.7 cm SIGNATURE: Signed ‘H. Aurrens’ (lower right)
  • diptych of two semi circles in the middle to create a full circle with dashes of paint in blue, black, yellow and orange

    World’s Apart

    by Beata Orosz

    £11,900
    Beata Orosz is a contemporary artist and Architectural Designer who combines her passion for painting, drawing and architectural appreciation to create unique and minimalist works of art that provoke emotion in the eye of the beholder. “I will always push my own personal creative boundaries to a point where my skills align and evolve.” – Beata Orosz. MEDIUM: Mixed media on canvas DIMENSIONS: (unframed) 39.4 x 39.4 ins/ 100.0 x 100.0 cm (each) SIGNATURE: Signed ‘B Orosz’ (lower right )
  • A man reaching out towards a hand that goes out of the image standing in a street of white stone buildings and with two cats in the front

    Buon Giorno, 1983

    by Mary Fedden

    £19,000
    This small watercolour by Mary Fedden is actually a remake of an earlier work painted by the artist in 1980. In both she depicts her partner, Julian Trevelyan, standing in a street of white stone buildings reaching out toward a disembodied hand. In this iteration however she has chosen to paint two cats rather than the dog in the 1980 version. This is an example of Fedden’s characteristic collaging together of imagery to form her compositions – she would make many sketches and pull from them to do this. MEDIUM: Watercolour and pastel on paper DIMENSIONS: (unframed) 8.5 x 6 ins/ 21.6 x 15.2 cm SIGNATURE: Signed ‘Fedden' and dated (lower left)
  • Marcel Dyf's wife sitting at a table with a vase and red rose on it

    Claudine and the Red Rose

    by Marcel Dyf

    £17,500
    Here French Impressionist artist, Marcel Dyf paints his wife Claudine sitting at a table. Using slight impasto, Dyf has cleverly conveyed the texture of the fabrics, furnishings and the objects on the table. In particular, the vibrant red flower in the foreground highlights the sitter’s rouge lips, bringing the focus to her and adding a romantic, rosy lens to the entire scene. Dyf had met Claudine in the 1950's when she was just 19. There was a big age gap of 36 years but after a many years posing for him, they married when Dyf was 66. This painting is a testament for the passion Dyf felt for his wife. DIMENSIONS: (unframed) 21.3 x 25.5 ins/ 54.1 x 64.8 cm SIGNATURE: Signed 'Dyf' (lower left) MEDIUM: Oil on canvas
  • orange and brown watercolour landscape with hills and buildings in Italy by Mary Fedden

    Landscape Study, Italy, 1975

    by Mary Fedden

    £12,750
    Mary Fedden’s is renowned for her unique perspective and great talent for finding beauty in the everyday. Her first solo exhibition followed the next year at the Mansard Gallery in Heal’s Department Store, where several of her still life flower paintings were displayed. Fedden developed her own style of flower paintings and still lifes, reminiscent of artists such as Matisse and Braque. She worked with bold palettes and simplified shapes, carefully orchestrating her still life compositions to draw out the extraordinary from ordinary objects. In fact, it was her constant progression and development throughout her career that makes her overall body of work so interesting; from her earlier pieces playing with colour, perspective, and patterns to her later work experimenting with light, texture, and crisper, cleaner lines. MEDIUM: Watercolour on paper DIMENSIONS: (unframed) 7.5 x 10.5 ins/ 19.1 x 26.7 cm SIGNATURE: Signed ‘Fedden’ (lower left); inscribed ‘Oleg Polunin’ and dated (verso)
  • Portrait of J. Louis Behrend

    by Stanley Spencer

    £5,000
    Stanley Spencer made portrait drawings of his friends and patrons for much of his life, often head and shoulder views, as if they were seated before him. He enjoyed this activity, he said, because of his 'exquisite appreciation of heads'. This work, Portrait of J. Louis Behrend, is a prime example of his keen attention to detail, as he focuses on his face, with his torso fading into the paper. Also, his gaze directly confronts the viewer, yet is soft. Spencer’s light use of pencil captures his subject’s gentle demeanour. MEDIUM: Pencil on paper DIMENSIONS: (unframed) 8.3 x 7.0 ins/ 21.1 x 17.8 cm
  • Dreambackday (Diptych)

    by Martyn Jones

    £3,650
    Martyn Jones is a British contemporary painter who explores the relationship between ‘place and time’ with the natural shape and form that his paintings take, until they finish themselves. Jones aims to challenge the viewer’s perspective through the compositional elements that are employed within each painting that capture the spirit of immediacy, as well as with the natural ambiguity that occurs, which is in no way construed. MEDIUM: Oil on canvas DIMENSIONS: (unframed) 16.0 x 20.0 ins/ 40.6 x 50.8 cm SIGNATURE: Signed ‘Martyn Jones’ and titled (verso)
  • Lucid Emerald (Diptych)

    by Martyn Jones

    £3,650
    Martyn Jones is a British contemporary painter who explores the relationship between ‘place and time’ with the natural shape and form that his paintings take, until they finish themselves. Jones aims to challenge the viewer’s perspective through the compositional elements that are employed within each painting that capture the spirit of immediacy, as well as with the natural ambiguity that occurs, which is in no way construed. MEDIUM: Oil on canvas DIMENSIONS: (unframed) 16.0 x 20.0 ins/ 40.6 x 50.8 cm SIGNATURE: Signed ‘Martyn Jones’ and titled (verso)
  • Martyn Jones is a British contemporary painter who explores the relationship between ‘place and time’ with the natural shape and form that his paintings take, until they finish themselves. Jones aims to challenge the viewer’s perspective through the compositional elements that are employed within each painting that capture the spirit of immediacy, as well as with the natural ambiguity that occurs, which is in no way construed. MEDIUM: Oil on canvas DIMENSIONS: (unframed) 16.0 x 20.0 ins/ 40.6 x 50.8 cm SIGNATURE: Signed ‘Martyn Jones’ and titled (verso)
  • Rose Madder Sundae (study), 2020

    by Martyn Jones

    £2,200
    Martyn Jones is a British contemporary painter who explores the relationship between ‘place and time’ with the natural shape and form that his paintings take, until they finish themselves. Jones aims to challenge the viewer’s perspective through the compositional elements that are employed within each painting that capture the spirit of immediacy, as well as with the natural ambiguity that occurs, which is in no way construed. MEDIUM: Oil on canvas DIMENSIONS: (unframed) 8.0 x 10.0 ins/ 20.3 x 25.4 cm SIGNATURE: Signed ‘Martyn Jones’ and titled (verso)
  • Julep Midsummer, 2020

    by Martyn Jones

    £6,950
    Martyn Jones is a British contemporary painter who explores the relationship between ‘place and time’ with the natural shape and form that his paintings take, until they finish themselves. Jones aims to challenge the viewer’s perspective through the compositional elements that are employed within each painting that capture the spirit of immediacy, as well as with the natural ambiguity that occurs, which is in no way construed. MEDIUM: Oil on canvas DIMENSIONS: (unframed) 39.4 x 49.2 ins/ 100.0 x 125.0 cm) SIGNATURE: Signed ‘Martyn Jones’ and titled (verso)
  • Jardin de Nuit, de Été, 2020

    by Martyn Jones

    £6,950
    Martyn Jones is a British contemporary painter who explores the relationship between ‘place and time’ with the natural shape and form that his paintings take, until they finish themselves. Jones aims to challenge the viewer’s perspective through the compositional elements that are employed within each painting that capture the spirit of immediacy, as well as with the natural ambiguity that occurs, which is in no way construed. MEDIUM: Oil on canvas DIMENSIONS: (unframed) 39.4 x 49.2 ins/ 100.0 x 125.0 cm) SIGNATURE: Signed ‘Martyn Jones’ and titled (verso)
  • Night Garden, April Spangle, 2020

    by Martyn Jones

    £7,950
    Martyn Jones is a British contemporary painter who explores the relationship between ‘place and time’ with the natural shape and form that his paintings take, until they finish themselves. Jones aims to challenge the viewer’s perspective through the compositional elements that are employed within each painting that capture the spirit of immediacy, as well as with the natural ambiguity that occurs, which is in no way construed. MEDIUM: Oil on canvas DIMENSIONS: (unframed) 39.4 x 59.1 ins/ 100.0 x 150.0 cm) SIGNATURE: Signed ‘Martyn Jones’ and titled (verso)
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